東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Composer's Mind Through the Look...

Bilir, Canbekir.

FindBook

Google Book

Amazon

博客來

The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama./
作者:	Bilir, Canbekir.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	259 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
Contained By:	Dissertations Abstracts International80-12A.
標題:	Musical composition. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13881788
ISBN:	9781392248737

The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama.
Bilir, Canbekir.

The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 259 p.

Source: Dissertations Abstracts International, Volume: 80-12, Section: A.

Thesis (D.M.A.)--Cornell University, 2019.

This item must not be sold to any third party vendors.

This dissertation argues that the structural methods of pitch analysis remain inadequate for the task of explaining what composers are actually doing in their minds. In this work, I address the following questions: where the structural unit appears, does 'pitch,' as an isolated term, still affect the contemporary composer's mind; what is the nature of the composer's mind; and where does pitch fit into the context of the assemblage of Mozart's unfinished opera Zaide and Chaya Czernowin's second opera Zaide /Adama? What is pitch and what does it have to do with contemporary music compositions? What is the true nature of the musical idea and what is the source of this idea? Furthermore, how can a person understand the subjective experience of this musical idea in a composer's mind?Composition is not the mere imitation of previously experienced contexts. Performativity as practicality and abstract thinking in the forms of the objects and rules of the mind as distinct from the subjective experience and syntax recognition provide complex incompatible mediums for composers. Syntactic structuralism is identical neither to the sensations nor to the ideas of the contemporary composer. As a composer, I believe that the reduction of the complexity of composition erodes the nature of the composer's creative ideas. In this text, I argue for the impossibility of generative processes to reduce sounds that we create into immediate simpler entities and the inability of larger entities to be made explicitly recognizable or reproducible. Chaya Czernowin's music in general, in my opinion, represents an excellent example of this non-reducibility.

ISBN: 9781392248737Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

Czernowin, Chaya

The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama.
LDR:02962nmm a2200409 4500 001 2271584
005 20201027145233.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781392248737
035 $a (MiAaPQ)AAI13881788
035 $a (MiAaPQ)cornellgrad:11411
035 $a AAI13881788
040 $a MiAaPQ $c MiAaPQ
100 1 $a Bilir, Canbekir. $3 3548995
245 1 4 $a The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 259 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Ernste, Kevin.
502 $a Thesis (D.M.A.)--Cornell University, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation argues that the structural methods of pitch analysis remain inadequate for the task of explaining what composers are actually doing in their minds. In this work, I address the following questions: where the structural unit appears, does 'pitch,' as an isolated term, still affect the contemporary composer's mind; what is the nature of the composer's mind; and where does pitch fit into the context of the assemblage of Mozart's unfinished opera Zaide and Chaya Czernowin's second opera Zaide /Adama? What is pitch and what does it have to do with contemporary music compositions? What is the true nature of the musical idea and what is the source of this idea? Furthermore, how can a person understand the subjective experience of this musical idea in a composer's mind?Composition is not the mere imitation of previously experienced contexts. Performativity as practicality and abstract thinking in the forms of the objects and rules of the mind as distinct from the subjective experience and syntax recognition provide complex incompatible mediums for composers. Syntactic structuralism is identical neither to the sensations nor to the ideas of the contemporary composer. As a composer, I believe that the reduction of the complexity of composition erodes the nature of the composer's creative ideas. In this text, I argue for the impossibility of generative processes to reduce sounds that we create into immediate simpler entities and the inability of larger entities to be made explicitly recognizable or reproducible. Chaya Czernowin's music in general, in my opinion, represents an excellent example of this non-reducibility.
590 $a School code: 0058.
650 4 $a Musical composition. $3 3289630
650 4 $a Philosophy. $3 516511
650 4 $a Cognitive psychology. $3 523881
653 $a Czernowin, Chaya
653 $a Listening
653 $a Mozart, Wolfgang Amadeus
653 $a Musical language
653 $a Philosophy of music
653 $a Pitch-centricity
690 $a 0214
690 $a 0422
690 $a 0633
710 2 $a Cornell University. $b Music. $3 2105277
773 0 $t Dissertations Abstracts International $g 80-12A.
790 $a 0058
791 $a D.M.A.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13881788