Literature, Caribbean.
概要
| 作品: | 146 作品在 0 項出版品 0 種語言 | |
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書目資訊
Diaspora's daughters: Buchi Emecheta, Julie Dash, Edwidge Danticat and the remapping of mother Africa (Nigeria, Haiti).
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Miscegenation discourse in Faulkner, Rhys and Toomer: Literary texts and legal subtexts (Dominica, William Faulkner, Jean Toomer, Jean Rhys).
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Erotic islands: The Caribbean of early eighteenth-century British literature (Daniel Defoe, John Gay, William Pittis).
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Indianism: The construction of the image of indigenous peoples in nineteenth-century Mexican, Peruvian, and Dominican literature.
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Reinventing selves: The performance of assimilation in immigrant women's fiction (Anzia Yezierska, Julia Alvarez, Maxine Hong Kingston, Edwidge Danticat, Haiti).
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Contemporary literature and emergent space: Change in the spatial-subjective system.
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The black maternal: Heterogeneity and resistance in literary representations of black mothers in 20th century African American and Afro-Caribbean women's fiction.
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"Whatever": God as absent presence in the poetry of Geoffrey Hill, Derek Walcott, and Charles Wright.
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Mort, mots, et liberte: L'ecriture de l'identite dans les oeuvres de Cesaire, Chamoiseau et Conde.
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THE INTERNATIONAL NOVEL: ASPECTS OF ITS DEVELOPMENT IN THE TWENTIETH CENTURY WITH EMPHASIS ON THE WORK OF NADINE GORDIMER AND V. S. NAIPAUL.
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Unruly subjects: Nationhood, home and colonial consciousness in Olive Schreiner and Jean Rhys.
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"Nomadic" modernisms, modernist "nomadisms": (Dis)figuring exile in selected works of Djuna Barnes, Jean Rhys, Jane Bowles, and Eva Hoffman.
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Cultural embossing: The layering of East Indian identity revealed through the visions and voices, of three Trinidadian visual artists of East Indian heritage.
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Declarative moments: Literature, law and transatlantic postcolonialism, 1776--1996.
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"In the same boat now": Peoples of the African diaspora and/as immigrants: The politics of race, migration, and nation in twentieth-century American literature.
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Rebellion and nihilism in the works of Leila Sebbar and V. S. Naipaul (Algeria, Trinidad and Tobago).
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Are we there yet? Migration and home in literature (Loida Maritza Perez, Erna Brodber).
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Men on the market: Jose Marti and Jose Asuncion Silva in the worlds of commerce and literature (Cuba, Colombia).
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White skin, white masks: The Creole woman and the narrative of racial passing in Martinique and Louisiana.
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In the crosscurrents of empire: A moving geography of global British modernism, 1900--1940.
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Wedlock and fetters: Marriage, antislavery and abolition in eighteenth century British literature, 1759--1808.
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Vanishing borders: A cross-national survey of magical realism and the fantastic in short fiction.
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Cuba: Poesia, genero y revolucion (Spanish text, Carilda Oliver Labra, Fina Garcia Marruz, Georgina Herrera).
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The haunting past and the production of racial subjects: Contemporary Afro-Caribbean women's writing.
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Caribbean cartographies: Maps, cosmograms, and the Caribbean imagination (Kamau Brathwaite, Wilson Harris, Barbados, Guyana).
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Cuba y Cataluna en la segunda mitad del siglo XIX: Teatro popular e identidades (proto)nacionales.
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The ambiguity of the sign: Modes of imagining Africa in Francophone African and Caribbean literatures.
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Islanders in transit: Insular migrancy and shifting identities in Atlantic narratives.
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Toussaint Louverture and Haiti's History as Muse: Legacies of Colonial and Postcolonial Resistance in Francophone African and Caribbean Corpus.
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The South Asian diaspora in the Caribbean: Migration, nationalism, and exodus in contemporary Indo-Guyanese literature.
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Dismantling the center from the margins: Patriarchy and transnational literature by women.
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Mapping creative interiors: Creative process narratives and individualized workscapes in the Jamaican dub poetry context.
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Women resisting violence: Locating community in contemporary novels from the Americas and South Asia.
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Se representer entre deux cultures: L'autorepresentation de la femme artiste en litterature et en peinture.
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Paradise and Plantation: The economy of Caribbean discourse (Christopher Columbus, Derek Walcott, St. Lucia, Daniel Defoe, Bahamas).
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The political awakening novels of Margaret Atwood, Doris Lessing, and Michelle Cliff: Narrative strategy, reader response, and utopian desire (Zimbabwe, Jamaica).
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Universe makers: Mythology and the creative work of women writers of speculative fiction.
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Colonialism's cacophony: Natives and arrivants at the limits of postcolonial theory.
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Configuraciones y desfiguraciones de lo nacional en la literatura dominicana contemporanea (Spanish text).
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Adolescent empires: Identity, liminality, and advocacy in contemporary American literature.
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Stages of liberation: Ritual, nationalism and women's cultural production in Jamaica's pre-independence era.
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Performing fiction: The inward turn of postcolonial discourse in anglophone Caribbean fiction.
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Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
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El discurso latinoamericano del exilio: Extraterritorialidad y novela en Argentina y Cuba desde los anos setenta.
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Genealogy and decolonization: The historical novel of the twentieth-century Caribbean.
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The figure of woman and the distractions of desire: Psychoanalysis, postcolonial theory and the translation of difference.
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Transatlantic retrospections: Postcolonial engagements with the British eighteenth century.
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Postcolonial possessions: Place, space and the discourse of property in Caribbean literature.
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Postcards from the edge-city: Mass-media and photographic images in contemporary novels of the Black diaspora.
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Locating cultures, constructing identities: The Caribbean diaspora, Black Britain, and the theatre of Mustapha Matura.
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Emperors of invisible cities: The sovereignty of the imagination in Caribbean literature.
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Mixing in the postcolonial diaspora: Writing race as fiction in the works of Lawrence Hill, Shani Mootoo, and Danzy Senna.
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Mapping intersections: Black women's identities and the politics of home in transnational black American women's fiction.
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Diasporic nationalisms, nationalist diasporas: Theorizing race in the black Atlantic (African diaspora).
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Writing, racial identification, and mental illness in A Question of Power and Wide Sargasso Sea.
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"The world is full of islands": Literary revision and the production of a transnational "Robinson Crusoe".
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