Art Criticism.

The Intersection of Arts-Based Research and Art Criticism: The Art of Deshevski. by: (Language materials, printed)

Ambient Power: The Joint Production of Perception and Space. by: (Language materials, printed)

Graffiti Research Lab: Bridging the canonical and the criminal. by: (Language materials, printed)

Standard deviations. by: (Electronic resources)

False Ecologies: Corporate Consciousness and Localized Practices. by: (Electronic resources)

Working in the Artist's Studio. by: (Language materials, printed)

Longing For The Imaginary: Memory, Allegory, and the Archive Through the Lens of the Nostalgic. by: (Language materials, printed)

The Denouement of Art Collecting: How Belief, Risk, and Investment of Collectors Impact the Historical and Social Development of Art Movements. by: (Language materials, printed)

Modularity and Space Juxtaposition: Beyond Site-specificity in Art. by: (Language materials, printed)

The beating heart theory of cinematic video games. by: (Language materials, printed)

Correcting perspectives: Jan Dibbets and an optical conceptualism. by: (Language materials, printed)

Sedimenting solidarity: Signs from the Madison protest. by: (Language materials, printed)

The Desiring Photograph: Mark Morrisroe's Bodily Self-Portraits. by: (Language materials, printed)

But neither wood nor fire find any peace or satisfaction in any warmth, great or small, or in any resemblance between them, until the moment when the fire becomes one with the wood and imparts its own nature to it. Or: How two fragments meet and a film is made. by: (Electronic resources)

Technology and the Arts: Prospects for a New Art Economy. by: (Electronic resources)

Sobering Anxieties: Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting During the True Freedom, 1650-1672. by: (Electronic resources)

The contemporary art disquisition in reaction to military, surveillant, and digital control. by: (Electronic resources)

The Market of Chinese Contemporary Ink Paintings 1979--2013. by: (Electronic resources)

The Solomon R. Guggenheim Museum's Approach Toward Contemporary Curatorial Practice. by: (Electronic resources)

Disrupting the visual experience: Regendering perspective and form in Albrecht Durer's bath scenes. by: (Electronic resources)

Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media. by: (Electronic resources)

Reinventing the Americans. by: (Electronic resources)

Super natural: Mediating between the landscapes of the past and the technological present through digital media and readymade architectual constructions. by: (Electronic resources)

The convergence of digital literature and net art: Networked creation, distribution, and operation. by: (Electronic resources)

Image Transcoded: New Formats in Contemporary Art. by: (Electronic resources)

Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century. by: (Electronic resources)

Perversion and "the other" as social criticism: Peter Saul's Vietnam. by: (Language materials, printed)

Marking the territory: Performance, video, and conceptual graphics in Chilean art, 1975--1985. by: (Language materials, printed)

Conflicting identities and ideologies: A rhetorical analysis of the National Japanese American Memorial to Patriotism During World War II. by: (Language materials, printed)

The "I" of the Text: A Psychoanalytic Theory Perspective on Students' Television Criticism Writing, Subjectivity, and Critical Consciousness in Visual Culture Art Education. by: (Language materials, printed)

Collaborative Aesthetics and the Politics of Trans-Subjectivity. by: (Electronic resources)

Primary objects. by: (Language materials, printed)

Baudelaire and the rival of nature: The conflict between art and nature in French landscape painting. by: (Language materials, printed)

The power of influence: Artistic partnerships from Spain to Mexico. by: (Language materials, printed)

Like an elephant's tail: Process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono. by: (Language materials, printed)

Aestheticized economies and administrated art. by: (Language materials, printed)

A Portrait of the Art Critic. by: (Language materials, printed)

The Art World Versus the Expert: An Analysis of the Role of the Expert in the Contemporary Art World. by: (Language materials, printed)

For-profit Galleries Learning from Non-profit Museums: New Strategies for the Commercial Gallery. by: (Language materials, printed)

Performing the Landscape: Figuring Perceptual Space in Joan Jonas' Video and Performance Works, 1970-73. by: (Language materials, printed)

Objects Without Object: The Artwork in Flux, 1958-1969. by: (Language materials, printed)

The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic. by: (Language materials, printed)

Artist or Critic?: Guy Pene du Bois and the Search for Artistic Identity. by: (Language materials, printed)

Andre Bazin's "Ontology of the Photographic Image": Representation, Desire, and Presence. by: (Language materials, printed)

Art analysis through a neurological lens. by: (Language materials, printed)

The demo as creative practice. by: (Language materials, printed)

Self Storage Garden. by: (Language materials, printed)

The New Urban Monument: Social Experiments in Public Space. by: (Language materials, printed)

Hyperreal Sculpture as Bio Art: An Examination of Works by Sam Jinks, Ron Mueck and Patricia Piccinini. by: (Language materials, printed)

Breaking with Fluency: Irreconcilability of Words and Worlds in Contemporary Art. by: (Language materials, printed)

My art, their personalities: Capturing the sitters. by: (Language materials, printed)

Lianas: An Under the Sea Garden Heterotopia. by: (Language materials, printed)

Art photography and the contentions of contemporary art: Rhetoric, practice, and reception. by: (Language materials, printed)

The Relationship Between Art, Consumerism, and Desire: Are Contemporary Artistic Collaborations with Luxury Brands the Ultimate Commodity?. by: (Language materials, printed)

Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism. by: (Language materials, printed)

Iounn: How the Internet is changing how we see ourselves. by: (Electronic resources)

Pavor nocturnus. by: (Electronic resources)

Sobject. by: (Electronic resources)

Playing house: Exploring domesticity gone awry. by: (Electronic resources)

[No official title]. by: (Electronic resources)

The Deceit of Images. by: (Electronic resources)

Branch inspired textures. by: (Electronic resources)

Expression of a unique vision. by: (Electronic resources)

Monsters on film: The impact of modernism at the movies. by: (Electronic resources)

Average (arithmetic mean) of women's bodies. by: (Electronic resources)

Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez. by: (Electronic resources)

From the City to the Cine-City: Re-imagining Naples through Goethe, Benjamin, Sohn-Rethel and Pasolini. by: (Electronic resources)

A Mediated Intimacy; Art, Technology and Exchange in the Digital Age. by: (Electronic resources)

Critical realism in contemporary art. by: (Electronic resources)

A Study of Visual Culture: How Its History and Theory Interact with Art History, Pedagogy, and the Art Object. by: (Electronic resources)

Reverse Painting on Glass: Seeing Through the Surface of American Modernism. by: (Electronic resources)

Artistry and Authorship: Examining Unique Artistic Voice in Collaborative Filmmaking. by: (Electronic resources)

The Veiled Screen: Uncanny Crystallizations in the Moving Image. by: (Electronic resources)

Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice. by: (Electronic resources)

Nomad Technics: Context and Strategies of Chinese Media Art Experiments. by: (Electronic resources)

Contact. by: (Electronic resources)

The Muddy Market of Contemporary Ceramics: Interactions within the Art World-from Pot, to Concept, to Sculpture. by: (Electronic resources)

Die Gruppe Zero: Working through Wartime Trauma. by: (Electronic resources)

An American in Greenland: Turn-of-the-Century Arctic Visions by Frank Wilbert Stokes. by: (Electronic resources)

Digital Other. by: (Electronic resources)

Thesis #2: My Real Thesis. by: (Electronic resources)

Wispobish: Forest of Ghosts, Tower of Voices. by: (Electronic resources)

Resetting Pearl, Disarming Gawain: A Manuscript-Oriented Reading Of BL MS Cotton Nero A.x. by: (Electronic resources)

Parody and Pastiche in the Use of Popular Culture in the Evangelistic Practices of Korean Churches. by: (Electronic resources)

Objectively Art? An Examination of the Critical Reception of Dale Chihuly's Work. by: (Electronic resources)

Speaking for the Chicken Cup: A Case Study in Chinese Art Collecting. by: (Electronic resources)

Fanciful Animals in Captivity. by: (Electronic resources)

Foreign Effect on Indian Buddhist Art. by: (Electronic resources)

Materializing Depths: The Potential of Contemporary Art and Media. by: (Electronic resources)

On distance in photographic images. by: (Electronic resources)

Sublimation. by: (Electronic resources)

Materializing Air in Eighteenth-Century French Decorative Art. by: (Electronic resources)

Making Movies: Reflexivity, the Auteur, and the Pragmatics of Contemporary Film Production. by: (Electronic resources)

Picturing the Nation: Turkish Republican Era Photographic Representations of Istanbul. by: (Electronic resources)

Imaginary landscapes: A study of the late nineteenth-century works of George Inness, California Tonalism, Tonalinfluxus and Tonalexegesis. by: (Electronic resources)

Plastics! Histories, Theories and Practices to Rethink the Concept of the 'Plastic,' between Plasticity and Plasticism. by: (Electronic resources)

Bilingual visual culture in New York: Socially-engaged Latina artists and the discourse of hybridity. by: (Language materials, printed)

Tactical response: Art in an age of terror. by: (Language materials, printed)

Luo Qing's paintings of post-industrial Taiwan and their incompatibility with Guohua. by: (Language materials, printed)

Digital Film Art and the Persistence of the Classical Hollywood Style. by: (Language materials, printed)

Art and commerce: The transition of fashion photography into the fine art market. by: (Language materials, printed)

Friend or Faux?: Art Forgeries and Their Effect on the Art Market. by: (Language materials, printed)

Photography as an Agent of U.S. State Power: Producing and Collecting Images for Surveillance of "Undesirable" Immigrants in the Early 20th Century. by: (Electronic resources)

Music and ontological incompleteness: A speculative approach to composition. by: (Electronic resources)

Art of Katharsis: A Study of Creating Abstract Expressionist Art in the Quest for Emotional Release and Healing. by: (Electronic resources)

Equity and Community Art Education in the University: The Challenges, Possibilities, & Implications of Learning in a Littoral Zone A Critical Arts-Informed Case Study. by: (Electronic resources)

Understanding the Dynamics of Art Education in Saudi Arabia within High Schools and Colleges. by: (Electronic resources)

The Rococo Revival in Contemporary Porcelain. by: (Electronic resources)

(DNR) Do Not Resuscitate: The Material Degradation, to the Point of Obsolescence in Modern Art. by: (Electronic resources)

Labours of Care: Art Practice and Urban Ecological Restoration. by: (Electronic resources)

Breaking Ground: Avalanche Magazine (1970-76), a New Medium for Art and Information. by: (Electronic resources)

Contemporary Data Visualization: A Cultural History and Close Readings. by: (Electronic resources)

Perception is Everything. by: (Electronic resources)

Shift in Seeing: Contemporary Artist Jenny Saville Uses Abjection to Reject the Male Gaze. by: (Electronic resources)

Currents. by: (Electronic resources)

Death Becomes Us: An Examination of Memento Mori Rhetoric in the Art and Literature of the Counter-Reformation. by: (Electronic resources)

Hand/Face/Object. by: (Electronic resources)