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Real-Time Composition as a Strategy for the 21st Century Composer.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Real-Time Composition as a Strategy for the 21st Century Composer./
作者:	Rodrigues, Oscar .
面頁冊數:	1 online resource (95 pages)
附註:	Source: Dissertations Abstracts International, Volume: 83-07, Section: A.
Contained By:	Dissertations Abstracts International83-07A.
標題:	Musical notation. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28943953click for full text (PQDT)
ISBN:	9798762162685

Real-Time Composition as a Strategy for the 21st Century Composer.
Rodrigues, Oscar .

Real-Time Composition as a Strategy for the 21st Century Composer. - 1 online resource (95 pages)

Source: Dissertations Abstracts International, Volume: 83-07, Section: A.

Thesis (Master's)--Instituto Politecnico do Porto (Portugal), 2016.

Includes bibliographical references

Real-Time Composition, despite being a term commonly used in computer music and free improvisation circles, is also one whose definition is not clear. This dissertation aims to, in seeking and attempting its conceptualisation, permit a deeper look at the core of the activity of western classical music making. By discussing the concepts and current views on composition, improvisation, musical work, interpretation and performance, we will propose a working definition that will later serve as a model for music making; one that involves both the composer and performers, influenced by their context, as creators. This model borrows heavily from Walter Thompson's Soundpainting technique. We will then analyse the outcome of three different concerts, of increasing complexity and level of control, that resulted from the previous discussion and end by concluding that Real-Time Composition is, in fact, fundamentally different from improvisation, and an extension of western classical music practice.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798762162685Subjects--Topical Terms:

613722
Musical notation.
Index Terms--Genre/Form:

542853
Electronic books.

Real-Time Composition as a Strategy for the 21st Century Composer.
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500 $a Source: Dissertations Abstracts International, Volume: 83-07, Section: A.
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502 $a Thesis (Master's)--Instituto Politecnico do Porto (Portugal), 2016.
504 $a Includes bibliographical references
520 $a Real-Time Composition, despite being a term commonly used in computer music and free improvisation circles, is also one whose definition is not clear. This dissertation aims to, in seeking and attempting its conceptualisation, permit a deeper look at the core of the activity of western classical music making. By discussing the concepts and current views on composition, improvisation, musical work, interpretation and performance, we will propose a working definition that will later serve as a model for music making; one that involves both the composer and performers, influenced by their context, as creators. This model borrows heavily from Walter Thompson's Soundpainting technique. We will then analyse the outcome of three different concerts, of increasing complexity and level of control, that resulted from the previous discussion and end by concluding that Real-Time Composition is, in fact, fundamentally different from improvisation, and an extension of western classical music practice.
520 $a A Composicao em Tempo Real, apesar de ser um termo regularmente utilizado nos circulos da musica electronica e da improvisacao livre, nao tem uma definicao clara. Esta dissertacao tem como objectivo, ao procurar a sua conceptualizacao, perceber de forma mais profunda o nucleo da actividade produtiva da musica classica ocidental. Ao discutir os conceitos e entendimentos correntes de composicao, improvisacao, obra musical, interpretacao e performance, sera proposta uma definicao operacional que ira posteriormente servir como modelo para a criacao musical; este modelo envolve tanto compositores como interpretes, influenciados pelo seu contexto, enquanto criadores. Este modelo e baseado na tecnica de Soundpainting, desenvolvida por Walter Thompson. De seguida iremos analisar o resultado de tres concertos diferentes, de complexidade e niveis de controlo crescentes, que decorreram da discussao anterior, e terminar com a conclusao de que a Composicao em Tempo Real e, de facto, fundamentalmente diferente da improvisacao, e uma extensao da pratica da musica classica ocidental.
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650 4 $a Electronic music. $3 603911
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650 4 $a Classical music. $3 600086
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650 4 $a Musical composition. $3 3289630
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28943953 $z click for full text (PQDT)