Musical composition.

The Cabinet of Dr. Caligari: An Original Film Score. by: (書目-電子資源)

Musica Universalis - The Pursuit of Pure Abstraction. by: (書目-電子資源)

Affecting Eternity: The Pedagogical Influence of Olivier Messiaen. by: (書目-電子資源)

The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration. by: (書目-電子資源)

Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia. by: (書目-電子資源)

What Do You Mean I Have to Stay Home?: Considering the Chamber Music of Three Female Composers at the Turn of the 20th Century. by: (書目-電子資源)

From the Creative Drive to the Musical Product : A Psychoanalytic Account of Musical Creativity. by: (書目-電子資源)

An Original Composition for Wind Orchestra as a Guide for Creating Literature-Specific Instructional Materials for Afro-Cuban Musical Interpretation. by: (書目-電子資源)

An Expression of Religion and Spirituality : = The Piano Music of John Tavener. by: (書目-電子資源)

Analyzing Subconsciousness for Symphonic Orchestra. by: (書目-電子資源)

Black Sound : = Black Musical Artistry in Western Music. by: (書目-電子資源)

The Improvised Text : = Bodily Regimes of Piano Performance in the Nineteenth Century. by: (書目-電子資源)

Performer Interaction and States of Attention as Frameworks for Musical Analysis. by: (書目-電子資源)

Confronting Individual Existence in Musical Composition. by: (書目-電子資源)

A Historical Analysis of 100 Years of Heterogeneous String Method Books. by: (書目-電子資源)

A Content Analysis : = Composer Representation in Choral Conducting Textbooks Published in the United States from 1983-2011. by: (書目-電子資源)

A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music. by: (書目-電子資源)

Going for the Goals : = How Teachers and Students Set and Meet Goals in Music Composition and Psalms and Meditations for Flexible Ensemble. by: (書目-電子資源)

Michael Kimber's Music for Solo Viola. by: (書目-電子資源)

Live Processing into the 21st Century : = Delay-Based Performance and Temporal Manipulation in the Music of Joel Ryan, Radiohead, and Sam Pluta. by: (書目-電子資源)

The Message of Music : = Music as Communication in the Multimedia Composition : Reflex 2/3 Self-Portrait. by: (書目-電子資源)

Rhythm, Groove, and Conductor Considerations in Jessie Montgomery's Strum and Starburst. by: (書目-電子資源)

Scenes, for Two-Channel Fixed Media. by: (書目-電子資源)

Constructing Symbolic Soundworlds Using Field Recordings and Sound Synthesis. by: (書目-電子資源)

A Performance Analysis of Scriabin's Early Piano Works: Sonata-Fantaisie (1886), Allegro Appassionato, Allegro de Concert, and Fantaisie. by: (書目-電子資源)

Contemporary Art Song of the United States: A Graded Handbook. by: (書目-電子資源)

These Decorated Fragments of Time: An Original Composition for Pierrot Ensemble and Electronics. by: (書目-電子資源)

Contemporary Classical Female Composer: An Exploration of Gender Roles and Stereotypes. by: (書目-電子資源)

Machinations: A Concerto for Bassoon and Orchestra. by: (書目-電子資源)

Chamber Music for Trumpet Recitals. by: (書目-電子資源)

Guillaume Lekeu's Sonata for Piano and Violin: A Performance Guide. by: (書目-電子資源)

Sonic Playground: The Influence of the Recording Studio on Mike Oldfield's Tubular Bells. by: (書目-電子資源)

Aesthetics and Poietics of Sound Material, Form and (Absent) Body in Electronic Music: Conceptual Tools for the Computer Musician, and Their Applications. by: (書目-電子資源)

Rural and Urban Explorations of Transnational Performance: A Dialogue between Traditional Southwestern Chinese and Contemporary North American Music & Dance. by: (書目-電子資源)

A Sketch of Sound. by: (書目-電子資源)

The Early Piano Music of Richard Wagner. by: (書目-電子資源)

Children's Innate Capacity for Experimental Music Performance: The Use of Artistic Play to Liberate Expression. by: (書目-電子資源)

You Have to Work with What the Computer Has: Music Software Affordances and Student Compositions. by: (書目-電子資源)

Setting the Tone: Fluid Hierarchies in Contemporary Georgian Polyphony. by: (書目-電子資源)

Harmony and Voice-leading in the Rite of Spring. by: (書目-電子資源)

Haydn and Mozart as Orchestrators. by: (書目-電子資源)

Harmonic Refraction, Structural Thresholds, and the Chromatic Prism: A Neo-Riemannian Transformational and Geometrical Approach to the Music of Pyotr Ilyich Tchaikovsky. by: (書目-電子資源)

Partial Displacement: En/Decoding Spectral Thinking in Tristan Murail's Memoire/Erosion, and Two Compositions for String Quartet. by: (書目-電子資源)

Dreaming of Single Hexachords in an Infinite Expanse: An Analysis of Movement II of Donald Martino's Notturno and an Original Composition, Wasted:Awake for String Trio, Clarinet and Electronics. by: (書目-電子資源)

Interpreting Race and Difference in the Operas of Richard Strauss. by: (書目-電子資源)

Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung. by: (書目-電子資源)

Hearing the Tonality in Microtonality. by: (書目-電子資源)

Analytical Problems of Aesthetics, Genre, and Large-Scale Form in Germanic Music, 1905-15. by: (書目-電子資源)

Igor Stravinsky: Hidden Rhythmic Patterns and Codes in His Orchestral Music. by: (書目-電子資源)

Clementi the Scientist: Contemporary Reception of his Symphonies. by: (書目-電子資源)

Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer. by: (書目-電子資源)

Spherical Structured Time in the Three Toccatas of Die Soldaten by Bernd Alois Zimmermann and an Original Composition, Wer, Wenn Ich Schriee for Soprano and Double Bass. by: (書目-電子資源)

A Comparative Analysis of Debussy's Ondine and Ravel's Ondine. by: (書目-電子資源)

"What I Do Is All I Have": Gesture and Contour in Harrison Birtwistle's Trio for Violin, Cello, and Piano. by: (書目-電子資源)

A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn. by: (書目-電子資源)

A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, Run (2003), "...without a chance" (2003), and Concerto for Two Percussionists and Orchestra (2011), including a Structural and Aesthetic Analysis. by: (書目-電子資源)

Post-pitch World: Timbre as the Primary Element of Form. by: (書目-電子資源)

Networked Computer Music. by: (書目-電子資源)

Scythianism in Sergei Prokofiev's Second Piano Concerto in G Minor, Op.16. by: (書目-電子資源)

A New Piano Reduction of the Antonin Dvorak Concerto for Cello and Orchestra in B Minor Op.104. by: (書目-電子資源)

Hearing Voices: The Narrative Function of the Piano Voice in Schubert's Winterreise. by: (書目-電子資源)

Capturing Sound: The Methods of Arranging and Executing Instrumental Sounds Between Orchestra and Piano. by: (書目-電子資源)

Music Borrowing in Organ Literature Through History: Couperin, Bach, Brahms, Ives, Alain, and Cage. by: (書目-電子資源)

佛漢‧威廉士《英國民謠組曲》樂曲分析與指揮詮釋. by: (書目-電子資源)

Twenty-First Century Music that Embodies a Positive Relationship Between Trumpet and Piano. by: (書目-電子資源)

From Imitation to Innovation: A Study of the Complete Violin Sonatas by George Enescu, Gabriel Faure and Johannes Brahms. by: (書目-電子資源)

Text and Music Interplay in the Sephardic Piyut in Israel. by: (書目-電子資源)

A Performer's Guide to Selected Early Violin Works of Darius Milhaud: Violin Sonata No. 1, Op. 3; Violin Sonata No. 2, Op. 40; and Le Boeuf Sur Le Toit, Op. 58b. by: (書目-電子資源)

A Performance Guide on Selected Sonatas for Flute and Piano By: Darius Milhaud (1892-1974), Louis Durey (1888-1979), Francis Poulenc (1899-1963). by: (書目-電子資源)

Contemporary Musical Alchemy: Applying Medieval and Renaissance Artifacts to New Musical Compositions. by: (書目-電子資源)

Tesseract, Act I. for Amplified Soprano Saxophone Quartet and Octophonic Speaker Array. by: (書目-電子資源)

Non-Tonal Pitch Hierarchies and Dramatic Narratives in Oliver Knussen's Variations, Op. 24. by: (書目-電子資源)

Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia. by: (書目-電子資源)

The Representation of Water in Twentieth-Century French and Chinese Piano Music. by: (書目-電子資源)

An Annotated Catalog of Flute Music by Female Composers between 1988 and 2021. by: (書目-電子資源)

Lebewohl. by: (書目-電子資源)

A Performer's Approach to the Horn Solo and Chamber Works of Thomas E. Weaver. by: (書目-電子資源)

Music Information Retrieval Driven Algorithmic Music. by: (書目-電子資源)

The Sonata-Fugue Hybrid in Haydn's Early Symphonies. by: (書目-電子資源)

East, West, South, North, and Center- Live Electronic Music Based on Neural Network, Board Game, and Data-Driven Instrument. by: (書目-電子資源)

The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries. by: (書目-電子資源)

In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959. by: (書目-電子資源)

A Teacher's Guide to Diverse Piano Repertoire: An Annotated Bibliography of Intermediate Level Repertoire by Historically Underrepresented Composers Through Each Historical Period. by: (書目-電子資源)

"The Icelandic Grieg?": Sveinbjorn Sveinbjornsson: A Biographical Study and Edition of His Sonata for Violin and Piano. by: (書目-電子資源)

Reger's Variations and Fugue on a Theme by Telemann, Op. 134 and Its Relationship to Brahms's Variations and Fugue on a Theme by Handel, Op. 24. by: (書目-電子資源)

Motive-Directed Meter. by: (書目-電子資源)

Recurrence and (Dis)Continuity as Identity in Chen Yi's Trans-Cultural Musical Style. by: (書目-電子資源)

An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han. by: (書目-電子資源)

Performance Guide and Pedagogical Videos of Isang Yun's Shao Yang Yin. by: (書目-電子資源)

An Analytical Study of Isang Yun's Oboe and Oboe D'Amore Concerto : = The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe. by: (書目-電子資源)

Sound of the City : = Creating a Balanced Sound Composition in Urban Green Spaces. by: (書目-電子資源)

The Influence of Vietnamese Traditional Music on the Cello Works of P. Q. Phan, Van-Anh Vo, and Nhật Minh Nguyễn. by: (書目-電子資源)

Cultural Syncretism in Filipino Choral Music by: (書目-電子資源)

Composing Timbre Spaces, Composing Timbre in Space : = An Exploration of the Possibilities of Multidimensional Timbre Representations and Their Compositional Applications. by: (書目-電子資源)

Real-Time Composition as a Strategy for the 21st Century Composer. by: (書目-電子資源)

A Study of Arranging Technique, Performance Guide, and Practical Application on Liszt's Schubert Song Transcriptions. by: (書目-電子資源)

Analysis of Selected Pieces Influenced by Taiwanese Aboriginal Music for Solo Violin and String Quartet. by: (書目-電子資源)

Composing with Musical Instruments : = Physicality and Instrument Intervention in the Creative Process. by: (書目-電子資源)

A Schema-Theoretic Approach to Hierarchy in Eighteenth-Century Tonality. by: (書目-電子資源)

Music Composition as Pedagogy : = A Qualitative Case Study of Undergraduate Music Students' Experience with Composition. by: (書目-電子資源)

Analyzing Jazz Improvisation with Voice-Leading Models : = A Study of Saxophonists' Harmonic Variations on Rhythm Changes. by: (書目-電子資源)

The Way We Look to a Song : = Five Compositions and the Envoicing of Musical Inheritance. by: (書目-電子資源)

The Influence of Billie Holiday and Black Vocal Music on Selected Operatic Works by Anthony Davis, Terence Blanchard, and Marcus Norris. by: (書目-電子資源)

The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor : = A Comparative Investigation into Cyclic Form and Dramatic Structure. by: (書目-電子資源)

Designing a Computer-Assisted Meta-Composition Workflow : = Stimulation of a Ludic Creative Process Through the Production of Audiovisual Pieces. by: (書目-電子資源)

Musical Ecologies of Persons and Things. by: (書目-電子資源)

Piano Music for the Ballet Technique Class : = An Online Guide. by: (書目-電子資源)

A New Liberation : = Reviving the Piano Literature of Classical-Era Women Composers through Online Teaching Resources. by: (書目-電子資源)

Yuehan. Bulamusi "Jiu shou yi shu ge qu, zuo pin liu shi san" zhi yue qu fen xi yu yan zou quan shi = = The Analysis and the Interpretation of Neun Lieder und Gesange, Op. 63 by Johannes Brahms. by: (書目-電子資源)

Qin yun zai xian wu zheng ming : = yi Fan Weici gai bian zhi "Guangling San" ji "Longshuo Cao" wei li = The Charm of Guqin Menifasted in Guzeng Music : A Case Study on The Guangling San and Longshuo Cao Arranged by Wei-Tsu Fan. by: (書目-電子資源)

Shuman zhu ti bian zou qu : = Kelala Shuman zuo pin 20 yu Bulamusi zuo pin 9 de tong ti yi yun = Variations on a Theme of Robert Schumann : The Thoughts between Clara Schumann's Op.20 and Johannes Brahms' Op.9. by: (書目-電子資源)

"Songs from Vessels" for Ensemble and Live Electronics and Vessels : = A Virtual Reality Micro-Opera. by: (書目-電子資源)

Building Sensory Sound Worlds at the Intersection of Music and Architecture. by: (書目-電子資源)

On the Transmigration of the Arab Soul : = A Case Study in Contemporary Composition. by: (書目-電子資源)

Study in Clarity : = Josef Suk's Asrael Re-envisioned via Schoenberg. by: (書目-電子資源)

J.S. Bach's Goldberg Variations in the Context of Bach's Forerunners and Contemporaries : = Influences and Keyboard Techniques. by: (書目-電子資源)

Musical and Spiritual Meaning in the Franciscan Works of Franz Liszt. by: (書目-電子資源)

Differential Music : = Automated Music Generation Using LSTM Networks with Representation Based on Melodic and Harmonic Intervals. by: (書目-電子資源)

Composing for the Performance Space : = A Practice-Based Investigation on the Design of Interfaces for Spatial Sound and Lighting. by: (書目-電子資源)

The Point of Intersection : = An Analysis of Interactivity and Synthesis in Historical Models of Mixed Music by Karlheinz Stockhausen and Elainie Lillios; and an Original Composition, Bare. for Trumpet, Piano, Percussion, and Live Electroacoustics. by: (書目-電子資源)

The Sound of the Sea All the Time : = Landscape and Image as Method. by: (書目-電子資源)

Compositional Use of Contemporary Techniques for Clarinet and Bass Clarinet : = A Study of Literature. by: (書目-電子資源)

Music of the British Isles : = An Exploration of Music Written for the Violin by Composers From England, Ireland, and Scotland During the Romantic Era. by: (書目-電子資源)

Topics and Themes in Aaron Copland's Concerto for Clarinet. by: (書目-電子資源)

The Choral Conductor-Composer : = A Symbiotic Relationship of Musical Disciplines. by: (書目-電子資源)

Evolution of the Roles of Messiaen's Birdsong in His Piano Works. by: (書目-電子資源)

"Praise Him with Instruments" the Successful Implementation of Orchestral Ensembles in the Modern Contemporary Worship Service. by: (書目-電子資源)

Dutiyou "Gang qin zou ming qu, zuo pin yi" zhi fen xi yu quan shi = = Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1". by: (書目-電子資源)

The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy. by: (書目-電子資源)

The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire. by: (書目-電子資源)

Philosophies on Arranging for Marching Percussion : = Santa Clara Vanguard Drum and Bugle Corps, 1968 to 2023. by: (書目-電子資源)

Tortoise's TNT and In-Studio Composition. by: (書目-電子資源)

Beyond Pitch : = Complexity in Contemporary Electronica. by: (書目-電子資源)

The Oscillation of Things a Composition Portfolio. by: (書目-電子資源)

Writing Music and Its Role in a Conductor's Training as a Performer. by: (書目-電子資源)

Consonance: A Computer Generated Composition. by: (書目-電子資源)

The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective. by: (書目-電子資源)

The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama. by: (書目-電子資源)

Nineteenth-Century Performance and Editorial Practice: A Study of Beethoven's Sonata in C-sharp minor, Op. 27 No. 2. by: (書目-電子資源)

Machine Learning for Inspired, Structured, Lyrical Music Composition. by: (書目-電子資源)

An Exploration and Analysis of the Unaccompanied Viola Sonatas of Gunter Raphael. by: (書目-電子資源)

Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs. by: (書目-電子資源)

The Young Violinist: A Russian/Soviet Violin Method. by: (書目-電子資源)

An Homage to the Golden Age Book Musical: A Director's Approach to the New Gershwin Musical Crazy for You. by: (書目-電子資源)

A Conductor's Guide to Christian Wind Band Literature. by: (書目-電子資源)

Composing Metaphors. by: (書目-電子資源)

Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble. by: (書目-電子資源)

What We See is What We Desire to See for Color and Instruments: Color as an Inspiration for Musical Composition. by: (書目-電子資源)

Lingua Franca: The Use of Labanotation in the Gestural-Based Compositions of Wayne Siegel, Mark Applebaum, and Casey Cangelosi. by: (書目-電子資源)

Chinese Aesthetics and Performance Practice in Three Works for Piano by Chen Yi: Tunes from My Home, Northern Scenes, and Four Spirits = = 浅析陈怡含有钢琴的作品中涉及到中国艺术美学及演出实践的三首作品：钢琴三重奏《家乡的歌》，钢琴独奏《北方景色》，钢琴协奏曲《四灵》. by: (書目-電子資源)

Benjamin Britten's Symphony for Cello and Orchestra, Op. 68: Context, Analysis, and Performer's Guide. by: (書目-電子資源)

Seeking Spiritual Liberation: Gong Cycles and Dissolutions in Claude Vivier's "Prologue pour un Marco Polo" and an Original Composition, "peri{methe-" for Bass Clarinet, Baritone Saxophone, Mezzosoprano, Percussion, Violin and Double Bass. by: (書目-電子資源)