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Super natural: Mediating between the...

Palmer, Beverly Shana.

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Super natural: Mediating between the landscapes of the past and the technological present through digital media and readymade architectual constructions.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Super natural: Mediating between the landscapes of the past and the technological present through digital media and readymade architectual constructions./
作者:	Palmer, Beverly Shana.
面頁冊數:	52 p.
附註:	Source: Masters Abstracts International, Volume: 53-02.
Contained By:	Masters Abstracts International53-02(E).
標題:	Fine Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1558328
ISBN:	9781303977107

Super natural: Mediating between the landscapes of the past and the technological present through digital media and readymade architectual constructions.
Palmer, Beverly Shana.

Super natural: Mediating between the landscapes of the past and the technological present through digital media and readymade architectual constructions. - 52 p.

Source: Masters Abstracts International, Volume: 53-02.

Thesis (M.F.A.)--University of Maryland, Baltimore County, 2014.

This item must not be sold to any third party vendors.

I have a desire to blur and redefine boundaries and I consider it my role as an artist to reframe relationships with self, nature, identity, and the feminine. In Super Natural, I weave the autobiographical and the fictional into a tapestry of performance, photography, video, and installation. I invite the audience to peek in as these dynamics play out on hidden screens that reveal themselves from behind architectural constructions.

ISBN: 9781303977107Subjects--Topical Terms:

891065
Fine Arts.

Super natural: Mediating between the landscapes of the past and the technological present through digital media and readymade architectual constructions.
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500 $a Adviser: Fredric Worden.
502 $a Thesis (M.F.A.)--University of Maryland, Baltimore County, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a I have a desire to blur and redefine boundaries and I consider it my role as an artist to reframe relationships with self, nature, identity, and the feminine. In Super Natural, I weave the autobiographical and the fictional into a tapestry of performance, photography, video, and installation. I invite the audience to peek in as these dynamics play out on hidden screens that reveal themselves from behind architectural constructions.
520 $a These works seemingly defy logic through simple special effects and editing techniques. In Unbinding Charm, rocks fly out of the water and masks made of hair obscure the directions their wearers face, while the displays of these works further highlight the relationship between viewer and object. Through this investigation, I try to isolate viewers in a narrow frame of time, an experience that departs from the ordinary and brings them on a journey into the depths of imagination.
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