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Breaking with Fluency: Irreconcilabi...

Schilaro Santa Rosa, Tatiane.

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Breaking with Fluency: Irreconcilability of Words and Worlds in Contemporary Art.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Breaking with Fluency: Irreconcilability of Words and Worlds in Contemporary Art./
作者:	Schilaro Santa Rosa, Tatiane.
面頁冊數:	93 p.
附註:	Source: Masters Abstracts International, Volume: 52-01.
Contained By:	Masters Abstracts International52-01(E).
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1540907
ISBN:	9781303216954

Breaking with Fluency: Irreconcilability of Words and Worlds in Contemporary Art.
Schilaro Santa Rosa, Tatiane.

Breaking with Fluency: Irreconcilability of Words and Worlds in Contemporary Art. - 93 p.

Source: Masters Abstracts International, Volume: 52-01.

Thesis (M.A.)--Sotheby's Institute of Art - New York, 2013.

This thesis tracks the contradictions that emerge from cultural exchanges by tracing a parallel between artworks dealing with postcolonialism, otherness and translation. It goes deep into the void of errors of communication, the lost meanings of language and the failure of cross-cultural exchanging, in relation to contemporary art. This study compares six cases in Chapters One and Two, to eight cases that use translation in Chapters Three and Four. Taking the postcolonial discourse as a starting point, two modes of cultural relationships developed by Jean Baudrillard and Jacques Derrida---irreconcilability and hospitality---are used to reveal how, within artworks, a broken fluency of language can modify hierarchical bounds of multiculturalism.

ISBN: 9781303216954Subjects--Topical Terms:

635474
Art History.

Breaking with Fluency: Irreconcilability of Words and Worlds in Contemporary Art.
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520 $a This thesis tracks the contradictions that emerge from cultural exchanges by tracing a parallel between artworks dealing with postcolonialism, otherness and translation. It goes deep into the void of errors of communication, the lost meanings of language and the failure of cross-cultural exchanging, in relation to contemporary art. This study compares six cases in Chapters One and Two, to eight cases that use translation in Chapters Three and Four. Taking the postcolonial discourse as a starting point, two modes of cultural relationships developed by Jean Baudrillard and Jacques Derrida---irreconcilability and hospitality---are used to reveal how, within artworks, a broken fluency of language can modify hierarchical bounds of multiculturalism.
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