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Machinations: A Concerto for Bassoon...

McAninch, Anne.

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Machinations: A Concerto for Bassoon and Orchestra.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Machinations: A Concerto for Bassoon and Orchestra./
Author:	McAninch, Anne.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	109 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-11, Section: A.
Contained By:	Dissertations Abstracts International80-11A.
Subject:	Musical composition. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13878227
ISBN:	9781392137871

Machinations: A Concerto for Bassoon and Orchestra.
McAninch, Anne.

Machinations: A Concerto for Bassoon and Orchestra. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 109 p.

Source: Dissertations Abstracts International, Volume: 80-11, Section: A.

Thesis (D.M.A.)--The University of Wisconsin - Madison, 2019.

This item must not be sold to any third party vendors.

The Doctoral Composition and Research submitted by Anne M. McAninch, under the direction of Laura Schwendinger at the University of Wisconsin-Madison, in the fulfillment of the requirements for the degree Doctor of Musical Arts consists of the following:I. Written Project: Machinations: Concerto for Bassoon and Orchestra is a programmatic work that is inspired by the characters portrayed in the film Dangerous Liaisons (1988) and their function in the plot of revenge. This concerto is cast in three movements that represent each role: Movement I exhibits the volatile personality of the main manipulator juxtaposed to her refined public persona as they begin to intrude on each other, Movement II addresses the internal struggle of the victim that is both a manipulator but is also being manipulated, which is the desire to evolve into a kind-hearted being while unable to escape the main manipulator's control. Finally, Movement III demonstrates the characteristics of the innocent as they are victimized by the two devious manipulators.II. Lecture Recital, 04/14/2019, Morphy Recital Hall X-1 (2018) Anne McAninch presentation of the composition, compositional process, and materials used in creating the work X-1 for flute. Oboe, violin, and cello. This work was performed by Megan O'Connell (flute), Zach Pulse (oboe), Maynie Bradley (violin), Cole Randolph (cello) and conducted by Anne McAninch.

ISBN: 9781392137871Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

Bassoon

Machinations: A Concerto for Bassoon and Orchestra.
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520 $a The Doctoral Composition and Research submitted by Anne M. McAninch, under the direction of Laura Schwendinger at the University of Wisconsin-Madison, in the fulfillment of the requirements for the degree Doctor of Musical Arts consists of the following:I. Written Project: Machinations: Concerto for Bassoon and Orchestra is a programmatic work that is inspired by the characters portrayed in the film Dangerous Liaisons (1988) and their function in the plot of revenge. This concerto is cast in three movements that represent each role: Movement I exhibits the volatile personality of the main manipulator juxtaposed to her refined public persona as they begin to intrude on each other, Movement II addresses the internal struggle of the victim that is both a manipulator but is also being manipulated, which is the desire to evolve into a kind-hearted being while unable to escape the main manipulator's control. Finally, Movement III demonstrates the characteristics of the innocent as they are victimized by the two devious manipulators.II. Lecture Recital, 04/14/2019, Morphy Recital Hall X-1 (2018) Anne McAninch presentation of the composition, compositional process, and materials used in creating the work X-1 for flute. Oboe, violin, and cello. This work was performed by Megan O'Connell (flute), Zach Pulse (oboe), Maynie Bradley (violin), Cole Randolph (cello) and conducted by Anne McAninch.
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