Musical composition.
Overview
| Works: | 162 works in 0 publications in 0 languages | |
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Titles
The Shape of Sound from Opto-Acoustic Inscription to an Immersive Sonic Art.
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Constructing Symbolic Soundworlds Using Field Recordings and Sound Synthesis.
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Bela Bartok's Sonata for Solo Violin: A Study of Variant Readings in the Sources.
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Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music.
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Gateways to 20th Century Violin Repertoire: Selections from Luciano Berio's Duetti per due Violini.
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An Exploration and Analysis of the Unaccompanied Viola Sonatas of Gunter Raphael.
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Sunken II Chords and Inwardness: A Correspondence Complex in Robert Schumann's Liederjahr Songs.
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An Homage to the Golden Age Book Musical: A Director's Approach to the New Gershwin Musical Crazy for You.
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Post-ironic Sounds: Wallacian New Sincerity in " Unavoidably Sentimental" for Large Ensemble.
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These Decorated Fragments of Time: An Original Composition for Pierrot Ensemble and Electronics.
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What We See is What We Desire to See for Color and Instruments: Color as an Inspiration for Musical Composition.
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Lingua Franca: The Use of Labanotation in the Gestural-Based Compositions of Wayne Siegel, Mark Applebaum, and Casey Cangelosi.
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Seeking Spiritual Liberation: Gong Cycles and Dissolutions in Claude Vivier's "Prologue pour un Marco Polo" and an Original Composition, "peri{methe-" for Bass Clarinet, Baritone Saxophone, Mezzosoprano, Percussion, Violin and Double Bass.
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J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.
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Database Music: A History, Technology, and Aesthetics of the Database in Music Composition = = Musica con base de datos: historia, tecnologia, y esteticas de la base de datos en la composicion musical..
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Sonic Playground: The Influence of the Recording Studio on Mike Oldfield's Tubular Bells.
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Aesthetics and Poietics of Sound Material, Form and (Absent) Body in Electronic Music: Conceptual Tools for the Computer Musician, and Their Applications.
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The Composer's Mind Through the Looking Glass: An Analysis of Pitch-centricity in Zaide/Adama.
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Nineteenth-Century Performance and Editorial Practice: A Study of Beethoven's Sonata in C-sharp minor, Op. 27 No. 2.
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The Shaping of Time in Kaija Saariaho's Emilie: A Performer's Perspective.
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A Study of 21st-Century Works for Clarinet and Multimedia Featuring Three Newly Commissioned Works for Clarinet and Electronics with Visuals.
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The Music of Chaya Czernowin: An Analytic Approach Based on Embodied Cognition and Crossmodal Mappings.
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The Dynamics of Composer-Performer Relationships: A Study of Long-Term Creative Collaboration.
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You Have to Work with What the Computer Has: Music Software Affordances and Student Compositions.
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Sholawat and the Sounds of Islam Nusantara: Music and Religious Authority in Contemporary Indonesia.
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Harmonic Refraction, Structural Thresholds, and the Chromatic Prism: A Neo-Riemannian Transformational and Geometrical Approach to the Music of Pyotr Ilyich Tchaikovsky.
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Partial Displacement: En/Decoding Spectral Thinking in Tristan Murail's Memoire/Erosion, and Two Compositions for String Quartet.
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Dreaming of Single Hexachords in an Infinite Expanse: An Analysis of Movement II of Donald Martino's Notturno and an Original Composition, Wasted:Awake for String Trio, Clarinet and Electronics.
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Gerhard Krapf, Organist: His Life, Pedagogy, Works, and Place in the North American Orgelbewegung.
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Igor Stravinsky: Hidden Rhythmic Patterns and Codes in His Orchestral Music.
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Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer.
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Scythianism in Sergei Prokofiev's Second Piano Concerto in G Minor, Op.16.
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A New Piano Reduction of the Antonin Dvorak Concerto for Cello and Orchestra in B Minor Op.104.
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Hearing Voices: The Narrative Function of the Piano Voice in Schubert's Winterreise.
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Capturing Sound: The Methods of Arranging and Executing Instrumental Sounds Between Orchestra and Piano.
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Music Borrowing in Organ Literature Through History: Couperin, Bach, Brahms, Ives, Alain, and Cage.
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Twenty-First Century Music that Embodies a Positive Relationship Between Trumpet and Piano.
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From Imitation to Innovation: A Study of the Complete Violin Sonatas by George Enescu, Gabriel Faure and Johannes Brahms.
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Contemporary Musical Alchemy: Applying Medieval and Renaissance Artifacts to New Musical Compositions.
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Russian Jazz with Bolshevik Trimmings: Modernist Composer-Pianists in Revolutionary Russia.
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An Annotated Catalog of Flute Music by Female Composers between 1988 and 2021.
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A Performer's Approach to the Horn Solo and Chamber Works of Thomas E. Weaver.
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East, West, South, North, and Center- Live Electronic Music Based on Neural Network, Board Game, and Data-Driven Instrument.
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The Evolution of Blur: A History of Early Piano Pedaling in the Late Eighteenth and Early Nineteenth Centuries.
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In Search of Clear Execution: An Eighteenth-Century Approach to Franz Schubert's Piano Sonata in a Major D. 959.
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An Analytical Study of Dies irae Sequences by Schnittke, Penderecki, and Han.
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An Analytical Study of Isang Yun's Oboe and Oboe D'Amore Concerto : = The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe.
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The Influence of Vietnamese Traditional Music on the Cello Works of P. Q. Phan, Van-Anh Vo, and Nhật Minh Nguyễn.
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Composing with Musical Instruments : = Physicality and Instrument Intervention in the Creative Process.
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The Improvised Text : = Bodily Regimes of Piano Performance in the Nineteenth Century.
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Performer Interaction and States of Attention as Frameworks for Musical Analysis.
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The 1841, 1851, and Mahler Versions of Robert Schumann's Symphony No. 4 in D Minor : = A Comparative Investigation into Cyclic Form and Dramatic Structure.
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Designing a Computer-Assisted Meta-Composition Workflow : = Stimulation of a Ludic Creative Process Through the Production of Audiovisual Pieces.
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On the Transmigration of the Arab Soul : = A Case Study in Contemporary Composition.
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Live Processing into the 21st Century : = Delay-Based Performance and Temporal Manipulation in the Music of Joel Ryan, Radiohead, and Sam Pluta.
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The Message of Music : = Music as Communication in the Multimedia Composition : Reflex 2/3 Self-Portrait.
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Rhythm, Groove, and Conductor Considerations in Jessie Montgomery's Strum and Starburst.
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Compositional Use of Contemporary Techniques for Clarinet and Bass Clarinet : = A Study of Literature.
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Music of the British Isles : = An Exploration of Music Written for the Violin by Composers From England, Ireland, and Scotland During the Romantic Era.
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Dutiyou "Gang qin zou ming qu, zuo pin yi" zhi fen xi yu quan shi = = Analysis and Interpretation of Du Tiyu's "Piano Sonata, Opus 1".
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The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy.
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The Early Songs (1880-1885) of Claude Debussy : = An Analytical Approach to Defining a Repertoire.
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Philosophies on Arranging for Marching Percussion : = Santa Clara Vanguard Drum and Bugle Corps, 1968 to 2023.
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"Praise Him with Instruments" the Successful Implementation of Orchestral Ensembles in the Modern Contemporary Worship Service.
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A Performance Analysis of Scriabin's Early Piano Works: Sonata-Fantaisie (1886), Allegro Appassionato, Allegro de Concert, and Fantaisie.
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Chinese Aesthetics and Performance Practice in Three Works for Piano by Chen Yi: Tunes from My Home, Northern Scenes, and Four Spirits = = 浅析陈怡含有钢琴的作品中涉及到中国艺术美学及演出实践的三首作品：钢琴三重奏《家乡的歌》，钢琴独奏《北方景色》，钢琴协奏曲《四灵》.
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Benjamin Britten's Symphony for Cello and Orchestra, Op. 68: Context, Analysis, and Performer's Guide.
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Contemporary Classical Female Composer: An Exploration of Gender Roles and Stereotypes.
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Rural and Urban Explorations of Transnational Performance: A Dialogue between Traditional Southwestern Chinese and Contemporary North American Music & Dance.
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Children's Innate Capacity for Experimental Music Performance: The Use of Artistic Play to Liberate Expression.
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Analytical Problems of Aesthetics, Genre, and Large-Scale Form in Germanic Music, 1905-15.
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Spherical Structured Time in the Three Toccatas of Die Soldaten by Bernd Alois Zimmermann and an Original Composition, Wer, Wenn Ich Schriee for Soprano and Double Bass.
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"What I Do Is All I Have": Gesture and Contour in Harrison Birtwistle's Trio for Violin, Cello, and Piano.
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A Contemporary Adaptation of America's Musical Heritage: The American Folk Set by Steven Mark Kohn.
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A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, Run (2003), "...without a chance" (2003), and Concerto for Two Percussionists and Orchestra (2011), including a Structural and Aesthetic Analysis.
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What Do You Mean I Have to Stay Home?: Considering the Chamber Music of Three Female Composers at the Turn of the 20th Century.
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A Performer's Guide to Selected Early Violin Works of Darius Milhaud: Violin Sonata No. 1, Op. 3; Violin Sonata No. 2, Op. 40; and Le Boeuf Sur Le Toit, Op. 58b.
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A Performance Guide on Selected Sonatas for Flute and Piano By: Darius Milhaud (1892-1974), Louis Durey (1888-1979), Francis Poulenc (1899-1963).
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Tesseract, Act I. for Amplified Soprano Saxophone Quartet and Octophonic Speaker Array.
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Non-Tonal Pitch Hierarchies and Dramatic Narratives in Oliver Knussen's Variations, Op. 24.
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From the Creative Drive to the Musical Product : A Psychoanalytic Account of Musical Creativity.
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The Representation of Water in Twentieth-Century French and Chinese Piano Music.
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A Teacher's Guide to Diverse Piano Repertoire: An Annotated Bibliography of Intermediate Level Repertoire by Historically Underrepresented Composers Through Each Historical Period.
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"The Icelandic Grieg?": Sveinbjorn Sveinbjornsson: A Biographical Study and Edition of His Sonata for Violin and Piano.
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Reger's Variations and Fugue on a Theme by Telemann, Op. 134 and Its Relationship to Brahms's Variations and Fugue on a Theme by Handel, Op. 24.
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Recurrence and (Dis)Continuity as Identity in Chen Yi's Trans-Cultural Musical Style.
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Sound of the City : = Creating a Balanced Sound Composition in Urban Green Spaces.
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An Original Composition for Wind Orchestra as a Guide for Creating Literature-Specific Instructional Materials for Afro-Cuban Musical Interpretation.
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An Expression of Religion and Spirituality : = The Piano Music of John Tavener.
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Composing Timbre Spaces, Composing Timbre in Space : = An Exploration of the Possibilities of Multidimensional Timbre Representations and Their Compositional Applications.
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A Study of Arranging Technique, Performance Guide, and Practical Application on Liszt's Schubert Song Transcriptions.
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Analysis of Selected Pieces Influenced by Taiwanese Aboriginal Music for Solo Violin and String Quartet.
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Music Composition as Pedagogy : = A Qualitative Case Study of Undergraduate Music Students' Experience with Composition.
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Analyzing Jazz Improvisation with Voice-Leading Models : = A Study of Saxophonists' Harmonic Variations on Rhythm Changes.
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The Way We Look to a Song : = Five Compositions and the Envoicing of Musical Inheritance.
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The Influence of Billie Holiday and Black Vocal Music on Selected Operatic Works by Anthony Davis, Terence Blanchard, and Marcus Norris.
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A New Liberation : = Reviving the Piano Literature of Classical-Era Women Composers through Online Teaching Resources.
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Yuehan. Bulamusi "Jiu shou yi shu ge qu, zuo pin liu shi san" zhi yue qu fen xi yu yan zou quan shi = = The Analysis and the Interpretation of Neun Lieder und Gesange, Op. 63 by Johannes Brahms.
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Qin yun zai xian wu zheng ming : = yi Fan Weici gai bian zhi "Guangling San" ji "Longshuo Cao" wei li = The Charm of Guqin Menifasted in Guzeng Music : A Case Study on The Guangling San and Longshuo Cao Arranged by Wei-Tsu Fan.
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Shuman zhu ti bian zou qu : = Kelala Shuman zuo pin 20 yu Bulamusi zuo pin 9 de tong ti yi yun = Variations on a Theme of Robert Schumann : The Thoughts between Clara Schumann's Op.20 and Johannes Brahms' Op.9.
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"Songs from Vessels" for Ensemble and Live Electronics and Vessels : = A Virtual Reality Micro-Opera.
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Building Sensory Sound Worlds at the Intersection of Music and Architecture.
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A Content Analysis : = Composer Representation in Choral Conducting Textbooks Published in the United States from 1983-2011.
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A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music.
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Going for the Goals : = How Teachers and Students Set and Meet Goals in Music Composition and Psalms and Meditations for Flexible Ensemble.
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J.S. Bach's Goldberg Variations in the Context of Bach's Forerunners and Contemporaries : = Influences and Keyboard Techniques.
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Differential Music : = Automated Music Generation Using LSTM Networks with Representation Based on Melodic and Harmonic Intervals.
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Composing for the Performance Space : = A Practice-Based Investigation on the Design of Interfaces for Spatial Sound and Lighting.
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The Choral Conductor-Composer : = A Symbiotic Relationship of Musical Disciplines.
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