東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

(DNR) Do Not Resuscitate: The Materi...

Nixon, M. Abbott.

FindBook

Google Book

Amazon

博客來

(DNR) Do Not Resuscitate: The Material Degradation, to the Point of Obsolescence in Modern Art.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	(DNR) Do Not Resuscitate: The Material Degradation, to the Point of Obsolescence in Modern Art./
作者:	Nixon, M. Abbott.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	86 p.
附註:	Source: Masters Abstracts International, Volume: 80-09.
Contained By:	Masters Abstracts International80-09.
標題:	Art Criticism. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13427635
ISBN:	9780438945562

(DNR) Do Not Resuscitate: The Material Degradation, to the Point of Obsolescence in Modern Art.
Nixon, M. Abbott.

(DNR) Do Not Resuscitate: The Material Degradation, to the Point of Obsolescence in Modern Art. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 86 p.

Source: Masters Abstracts International, Volume: 80-09.

Thesis (M.A.)--State University of New York at Buffalo, 2019.

This item must not be added to any third party search indexes.

This paper attempts to acknowledge that, beyond the decay all organic and inorganic materials are subject to, artworks have their own life and cessation of life cycle. This cycle, despite the fact that the sole practice of art conservators it is to prevent it, should be allowed to run its course. The artist intentions and the audiences understanding of reality should be treated with respect when an artwork damaged beyond repair undergoes a conservation treatment. Artworks undergo various types of damage and deterioration with varying levels of severity. There is no yard stick for the amount of alteration that deems an artwork retrievable nor is there a principle in place to expressly determine whether what the viewer is looking at is a conservators' ingenuity and skill or an artist's work or intentions. Through identifying various types of damage, responses to damage and the respect for an artist's intention, this text will compare the conception, duration and cessation various artworks, including Mark Rothko's Harvard Murals to that of the medical law. Having no precedent in the art world, a correlation will instead be drawn from outside it. This paper seeks to answer the questions: without the presence of the artist's explicit intentions, can an artwork be allowed to die, and what precedent can be followed in order the remove the stigma of losing an artwork to time. It is hoped this text will prove that a desire to have an object we are used to having should not surpass that reality that the object of value is no longer there.

ISBN: 9780438945562Subjects--Topical Terms:

637082
Art Criticism.

(DNR) Do Not Resuscitate: The Material Degradation, to the Point of Obsolescence in Modern Art.
LDR:02711nmm a2200337 4500 001 2271975
005 20201030112908.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9780438945562
035 $a (MiAaPQ)AAI13427635
035 $a (MiAaPQ)buffalo:16267
035 $a AAI13427635
040 $a MiAaPQ $c MiAaPQ
100 1 $a Nixon, M. Abbott. $3 3549392
245 1 0 $a (DNR) Do Not Resuscitate: The Material Degradation, to the Point of Obsolescence in Modern Art.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 86 p.
500 $a Source: Masters Abstracts International, Volume: 80-09.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Katz, Jonathan D.
502 $a Thesis (M.A.)--State University of New York at Buffalo, 2019.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a This paper attempts to acknowledge that, beyond the decay all organic and inorganic materials are subject to, artworks have their own life and cessation of life cycle. This cycle, despite the fact that the sole practice of art conservators it is to prevent it, should be allowed to run its course. The artist intentions and the audiences understanding of reality should be treated with respect when an artwork damaged beyond repair undergoes a conservation treatment. Artworks undergo various types of damage and deterioration with varying levels of severity. There is no yard stick for the amount of alteration that deems an artwork retrievable nor is there a principle in place to expressly determine whether what the viewer is looking at is a conservators' ingenuity and skill or an artist's work or intentions. Through identifying various types of damage, responses to damage and the respect for an artist's intention, this text will compare the conception, duration and cessation various artworks, including Mark Rothko's Harvard Murals to that of the medical law. Having no precedent in the art world, a correlation will instead be drawn from outside it. This paper seeks to answer the questions: without the presence of the artist's explicit intentions, can an artwork be allowed to die, and what precedent can be followed in order the remove the stigma of losing an artwork to time. It is hoped this text will prove that a desire to have an object we are used to having should not surpass that reality that the object of value is no longer there.
590 $a School code: 0656.
650 4 $a Art Criticism. $3 637082
650 4 $a Art history. $3 2122701
690 $a 0365
690 $a 0377
710 2 $a State University of New York at Buffalo. $b Visual Studies. $3 1679719
773 0 $t Masters Abstracts International $g 80-09.
790 $a 0656
791 $a M.A.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13427635