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The convergence of digital literatur...

Bickoff, Kyle Jon.

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The convergence of digital literature and net art: Networked creation, distribution, and operation.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The convergence of digital literature and net art: Networked creation, distribution, and operation./
作者:	Bickoff, Kyle Jon.
面頁冊數:	68 p.
附註:	Source: Masters Abstracts International, Volume: 53-02.
Contained By:	Masters Abstracts International53-02(E).
標題:	Web Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1558612
ISBN:	9781303987779

The convergence of digital literature and net art: Networked creation, distribution, and operation.
Bickoff, Kyle Jon.

The convergence of digital literature and net art: Networked creation, distribution, and operation. - 68 p.

Source: Masters Abstracts International, Volume: 53-02.

Thesis (M.A.)--University of Colorado at Boulder, 2014.

This item must not be sold to any third party vendors.

This thesis draws upon established network theory in order to understand digital literature and net art through their creation, distribution, and operation on the network. Although the advent of the web is often considered the defining point of transformation in both genres, the thesis indicates that the network language at the foundation of these genres existed notably earlier than has previously been indicated---before the advent of the web. These two genres (digital literature and net art) are described as convergent forms, merging with each other around networked language---the author takes a digital media studies approach to engage with the investigation. The thesis identifies multiple instances of networked language in textually rich pre-web works of literature and art to indicate that this genre convergence precedes current assessments regarding network influenced creation, distribution, and operation of these works.

ISBN: 9781303987779Subjects--Topical Terms:

1026830
Web Studies.

The convergence of digital literature and net art: Networked creation, distribution, and operation.
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520 $a This thesis draws upon established network theory in order to understand digital literature and net art through their creation, distribution, and operation on the network. Although the advent of the web is often considered the defining point of transformation in both genres, the thesis indicates that the network language at the foundation of these genres existed notably earlier than has previously been indicated---before the advent of the web. These two genres (digital literature and net art) are described as convergent forms, merging with each other around networked language---the author takes a digital media studies approach to engage with the investigation. The thesis identifies multiple instances of networked language in textually rich pre-web works of literature and art to indicate that this genre convergence precedes current assessments regarding network influenced creation, distribution, and operation of these works.
520 $a The thesis critically engages most closely with theorists Latour, Hardt, Negri, Castells, Foucault, Deleuze, Kittler, Galloway, Manovich, and Kirschenbaum to defend its assertions.
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