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Post-ironic Sounds: Wallacian New Si...

Klartag, Yair.

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Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble./
Author:	Klartag, Yair.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	60 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-09, Section: A.
Contained By:	Dissertations Abstracts International80-09A.
Subject:	Musical composition. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13808675
ISBN:	9781392004937

Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble.
Klartag, Yair.

Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 60 p.

Source: Dissertations Abstracts International, Volume: 80-09, Section: A.

Thesis (D.M.A.)--Columbia University, 2019.

This item must not be sold to any third party vendors.

This essay presents a conceptual analysis of my piece Unavoidably Sentimental for Large Ensemble. Specifically, the paper traces the roots of the musical thinking in the piece to a notion of Sincerity that emerges from David Foster Wallace's books and essays. The term New Sincerity, coined by Adam Kelly, is deployed to consider what a post-postmodern Sincerity could sound like in contemporary music. The paper provides general background to the literary discourse around the concept of New Sincerity as an extension of Lionel Trilling's formalization of Sincerity and Authenticity. It suggests some examples of how a renewed sense of Sincerity could incarnate in contemporary music. As a background for the analysis of Unavoidably Sentimental itself, the paper provides background to my prior engagement with concepts like irony and authenticity in music. Unavoidably Sentimental is analyzed as a linear process, in which the piece tries to emerge out of a net of self-aware referential musical objects into the creation of sonic states of unmediated human communication between the musicians and the audience. I present different musical strategies in which the piece confronts the limitations of human communication through music, contextualized with reference to the portrayal of communication in Wallace's writings.

ISBN: 9781392004937Subjects--Topical Terms:

3289630
Musical composition.

Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble.
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506 $a This item must not be sold to any third party vendors.
520 $a This essay presents a conceptual analysis of my piece Unavoidably Sentimental for Large Ensemble. Specifically, the paper traces the roots of the musical thinking in the piece to a notion of Sincerity that emerges from David Foster Wallace's books and essays. The term New Sincerity, coined by Adam Kelly, is deployed to consider what a post-postmodern Sincerity could sound like in contemporary music. The paper provides general background to the literary discourse around the concept of New Sincerity as an extension of Lionel Trilling's formalization of Sincerity and Authenticity. It suggests some examples of how a renewed sense of Sincerity could incarnate in contemporary music. As a background for the analysis of Unavoidably Sentimental itself, the paper provides background to my prior engagement with concepts like irony and authenticity in music. Unavoidably Sentimental is analyzed as a linear process, in which the piece tries to emerge out of a net of self-aware referential musical objects into the creation of sonic states of unmediated human communication between the musicians and the audience. I present different musical strategies in which the piece confronts the limitations of human communication through music, contextualized with reference to the portrayal of communication in Wallace's writings.
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