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Death and Violence in the Headlines:...

Kastanek, Tasia.

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Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media./
Author:	Kastanek, Tasia.
Description:	113 p.
Notes:	Source: Masters Abstracts International, Volume: 53-01.
Contained By:	Masters Abstracts International53-01(E).
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1557319
ISBN:	9781303946004

Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media.
Kastanek, Tasia.

Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media. - 113 p.

Source: Masters Abstracts International, Volume: 53-01.

Thesis (M.A.)--Tulane University, 2014.

This item must not be sold to any third party vendors.

For his series on death and disasters, Andy Warhol appropriated not only subject matter but many of the aesthetic and conceptual devices of mass media. In Flash - November 22, 1963, the car crashes and race riots, Warhol emphasized the status of images as commodified spectacles. A portfolio focused on the assassination of JFK, Flash undermines political personas and the authority of news accounts of the assassination by enforcing the instability of narrative and icon. Mining the grotesque imagery of news photos, Warhol's paintings of car crashes juxtapose anonymous victims with decorative devices to ironically highlight consumption of public death. This becomes particularly apparent in the mirroring of spectatorship in the passerby of White Burning Car III. Similarly constructed, the race riots, based on photographs of Civil Rights demonstrations in Birmingham, use color, repetition and contrast to undermine viewer identification and political content.

ISBN: 9781303946004Subjects--Topical Terms:

635474
Art History.

Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media.
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245 1 0 $a Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media.
300 $a 113 p.
500 $a Source: Masters Abstracts International, Volume: 53-01.
500 $a Adviser: Michael Plante.
502 $a Thesis (M.A.)--Tulane University, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a For his series on death and disasters, Andy Warhol appropriated not only subject matter but many of the aesthetic and conceptual devices of mass media. In Flash - November 22, 1963, the car crashes and race riots, Warhol emphasized the status of images as commodified spectacles. A portfolio focused on the assassination of JFK, Flash undermines political personas and the authority of news accounts of the assassination by enforcing the instability of narrative and icon. Mining the grotesque imagery of news photos, Warhol's paintings of car crashes juxtapose anonymous victims with decorative devices to ironically highlight consumption of public death. This becomes particularly apparent in the mirroring of spectatorship in the passerby of White Burning Car III. Similarly constructed, the race riots, based on photographs of Civil Rights demonstrations in Birmingham, use color, repetition and contrast to undermine viewer identification and political content.
590 $a School code: 0235.
650 4 $a Art History. $3 635474
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773 0 $t Masters Abstracts International $g 53-01(E).
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