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Becoming Bertha: The sociomedical di...
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Woodcock, Dana M.
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Becoming Bertha: The sociomedical discourse behind the madwoman in the attic.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Becoming Bertha: The sociomedical discourse behind the madwoman in the attic./
作者:
Woodcock, Dana M.
面頁冊數:
102 p.
附註:
Source: Masters Abstracts International, Volume: 52-06.
Contained By:
Masters Abstracts International52-06(E).
標題:
Literature, English. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1555247
ISBN:
9781303871887
Becoming Bertha: The sociomedical discourse behind the madwoman in the attic.
Woodcock, Dana M.
Becoming Bertha: The sociomedical discourse behind the madwoman in the attic.
- 102 p.
Source: Masters Abstracts International, Volume: 52-06.
Thesis (M.A.)--College of Charleston, 2014.
In Sandra Gilbert and Susan Gubar's feminist classic The Madwoman in the Attic, the authors argue that the madness of Bertha Mason, the infamous madwoman of Charlotte Bronte's Jane Eyre, is an expression of rage against patriarchal oppression. Their assertion is problematic, however, because it treats mental illness as a disease instead of a device. In this project, I analyze Bertha's mental illness in Jane Eyre as an illness, unpacking the sociomedical discourse which both created and reinforced the cultural perception of the madwoman figure. Bertha, in this case, has no voice of her own. This, I argue, is the problem---the mistreatment---of female mental illness. The solution to this problem lies in Wide Sargasso Sea, Jean Rhys's response to Bronte's depiction of the mad Creole woman in the attic. In unpacking the Caribbean discourse surrounding mental illness, we see that, if given the chance, the madwoman can and will speak.
ISBN: 9781303871887Subjects--Topical Terms:
1017709
Literature, English.
Becoming Bertha: The sociomedical discourse behind the madwoman in the attic.
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In Sandra Gilbert and Susan Gubar's feminist classic The Madwoman in the Attic, the authors argue that the madness of Bertha Mason, the infamous madwoman of Charlotte Bronte's Jane Eyre, is an expression of rage against patriarchal oppression. Their assertion is problematic, however, because it treats mental illness as a disease instead of a device. In this project, I analyze Bertha's mental illness in Jane Eyre as an illness, unpacking the sociomedical discourse which both created and reinforced the cultural perception of the madwoman figure. Bertha, in this case, has no voice of her own. This, I argue, is the problem---the mistreatment---of female mental illness. The solution to this problem lies in Wide Sargasso Sea, Jean Rhys's response to Bronte's depiction of the mad Creole woman in the attic. In unpacking the Caribbean discourse surrounding mental illness, we see that, if given the chance, the madwoman can and will speak.
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