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Writing violence and violence writin...
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Colimon, Loreque.
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Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study./
作者:
Colimon, Loreque.
面頁冊數:
216 p.
附註:
Adviser: Abdelhak Serhaine.
Contained By:
Dissertation Abstracts International68-05A.
標題:
Literature, African. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3261765
ISBN:
9780549000730
Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
Colimon, Loreque.
Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
- 216 p.
Adviser: Abdelhak Serhaine.
Thesis (Ph.D.)--University of Louisiana at Lafayette, 2007.
This dissertation completes the analysis with charts that are presented and interpreted to explain the curve of violence throughout the novels and how this theme goes from its beginning to its culmination.
ISBN: 9780549000730Subjects--Topical Terms:
1022872
Literature, African.
Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
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Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
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216 p.
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Adviser: Abdelhak Serhaine.
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Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1925.
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Thesis (Ph.D.)--University of Louisiana at Lafayette, 2007.
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This dissertation completes the analysis with charts that are presented and interpreted to explain the curve of violence throughout the novels and how this theme goes from its beginning to its culmination.
520
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This dissertation is a comparative study on the problem of violence in the works of Justin Lherisson, a 19th century Haitian novelist, and Ahmadou Kourouma, a 20th century African novelist. This research seeks to analyse and compare how these novelists approached the theme of violence and how each represented the entity of violence in Haiti and Africa.
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The theoretical model of the analysis relies on Albert Memmi's theories about the colonized and the colonizers in Portrait du colonise followed by Portrait du colonisateur. The author introduced the colonized as being an "etre de carence" (an incomplete being) and demonstrated how he turned out to be an "etre de violence" (a violent being). After having endured many trials and tribulations and the colonizer's refusal of assimilation, the colonized had no choice but to become an "etre de violence." The only means of expression left was revolution. In addition to these texts, Rene Girard's La violence et le sacre and Marc Gontard's La violence du texte complete and enrich the analysis on the subject.
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Although this dissertation focuses on the literary discourse of violence, it also provides an analysis on each novelist's linguistic innovations of the French language. It explained how each of them adapt the French language to their own cultural imagination and native language linguistic system. They began a transformation of de-semanticization and de-construction of the French language in order to reach a new stage: that of enriching and constructing the language. For Justin Lherisson, it is about introducing Haitian Creole in "le francais de France" whereas Ahmadou Kourouma introduces malinke in his discourse. Certain figures of rhetoric from Gerard Genette facilitate the analysis and the interpretation of this phenomenon.
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School code: 1363.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3261765
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