東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Decolonizing Chicana art: The work o...

Leal, Damaris.

FindBook

Google Book

Amazon

博客來

Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez./
作者:	Leal, Damaris.
面頁冊數:	117 p.
附註:	Source: Masters Abstracts International, Volume: 53-01.
Contained By:	Masters Abstracts International53-01(E).
標題:	Art Criticism. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1527971
ISBN:	9781303984952

Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.
Leal, Damaris.

Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez. - 117 p.

Source: Masters Abstracts International, Volume: 53-01.

Thesis (M.A.)--California State University, Long Beach, 2014.

This item must not be sold to any third party vendors.

This thesis is an attempt to begin decolonizing common perceptions about Chicana art and demonstrates that Chicana art, itself, can contribute to intellectual decolonization. By decolonization I mean identifying oppressive forms of thinking, examining their structure, and modifying them in order to accept and reach egalitarianism. To better understand this process I consider the theories of Chela Sandoval, Gloria Anzaldua, Emma Perez, Stuart Hall, and Gauvin Alexander Bailey. What follows is an analysis of how Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez implement such theories in their artwork. I focus on one piece by each artist: Cihuateteo con Coyolxauhqui y la Guadalupana (1996), Venus Envy Chapter I: First Holy Communion Moments Before the End (1993), and Our Lady (1999), respectively.

ISBN: 9781303984952Subjects--Topical Terms:

637082
Art Criticism.

Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.
LDR:01833nmm a2200301 4500 001 2057980
005 20150702081856.5
008 170521s2014 ||||||||||||||||| ||eng d
020 $a 9781303984952
035 $a (MiAaPQ)AAI1527971
035 $a AAI1527971
040 $a MiAaPQ $c MiAaPQ
100 1 $a Leal, Damaris. $3 3171878
245 1 0 $a Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.
300 $a 117 p.
500 $a Source: Masters Abstracts International, Volume: 53-01.
500 $a Adviser: Catha Paquette.
502 $a Thesis (M.A.)--California State University, Long Beach, 2014.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This thesis is an attempt to begin decolonizing common perceptions about Chicana art and demonstrates that Chicana art, itself, can contribute to intellectual decolonization. By decolonization I mean identifying oppressive forms of thinking, examining their structure, and modifying them in order to accept and reach egalitarianism. To better understand this process I consider the theories of Chela Sandoval, Gloria Anzaldua, Emma Perez, Stuart Hall, and Gauvin Alexander Bailey. What follows is an analysis of how Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez implement such theories in their artwork. I focus on one piece by each artist: Cihuateteo con Coyolxauhqui y la Guadalupana (1996), Venus Envy Chapter I: First Holy Communion Moments Before the End (1993), and Our Lady (1999), respectively.
590 $a School code: 6080.
650 4 $a Art Criticism. $3 637082
650 4 $a Art History. $3 635474
690 $a 0365
690 $a 0377
710 2 $a California State University, Long Beach. $b Art. $3 2103582
773 0 $t Masters Abstracts International $g 53-01(E).
790 $a 6080
791 $a M.A.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1527971