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The Sonata-Fugue Hybrid in Haydn's Early Symphonies.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Sonata-Fugue Hybrid in Haydn's Early Symphonies./
Author:	Burdick, Carl Albert.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2022,
Description:	311 p.
Notes:	Source: Dissertations Abstracts International, Volume: 84-01, Section: A.
Contained By:	Dissertations Abstracts International84-01A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29282184
ISBN:	9798802752111

The Sonata-Fugue Hybrid in Haydn's Early Symphonies.
Burdick, Carl Albert.

The Sonata-Fugue Hybrid in Haydn's Early Symphonies. - Ann Arbor : ProQuest Dissertations & Theses, 2022 - 311 p.

Source: Dissertations Abstracts International, Volume: 84-01, Section: A.

Thesis (Ph.D.)--University of Cincinnati, 2022.

This item must not be sold to any third party vendors.

This dissertation documents Joseph Haydn's compositional practice of integrating sonata and fugue in his early symphonies. It argues that through this process of sonata-fugue integration, Haydn developed his most characteristic sonata-form techniques, and that some of the late-eighteenth-century sonatas definitive rhetoric also emerged from this practice. The dissertation closes by surveying the interaction of fugue and sonata form in the instrumental works following the early symphonies, and includes two appendices on archival documents that have an undetermined bearing on Haydn's musical education.Haydn composed his first 39 symphonies between 1757 and 1766, and in this group of works, we find a greater concentration of fugal writing than in any comparable genre or period of his life. The movements that engage with fugue take part in establishing a rich dialogue between fugue and sonata form, which supports a reading of two movements (the last movements of Symphonies no. 3 and 40) as sonata-fugue hybrids. This historical moment realizes an intersection of two genres in culturally opposing liminal states sonata on the rise, and fugue in decline that also feature a compositional challenge. Sonata form is divided into two or three parts by sectional repeats and cadences, while fugue was meant to be continuous from beginning to end. In the early symphonies, Haydn navigates this fundamental tension by establishing a set of sonata-fugue integration strategies. This process also appears to give rise to characteristic rhetoric around the Medial Caesura (and its avoidance), as well as the sonata-form techniques of the Trimodular Block and Coda-Rhetoric Interpolation.In the two sonata-fugue hybrid movements, Haydn forges a compromise between sonatas discontinuity and fugues continuity by eliminating the sonata processes expositional closure and repeat. Fugue makes the sacrifice of occasionally admitting homophonic textures and a Galant compositional style. Strong rotational correspondence between the exposition and recapitulation of each piece, as well as a rich dialogue among the early symphonies as a group support reading these two movements as sonata-fugue hybrids, despite the generic challenges posed.Haydn develops several narrative-compositional strategies in these works to support the sonata-fugue hybrid. Ten of Haydn's early movements begin with fugue expositions or elements of one, and these all take advantage of this fugal invitation by highlighting continuity, either by remaining fugal, or through some other set of strategies. Some of those movements that present potentially fugal material realize this latent fugal potential in development or recapitulation action zones. A critical element of the hybrid strategy, also present in other works, is the use of stretto as a recapitulation-launch tactic. These pieces often feature more thoroughgoing recomposition than in the other early movements. Together, these strategies generate the origins of Haydn's most characteristic techniques including monothematic and continuous expositional strategies and recapitulatory recomposition.By paying special attention to the fugal aspects of Haydn's early symphonies, we also gain insight into the development of the late-eighteenth century sonata style broadly. Scholars have long recognized sonatas indebtedness to fugue, and this study provides new and direct analysis of this ancestry.

ISBN: 9798802752111Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Joseph Haydn

The Sonata-Fugue Hybrid in Haydn's Early Symphonies.
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