東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Machinations: A Concerto for Bassoon...

McAninch, Anne.

FindBook

Google Book

Amazon

博客來

Machinations: A Concerto for Bassoon and Orchestra.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Machinations: A Concerto for Bassoon and Orchestra./
作者:	McAninch, Anne.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	109 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-11, Section: A.
Contained By:	Dissertations Abstracts International80-11A.
標題:	Musical composition. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13878227
ISBN:	9781392137871

Machinations: A Concerto for Bassoon and Orchestra.
McAninch, Anne.

Machinations: A Concerto for Bassoon and Orchestra. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 109 p.

Source: Dissertations Abstracts International, Volume: 80-11, Section: A.

Thesis (D.M.A.)--The University of Wisconsin - Madison, 2019.

This item must not be sold to any third party vendors.

The Doctoral Composition and Research submitted by Anne M. McAninch, under the direction of Laura Schwendinger at the University of Wisconsin-Madison, in the fulfillment of the requirements for the degree Doctor of Musical Arts consists of the following:I. Written Project: Machinations: Concerto for Bassoon and Orchestra is a programmatic work that is inspired by the characters portrayed in the film Dangerous Liaisons (1988) and their function in the plot of revenge. This concerto is cast in three movements that represent each role: Movement I exhibits the volatile personality of the main manipulator juxtaposed to her refined public persona as they begin to intrude on each other, Movement II addresses the internal struggle of the victim that is both a manipulator but is also being manipulated, which is the desire to evolve into a kind-hearted being while unable to escape the main manipulator's control. Finally, Movement III demonstrates the characteristics of the innocent as they are victimized by the two devious manipulators.II. Lecture Recital, 04/14/2019, Morphy Recital Hall X-1 (2018) Anne McAninch presentation of the composition, compositional process, and materials used in creating the work X-1 for flute. Oboe, violin, and cello. This work was performed by Megan O'Connell (flute), Zach Pulse (oboe), Maynie Bradley (violin), Cole Randolph (cello) and conducted by Anne McAninch.

ISBN: 9781392137871Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

Bassoon

Machinations: A Concerto for Bassoon and Orchestra.
LDR:02518nmm a2200349 4500 001 2268331
005 20200824072210.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781392137871
035 $a (MiAaPQ)AAI13878227
035 $a (MiAaPQ)wisc:16097
035 $a AAI13878227
040 $a MiAaPQ $c MiAaPQ
100 1 $a McAninch, Anne. $3 3545607
245 1 0 $a Machinations: A Concerto for Bassoon and Orchestra.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 109 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-11, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Schwendinger, Laura E.
502 $a Thesis (D.M.A.)--The University of Wisconsin - Madison, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a The Doctoral Composition and Research submitted by Anne M. McAninch, under the direction of Laura Schwendinger at the University of Wisconsin-Madison, in the fulfillment of the requirements for the degree Doctor of Musical Arts consists of the following:I. Written Project: Machinations: Concerto for Bassoon and Orchestra is a programmatic work that is inspired by the characters portrayed in the film Dangerous Liaisons (1988) and their function in the plot of revenge. This concerto is cast in three movements that represent each role: Movement I exhibits the volatile personality of the main manipulator juxtaposed to her refined public persona as they begin to intrude on each other, Movement II addresses the internal struggle of the victim that is both a manipulator but is also being manipulated, which is the desire to evolve into a kind-hearted being while unable to escape the main manipulator's control. Finally, Movement III demonstrates the characteristics of the innocent as they are victimized by the two devious manipulators.II. Lecture Recital, 04/14/2019, Morphy Recital Hall X-1 (2018) Anne McAninch presentation of the composition, compositional process, and materials used in creating the work X-1 for flute. Oboe, violin, and cello. This work was performed by Megan O'Connell (flute), Zach Pulse (oboe), Maynie Bradley (violin), Cole Randolph (cello) and conducted by Anne McAninch.
590 $a School code: 0262.
650 4 $a Musical composition. $3 3289630
650 4 $a Music. $3 516178
653 $a Bassoon
653 $a Concerto
690 $a 0214
690 $a 0413
710 2 $a The University of Wisconsin - Madison. $b Music: Performance. $3 3175480
773 0 $t Dissertations Abstracts International $g 80-11A.
790 $a 0262
791 $a D.M.A.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13878227