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The Solomon R. Guggenheim Museum's A...

Goss, Marsha.

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The Solomon R. Guggenheim Museum's Approach Toward Contemporary Curatorial Practice.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Solomon R. Guggenheim Museum's Approach Toward Contemporary Curatorial Practice./
作者:	Goss, Marsha.
面頁冊數:	126 p.
附註:	Source: Masters Abstracts International, Volume: 52-06.
Contained By:	Masters Abstracts International52-06(E).
標題:	Art Criticism. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1554833
ISBN:	9781303861567

The Solomon R. Guggenheim Museum's Approach Toward Contemporary Curatorial Practice.
Goss, Marsha.

The Solomon R. Guggenheim Museum's Approach Toward Contemporary Curatorial Practice. - 126 p.

Source: Masters Abstracts International, Volume: 52-06.

Thesis (M.A.)--West Virginia University, 2014.

This item must not be sold to any third party vendors.

This study is an analysis of contemporary curatorial practice at the Solomon R. Guggenheim Museum in New York, New York. The Guggenheim Museum demonstrates how contemporary museums are updating exhibition practice, despite the difficulties of spatial engagement encountered in Frank Lloyd Wright's building. This thesis presents an analysis of the curator-as-artist, meaning that frequently contemporary curators are acting like artists as they seek to elevate audience engagement. An initial chapter explores how Wright originally conceived the museum as an exhibition space compared to how it is used in current times. Two recent Guggenheim exhibitions, Gutai: Splendid Playground (2013) and James Turrell: A Retrospective (2013) will be used as case studies, allowing an analysis of how the Guggenheim Museum specifically approaches contemporary curatorial practice. The conclusion offers my findings on the Guggenheim Museum and insight on the limitations of this analysis.

ISBN: 9781303861567Subjects--Topical Terms:

637082
Art Criticism.

The Solomon R. Guggenheim Museum's Approach Toward Contemporary Curatorial Practice.
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520 $a This study is an analysis of contemporary curatorial practice at the Solomon R. Guggenheim Museum in New York, New York. The Guggenheim Museum demonstrates how contemporary museums are updating exhibition practice, despite the difficulties of spatial engagement encountered in Frank Lloyd Wright's building. This thesis presents an analysis of the curator-as-artist, meaning that frequently contemporary curators are acting like artists as they seek to elevate audience engagement. An initial chapter explores how Wright originally conceived the museum as an exhibition space compared to how it is used in current times. Two recent Guggenheim exhibitions, Gutai: Splendid Playground (2013) and James Turrell: A Retrospective (2013) will be used as case studies, allowing an analysis of how the Guggenheim Museum specifically approaches contemporary curatorial practice. The conclusion offers my findings on the Guggenheim Museum and insight on the limitations of this analysis.
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