Art Criticism.
概要
作品: | 127 作品在 0 項出版品 0 種語言 |
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書目資訊
Memory and power: Reflections on history, memory, and Auschwitz in contemporary art and film.
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The experience of New York and Beijing: Destabilizing studio art practices, cultural sites and educational processes.
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Marking the territory: Performance, video, and conceptual graphics in Chilean art, 1975--1985.
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Responding to the world: Contemporary Chinese art, exhibitions, and criticism in the 1990s.
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Conflicting identities and ideologies: A rhetorical analysis of the National Japanese American Memorial to Patriotism During World War II.
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Bilingual visual culture in New York: Socially-engaged Latina artists and the discourse of hybridity.
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Luo Qing's paintings of post-industrial Taiwan and their incompatibility with Guohua.
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Baudelaire and the rival of nature: The conflict between art and nature in French landscape painting.
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Like an elephant's tail: Process and instruction in the work of Michael Rakowitz, Rirkrit Tiravanija and Yoko Ono.
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Andre Bazin's "Ontology of the Photographic Image": Representation, Desire, and Presence.
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Longing For The Imaginary: Memory, Allegory, and the Archive Through the Lens of the Nostalgic.
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The Denouement of Art Collecting: How Belief, Risk, and Investment of Collectors Impact the Historical and Social Development of Art Movements.
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The Art World Versus the Expert: An Analysis of the Role of the Expert in the Contemporary Art World.
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For-profit Galleries Learning from Non-profit Museums: New Strategies for the Commercial Gallery.
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Performing the Landscape: Figuring Perceptual Space in Joan Jonas' Video and Performance Works, 1970-73.
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The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic.
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Hyperreal Sculpture as Bio Art: An Examination of Works by Sam Jinks, Ron Mueck and Patricia Piccinini.
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Art photography and the contentions of contemporary art: Rhetoric, practice, and reception.
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The Relationship Between Art, Consumerism, and Desire: Are Contemporary Artistic Collaborations with Luxury Brands the Ultimate Commodity?.
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Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.
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Sobering Anxieties: Alcohol, Tobacco, and the Intoxicated Social Body in Dutch Painting During the True Freedom, 1650-1672.
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The contemporary art disquisition in reaction to military, surveillant, and digital control.
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Disrupting the visual experience: Regendering perspective and form in Albrecht Durer's bath scenes.
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The convergence of digital literature and net art: Networked creation, distribution, and operation.
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From the City to the Cine-City: Re-imagining Naples through Goethe, Benjamin, Sohn-Rethel and Pasolini.
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A Study of Visual Culture: How Its History and Theory Interact with Art History, Pedagogy, and the Art Object.
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Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice.
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The Muddy Market of Contemporary Ceramics: Interactions within the Art World-from Pot, to Concept, to Sculpture.
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Study of Li Yanshan (1898-1961): Model of Emulating Landscape Painting from Ancient Masters in the 20th Century.
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Resetting Pearl, Disarming Gawain: A Manuscript-Oriented Reading Of BL MS Cotton Nero A.x.
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Parody and Pastiche in the Use of Popular Culture in the Evangelistic Practices of Korean Churches.
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Art of Katharsis: A Study of Creating Abstract Expressionist Art in the Quest for Emotional Release and Healing.
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Shift in Seeing: Contemporary Artist Jenny Saville Uses Abjection to Reject the Male Gaze.
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Death Becomes Us: An Examination of Memento Mori Rhetoric in the Art and Literature of the Counter-Reformation.
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Understanding the Dynamics of Art Education in Saudi Arabia within High Schools and Colleges.
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Making Movies: Reflexivity, the Auteur, and the Pragmatics of Contemporary Film Production.
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Picturing the Nation: Turkish Republican Era Photographic Representations of Istanbul.
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