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The Influence of Billie Holiday and Black Vocal Music on Selected Operatic Works by Anthony Davis, Terence Blanchard, and Marcus Norris.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Influence of Billie Holiday and Black Vocal Music on Selected Operatic Works by Anthony Davis, Terence Blanchard, and Marcus Norris./
作者:	Norris, Marcus.
面頁冊數:	1 online resource (53 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-06, Section: A.
Contained By:	Dissertations Abstracts International84-06A.
標題:	Musical composition. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29999831click for full text (PQDT)
ISBN:	9798358478299

The Influence of Billie Holiday and Black Vocal Music on Selected Operatic Works by Anthony Davis, Terence Blanchard, and Marcus Norris.
Norris, Marcus.

The Influence of Billie Holiday and Black Vocal Music on Selected Operatic Works by Anthony Davis, Terence Blanchard, and Marcus Norris. - 1 online resource (53 pages)

Source: Dissertations Abstracts International, Volume: 84-06, Section: A.

Thesis (Ph.D.)--University of California, Los Angeles, 2022.

Includes bibliographical references

In my monograph I codify musical characteristics that have defined twentieth-century Black American popular vocal music to illustrate the cross-genre influence this music has on living American opera composers, including Anthony Davis, Terrance Blanchard, and myself. To define these musical characteristics, I analyze compositions and recordings from twentieth-century Black American singer Billie Holiday, who has shaped the genres she performs, with a focus on both songwriting and vocal performance. My dissertation composition, a one-act opera titled Ain't That About A-, incorporates my findings and extends them in an innovative way: I musically represent "code-switching," the practice of Black Americans to alternate between dialects in response to the demands of white culture. The story of the opera follows the locals of a Black neighborhood on the cusp of gentrification. We look at what happens when well-intentioned young white people move into the neighborhood, looking to save a community of people who do not feel they need to be saved.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798358478299Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

Davis, AnthonyIndex Terms--Genre/Form:

542853
Electronic books.

The Influence of Billie Holiday and Black Vocal Music on Selected Operatic Works by Anthony Davis, Terence Blanchard, and Marcus Norris.
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502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2022.
504 $a Includes bibliographical references
520 $a In my monograph I codify musical characteristics that have defined twentieth-century Black American popular vocal music to illustrate the cross-genre influence this music has on living American opera composers, including Anthony Davis, Terrance Blanchard, and myself. To define these musical characteristics, I analyze compositions and recordings from twentieth-century Black American singer Billie Holiday, who has shaped the genres she performs, with a focus on both songwriting and vocal performance. My dissertation composition, a one-act opera titled Ain't That About A-, incorporates my findings and extends them in an innovative way: I musically represent "code-switching," the practice of Black Americans to alternate between dialects in response to the demands of white culture. The story of the opera follows the locals of a Black neighborhood on the cusp of gentrification. We look at what happens when well-intentioned young white people move into the neighborhood, looking to save a community of people who do not feel they need to be saved.
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538 $a Mode of access: World Wide Web
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650 4 $a Black studies. $3 2122689
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653 $a Blanchard, Terence
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