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A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A Meeting Between East and West :/
其他題名:
A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music.
作者:
Chen, Shiyu.
面頁冊數:
1 online resource (49 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Contained By:
Dissertations Abstracts International84-11A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30490871click for full text (PQDT)
ISBN:
9798379508364
A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music.
Chen, Shiyu.
A Meeting Between East and West :
A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music. - 1 online resource (49 pages)
Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
Thesis (D.M.A.)--Shenandoah University, 2023.
Includes bibliographical references
Over the past century, Western interest and scholarship on the music of the Balinese gamelan has grown considerably. The widespread exposure of Indonesian traditional music cannot be simply explained by migration or cultural interventions, instead, it is a result of various intersecting colonial histories and global integration. Due to this integration, composers have been influenced in some ways by Balinese gamelan music for years. As early as the nineteenth century, well-known composer Claude Debussy was inspired after he witnessed gamelan music and dancing during the Paris Exposition Universelle in 1889, which inspired him to compose the piano piece, Pagodes. More than one hundred years later, composers are still incorporating Balinese musical elements in their compositions. This study considers the combinations of traditional Balinese gamelan music and Western music compositional methods in three works for flute and piccolo, spanning the twentieth and twenty-first century, which include Anne Boyd's Bali Moods No.1, Gareth Farr's Kembang Suling, and David Loeb's Balinese Fantasies. In summary, the purpose of this dissertation is to analyze the applications of the hybridity of Balinese gamelan musical culture with Western compositional skills and notations within these three flute and piccolo pieces. I discuss these three works in their musical forms, harmonies, melodies, and performing techniques as well as the differences and similarities between the flute or piccolo musical writing styles with the musical writing styles of the Indonesian traditional bamboo flute, "Surling." I hope that through this study, more contemporary composers will know the traditional music of Indonesia or even Asia and fuse these traditional musical elements in their compositions to ultimately expand the repertoire for the flute.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798379508364Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
FluteIndex Terms--Genre/Form:
542853
Electronic books.
A Meeting Between East and West : = A Study of Three Works for Flute and Piccolo Based on Balinese Gamelan Music.
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Source: Dissertations Abstracts International, Volume: 84-11, Section: A.
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Over the past century, Western interest and scholarship on the music of the Balinese gamelan has grown considerably. The widespread exposure of Indonesian traditional music cannot be simply explained by migration or cultural interventions, instead, it is a result of various intersecting colonial histories and global integration. Due to this integration, composers have been influenced in some ways by Balinese gamelan music for years. As early as the nineteenth century, well-known composer Claude Debussy was inspired after he witnessed gamelan music and dancing during the Paris Exposition Universelle in 1889, which inspired him to compose the piano piece, Pagodes. More than one hundred years later, composers are still incorporating Balinese musical elements in their compositions. This study considers the combinations of traditional Balinese gamelan music and Western music compositional methods in three works for flute and piccolo, spanning the twentieth and twenty-first century, which include Anne Boyd's Bali Moods No.1, Gareth Farr's Kembang Suling, and David Loeb's Balinese Fantasies. In summary, the purpose of this dissertation is to analyze the applications of the hybridity of Balinese gamelan musical culture with Western compositional skills and notations within these three flute and piccolo pieces. I discuss these three works in their musical forms, harmonies, melodies, and performing techniques as well as the differences and similarities between the flute or piccolo musical writing styles with the musical writing styles of the Indonesian traditional bamboo flute, "Surling." I hope that through this study, more contemporary composers will know the traditional music of Indonesia or even Asia and fuse these traditional musical elements in their compositions to ultimately expand the repertoire for the flute.
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