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The Desiring Photograph: Mark Morris...

Driscoll, Megan Philipa.

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The Desiring Photograph: Mark Morrisroe's Bodily Self-Portraits.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The Desiring Photograph: Mark Morrisroe's Bodily Self-Portraits./
Author:	Driscoll, Megan Philipa.
Description:	62 p.
Notes:	Source: Masters Abstracts International, Volume: 51-06.
Contained By:	Masters Abstracts International51-06(E).
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1538871
ISBN:	9781303130069

The Desiring Photograph: Mark Morrisroe's Bodily Self-Portraits.
Driscoll, Megan Philipa.

The Desiring Photograph: Mark Morrisroe's Bodily Self-Portraits. - 62 p.

Source: Masters Abstracts International, Volume: 51-06.

Thesis (M.A.)--University of California, Los Angeles, 2013.

This essay examines the self-portraits of photographer Mark Morrisroe (1959--1989). Centering its analysis on images made with a specific form of the negative layering process called "sandwich printing," the essay demonstrates that Morrisroe deployed darkroom manipulation and post-production marking to construct works that emphasize the materiality of the photograph and the contingencies of print making. Turning the camera on his naked body, the artist foregrounds his physical experiences, from frank sexuality to lifelong injury and illness. The essay argues that Morrisroe developed a corporeal model of photography out of these conditions that structured his approach to the sandwich prints and, to a lesser extent, his Polaroid and photogram self-portraits. The essay concludes that Morrisroe's photographs not only insist on signifying as objects, resisting their status as indexical trace, but also, through erotic repetition, assert their ability to become desiring subjects.

ISBN: 9781303130069Subjects--Topical Terms:

635474
Art History.

The Desiring Photograph: Mark Morrisroe's Bodily Self-Portraits.
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100 1 $a Driscoll, Megan Philipa. $3 2103756
245 1 4 $a The Desiring Photograph: Mark Morrisroe's Bodily Self-Portraits.
300 $a 62 p.
500 $a Source: Masters Abstracts International, Volume: 51-06.
500 $a Adviser: George Baker.
502 $a Thesis (M.A.)--University of California, Los Angeles, 2013.
520 $a This essay examines the self-portraits of photographer Mark Morrisroe (1959--1989). Centering its analysis on images made with a specific form of the negative layering process called "sandwich printing," the essay demonstrates that Morrisroe deployed darkroom manipulation and post-production marking to construct works that emphasize the materiality of the photograph and the contingencies of print making. Turning the camera on his naked body, the artist foregrounds his physical experiences, from frank sexuality to lifelong injury and illness. The essay argues that Morrisroe developed a corporeal model of photography out of these conditions that structured his approach to the sandwich prints and, to a lesser extent, his Polaroid and photogram self-portraits. The essay concludes that Morrisroe's photographs not only insist on signifying as objects, resisting their status as indexical trace, but also, through erotic repetition, assert their ability to become desiring subjects.
590 $a School code: 0031.
650 4 $a Art History. $3 635474
650 4 $a Art Criticism. $3 637082
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690 $a 0365
710 2 $a University of California, Los Angeles. $b Art History 0093. $3 2093383
773 0 $t Masters Abstracts International $g 51-06(E).
790 $a 0031
791 $a M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1538871