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Like an elephant's tail: Process and...

Sallabedra, Megan.

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Like an elephant's tail: Process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Like an elephant's tail: Process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono./
作者:	Sallabedra, Megan.
面頁冊數:	63 p.
附註:	Source: Masters Abstracts International, Volume: 51-01.
Contained By:	Masters Abstracts International51-01(E).
標題:	Art Criticism. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1514168
ISBN:	9781267444462

Like an elephant's tail: Process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono.
Sallabedra, Megan.

Like an elephant's tail: Process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono. - 63 p.

Source: Masters Abstracts International, Volume: 51-01.

Thesis (M.A.)--University of Southern California, 2012.

This thesis critically examines the material qualities in process-based works by Yoko Ono, Rirkrit Travanija, and Michael Rakowitz, with a specific focus on Rakowitz's ongoing project Enemy Kitchen. Enemy Kitchen's process of cooking results in a social construction of dialogical space. Like Tiravanija, whose Untitled (Pad Thai) and similar projects form a parallel to Enemy Kitchen, the importance of the work lies in an understanding of its material as process and the space of dialogue. The material components of Rakowitz's project-based works point toward characteristically messy poetics, fostering dialogical exchange over contentious cultural categorizations. As a precedent, Yoko Ono's Grapefruit provides a model for experience through instruction. Ono's proposition, "Isn't a construction a beginning of a thing like a seed? Isn't it a segment of a larger totality, like an elephant's tail?" points toward the necessary materials used as vehicles to foster a larger totality in these works.

ISBN: 9781267444462Subjects--Topical Terms:

637082
Art Criticism.

Like an elephant's tail: Process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono.
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520 $a This thesis critically examines the material qualities in process-based works by Yoko Ono, Rirkrit Travanija, and Michael Rakowitz, with a specific focus on Rakowitz's ongoing project Enemy Kitchen. Enemy Kitchen's process of cooking results in a social construction of dialogical space. Like Tiravanija, whose Untitled (Pad Thai) and similar projects form a parallel to Enemy Kitchen, the importance of the work lies in an understanding of its material as process and the space of dialogue. The material components of Rakowitz's project-based works point toward characteristically messy poetics, fostering dialogical exchange over contentious cultural categorizations. As a precedent, Yoko Ono's Grapefruit provides a model for experience through instruction. Ono's proposition, "Isn't a construction a beginning of a thing like a seed? Isn't it a segment of a larger totality, like an elephant's tail?" points toward the necessary materials used as vehicles to foster a larger totality in these works.
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