東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Harmony and Voice-leading in the Rit...

Russell, Jonathan.

FindBook

Google Book

Amazon

博客來

Harmony and Voice-leading in the Rite of Spring.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Harmony and Voice-leading in the Rite of Spring./
作者:	Russell, Jonathan.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	439 p.
附註:	Source: Dissertations Abstracts International, Volume: 79-12, Section: A.
Contained By:	Dissertations Abstracts International79-12A.
標題:	Musical composition. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10824543
ISBN:	9780438050549

Harmony and Voice-leading in the Rite of Spring.
Russell, Jonathan.

Harmony and Voice-leading in the Rite of Spring. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 439 p.

Source: Dissertations Abstracts International, Volume: 79-12, Section: A.

Thesis (Ph.D.)--Princeton University, 2018.

This item must not be sold to any third party vendors.

While many analysts have considered harmony in The Rite of Spring from a variety of angles, a convincing and comprehensive account of its harmonic practices has yet to emerge. This dissertation aims to fill this gap by presenting a full accounting of harmony in The Rite. The goal is both to be as comprehensive as possible and also to uncover useful lessons and tools for composers working today. While drawing on previous analytical approaches, the paper's primary analytical method is rooted in recent applications of the geometric modeling of pitch space to harmonic analysis. By showing similar underlying voice-leading patterns and similar ways of moving through pitch space, this approach connects much twentieth century music to the common practice music preceding it. It provides a vocabulary for discussing music that does not follow the syntax of functional tonality, but that is nonetheless intuitively tonal, allowing us to consider the logic of harmonic and voice-leading patterns without being forced either to abandon the concept of tonality entirely, or to invoke tortured extensions of common practice functional progressions. The Rite that emerges from this analysis has a large, but contained and describable range of harmonic techniques. It has numerous structural connections and patterns, but no reducible system. And it has logical processes and systems that are warped and disguised by intuitive play. The idea of a "network" or "web" is an especially fruitful image. A given harmony in the work can be seen from several angles at once, and depending on which of its implications are followed, it can be connected to a wide range of other harmonies, creating a complex, interwoven web of associations. Chapter 1 reviews previous approaches to analyzing harmony in The Rite, and outlines the paper's analytical method; Chapters 2 and 3 apply the analytical techniques from Chapter 1 in depth, with bar-by-bar analyses of Parts 1 and 2 of The Rite, respectively; Chapter 4 summarizes the main conclusions to be drawn from the analyses in Chapters 2 and 3; and Chapter 5 discusses implications for further analysis and composition.

ISBN: 9780438050549Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

Analysis

Harmony and Voice-leading in the Rite of Spring.
LDR:03422nmm a2200409 4500 001 2285774
005 20220613065659.5
008 220803s2018 ||||||||||||||||| ||eng d
020 $a 9780438050549
035 $a (MiAaPQ)AAI10824543
035 $a (MiAaPQ)princeton:12636
035 $a AAI10824543
040 $a MiAaPQ $c MiAaPQ
100 1 $a Russell, Jonathan. $3 3566161
245 1 0 $a Harmony and Voice-leading in the Rite of Spring.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 439 p.
500 $a Source: Dissertations Abstracts International, Volume: 79-12, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Includes supplementary digital materials.
500 $a Advisor: Tymoczko, Dmitri.
502 $a Thesis (Ph.D.)--Princeton University, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a While many analysts have considered harmony in The Rite of Spring from a variety of angles, a convincing and comprehensive account of its harmonic practices has yet to emerge. This dissertation aims to fill this gap by presenting a full accounting of harmony in The Rite. The goal is both to be as comprehensive as possible and also to uncover useful lessons and tools for composers working today. While drawing on previous analytical approaches, the paper's primary analytical method is rooted in recent applications of the geometric modeling of pitch space to harmonic analysis. By showing similar underlying voice-leading patterns and similar ways of moving through pitch space, this approach connects much twentieth century music to the common practice music preceding it. It provides a vocabulary for discussing music that does not follow the syntax of functional tonality, but that is nonetheless intuitively tonal, allowing us to consider the logic of harmonic and voice-leading patterns without being forced either to abandon the concept of tonality entirely, or to invoke tortured extensions of common practice functional progressions. The Rite that emerges from this analysis has a large, but contained and describable range of harmonic techniques. It has numerous structural connections and patterns, but no reducible system. And it has logical processes and systems that are warped and disguised by intuitive play. The idea of a "network" or "web" is an especially fruitful image. A given harmony in the work can be seen from several angles at once, and depending on which of its implications are followed, it can be connected to a wide range of other harmonies, creating a complex, interwoven web of associations. Chapter 1 reviews previous approaches to analyzing harmony in The Rite, and outlines the paper's analytical method; Chapters 2 and 3 apply the analytical techniques from Chapter 1 in depth, with bar-by-bar analyses of Parts 1 and 2 of The Rite, respectively; Chapter 4 summarizes the main conclusions to be drawn from the analyses in Chapters 2 and 3; and Chapter 5 discusses implications for further analysis and composition.
590 $a School code: 0181.
650 4 $a Musical composition. $3 3289630
650 4 $a Music theory. $3 547155
653 $a Analysis
653 $a Harmony
653 $a Octatonic
653 $a Pitch space
653 $a Rite of Spring
653 $a Stravinsky, Igor
690 $a 0214
690 $a 0221
710 2 $a Princeton University. $b Music. $3 2095983
773 0 $t Dissertations Abstracts International $g 79-12A.
790 $a 0181
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10824543