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Post-pitch World: Timbre as the Primary Element of Form.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Post-pitch World: Timbre as the Primary Element of Form./
Author:	Majd, Arash .
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	300 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-07, Section: A.
Contained By:	Dissertations Abstracts International81-07A.
Subject:	Musical composition. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27670390
ISBN:	9781392725856

Post-pitch World: Timbre as the Primary Element of Form.
Majd, Arash .

Post-pitch World: Timbre as the Primary Element of Form. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 300 p.

Source: Dissertations Abstracts International, Volume: 81-07, Section: A.

Thesis (Ph.D.)--University of California, Los Angeles, 2020.

This item must not be sold to any third party vendors.

While pitch has been the primary element of form for many centuries, this dissertation considers the possibility of using timbre as the primary element of form in a musical composition. It explores the different mindsets, structural procedures, and techniques which contribute to the construction of form in the absence of pitch. As its primary case study, this dissertation analyzes Crama by Panayiotis Kokoras (b.1974) to discover the practical applications of a piece formally organized by timbre, including over one hundred figures that analyze Crama in smaller sections. These figures express the timbre of each instrument, and then compare the timbre of each instrument to all other instruments before discussing the results. Most of the figures include a short conclusion that explains how timbre supports the form in this piece. The conclusion chapter draws from the case study chapters and suggests even more options to createa sound-based composition.

ISBN: 9781392725856Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

Post-pitch world

Post-pitch World: Timbre as the Primary Element of Form.
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020 $a 9781392725856
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100 1 $a Majd, Arash . $3 3687662
245 1 0 $a Post-pitch World: Timbre as the Primary Element of Form.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 300 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-07, Section: A.
500 $a Advisor: Lefkowitz, David S.;Krouse, Ian.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a While pitch has been the primary element of form for many centuries, this dissertation considers the possibility of using timbre as the primary element of form in a musical composition. It explores the different mindsets, structural procedures, and techniques which contribute to the construction of form in the absence of pitch. As its primary case study, this dissertation analyzes Crama by Panayiotis Kokoras (b.1974) to discover the practical applications of a piece formally organized by timbre, including over one hundred figures that analyze Crama in smaller sections. These figures express the timbre of each instrument, and then compare the timbre of each instrument to all other instruments before discussing the results. Most of the figures include a short conclusion that explains how timbre supports the form in this piece. The conclusion chapter draws from the case study chapters and suggests even more options to createa sound-based composition.
590 $a School code: 0031.
650 4 $a Musical composition. $3 3289630
650 4 $a Music theory. $3 547155
653 $a Post-pitch world
653 $a Timbre
653 $a Primary element
653 $a Form
690 $a 0214
690 $a 0221
710 2 $a University of California, Los Angeles. $b Music 0579. $3 2093290
773 0 $t Dissertations Abstracts International $g 81-07A.
790 $a 0031
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27670390