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Transgresion y compromiso: La mujer...
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Acevedo Roman, Marilourdes.
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Transgresion y compromiso: La mujer como protagonista y eje en seis cuentos de la coleccion "Pez de vidrio" de Mayra Santos Febres (Spanish text, Puerto Rico).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Transgresion y compromiso: La mujer como protagonista y eje en seis cuentos de la coleccion "Pez de vidrio" de Mayra Santos Febres (Spanish text, Puerto Rico)./
作者:
Acevedo Roman, Marilourdes.
面頁冊數:
81 p.
附註:
Source: Masters Abstracts International, Volume: 42-02, page: 0415.
Contained By:
Masters Abstracts International42-02.
標題:
Literature, Caribbean. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1416412
Transgresion y compromiso: La mujer como protagonista y eje en seis cuentos de la coleccion "Pez de vidrio" de Mayra Santos Febres (Spanish text, Puerto Rico).
Acevedo Roman, Marilourdes.
Transgresion y compromiso: La mujer como protagonista y eje en seis cuentos de la coleccion "Pez de vidrio" de Mayra Santos Febres (Spanish text, Puerto Rico).
- 81 p.
Source: Masters Abstracts International, Volume: 42-02, page: 0415.
Thesis (M.A.)--University of Puerto Rico, Mayaguez (Puerto Rico), 2003.
Puerto Rican literature written by women has undergone a series of changes since the 1970's, the female figure becoming protagonist subjects and objects. This is the case of writer Mayra Santos Febres, who in her story book Pez de vidrio presents diverse feminine experiences that explore previously silenced spaces or that had been viewed from a masculine perspective. Moreover, she also proposes a liberating discourse characterized by narrative transgressions of the cannons established by a patriarchal society.Subjects--Topical Terms:
1019116
Literature, Caribbean.
Transgresion y compromiso: La mujer como protagonista y eje en seis cuentos de la coleccion "Pez de vidrio" de Mayra Santos Febres (Spanish text, Puerto Rico).
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81 p.
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Source: Masters Abstracts International, Volume: 42-02, page: 0415.
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Adviser: Miriam Gonzalez Hernandez.
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Puerto Rican literature written by women has undergone a series of changes since the 1970's, the female figure becoming protagonist subjects and objects. This is the case of writer Mayra Santos Febres, who in her story book Pez de vidrio presents diverse feminine experiences that explore previously silenced spaces or that had been viewed from a masculine perspective. Moreover, she also proposes a liberating discourse characterized by narrative transgressions of the cannons established by a patriarchal society.
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These conclusions were arrived at through the analysis of the short stories: "Nightsand," "Pez de vidrio," "Dulce pesadilla, Abnel," "Dilcia M.," "Acto de fe" and "La escritora." These were studied under the theoretical critical framework of Lucia Guerra Cunningham proposed in her essay: "Las sombras de la escritura: Hacia una teoria de la produccion literaria de la mujer latinoamericana."
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