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Text and Music Interplay in the Sephardic Piyut in Israel.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Text and Music Interplay in the Sephardic Piyut in Israel./
作者:
Ataria, Jonathan.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:
75 p.
附註:
Source: Masters Abstracts International, Volume: 83-09.
Contained By:
Masters Abstracts International83-09.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28862207
ISBN:
9798206412079
Text and Music Interplay in the Sephardic Piyut in Israel.
Ataria, Jonathan.
Text and Music Interplay in the Sephardic Piyut in Israel.
- Ann Arbor : ProQuest Dissertations & Theses, 2022 - 75 p.
Source: Masters Abstracts International, Volume: 83-09.
Thesis (M.A.)--Tufts University, 2022.
This item must not be sold to any third party vendors.
Jewish communities in the diaspora have tended to adopt local musics to accompany their Piyutim (sing. Piyut), a corpus of Hebrew religious poetry. The case of the 20th-century Arabic art music repertoire is particularly interesting as it was adopted by Sephardic (Jews originating from Western Asia and North Africa) orthodox communities in Israel in parallel to this music's decline in popularity among non-orthodox Jews and in the general middle east public. The contrafacta written in masses for this celebrated repertoire have shifted the balance of relative importance, from a dominance of text to a central role for music, with several implications in prayers, para-liturgical events, and music consumption.The present paper examines two complementary recent phenomena showing a reclaimed creative presence for Arabic musical culture - not only as a soundtrack for musical worshipping - among members of the Piyut-enthusiastic Sephardic communities. First, a proliferation of vocalists and cantors proficient in the Arabic style, who perform the Egyptian art repertoire in its original language, outside the synagogue. Second, a new trend of composing new music for Piyutim in the Egyptian art style. Interestingly, the musicians' choice to primarily compose classic Piyut texts speaks directly to the tension between text and music, bringing both to the same artistic degree in the creative process. This presently unfolding process demonstrates how the retention of musical culture in ritual can contribute to the preservation of that music in the face of an otherwise likely deletion due to socio-cultural constraints.
ISBN: 9798206412079Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Arabic music
Text and Music Interplay in the Sephardic Piyut in Israel.
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Jewish communities in the diaspora have tended to adopt local musics to accompany their Piyutim (sing. Piyut), a corpus of Hebrew religious poetry. The case of the 20th-century Arabic art music repertoire is particularly interesting as it was adopted by Sephardic (Jews originating from Western Asia and North Africa) orthodox communities in Israel in parallel to this music's decline in popularity among non-orthodox Jews and in the general middle east public. The contrafacta written in masses for this celebrated repertoire have shifted the balance of relative importance, from a dominance of text to a central role for music, with several implications in prayers, para-liturgical events, and music consumption.The present paper examines two complementary recent phenomena showing a reclaimed creative presence for Arabic musical culture - not only as a soundtrack for musical worshipping - among members of the Piyut-enthusiastic Sephardic communities. First, a proliferation of vocalists and cantors proficient in the Arabic style, who perform the Egyptian art repertoire in its original language, outside the synagogue. Second, a new trend of composing new music for Piyutim in the Egyptian art style. Interestingly, the musicians' choice to primarily compose classic Piyut texts speaks directly to the tension between text and music, bringing both to the same artistic degree in the creative process. This presently unfolding process demonstrates how the retention of musical culture in ritual can contribute to the preservation of that music in the face of an otherwise likely deletion due to socio-cultural constraints.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28862207
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