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White skin, white masks: The Creole ...

Rulon, Michael James.

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White skin, white masks: The Creole woman and the narrative of racial passing in Martinique and Louisiana.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	White skin, white masks: The Creole woman and the narrative of racial passing in Martinique and Louisiana./
作者:	Rulon, Michael James.
面頁冊數:	83 p.
附註:	Source: Masters Abstracts International, Volume: 44-06, page: 2543.
Contained By:	Masters Abstracts International44-06.
標題:	Literature, Comparative. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1435024
ISBN:	9780542690105

White skin, white masks: The Creole woman and the narrative of racial passing in Martinique and Louisiana.
Rulon, Michael James.

White skin, white masks: The Creole woman and the narrative of racial passing in Martinique and Louisiana. - 83 p.

Source: Masters Abstracts International, Volume: 44-06, page: 2543.

Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2006.

Through an examination of two Creole passing subject from literary passing narratives of the twentieth century, this thesis simultaneously treats two problems that have been largely overlooked by contemporary scholarship: the role of the Creole racial identity in the genre of the passing narrative, as well as the possibility of racial passing within the context of a Creole society. In Walter White's 1926 novel, Flight, and Mayotte Capecia's 1950 novel, La negresse blanche , the protagonists' difficulties in negotiating a stable racial identity reveal the inherent weakness of the racial binary that is essential to the very notion of racial passing, and they also show that Creoleness has failed to establish itself as a stable racial identity in the societies represented in both novels.

ISBN: 9780542690105Subjects--Topical Terms:

530051
Literature, Comparative.

White skin, white masks: The Creole woman and the narrative of racial passing in Martinique and Louisiana.
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500 $a Adviser: Mae G. Henderson.
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520 $a Through an examination of two Creole passing subject from literary passing narratives of the twentieth century, this thesis simultaneously treats two problems that have been largely overlooked by contemporary scholarship: the role of the Creole racial identity in the genre of the passing narrative, as well as the possibility of racial passing within the context of a Creole society. In Walter White's 1926 novel, Flight, and Mayotte Capecia's 1950 novel, La negresse blanche , the protagonists' difficulties in negotiating a stable racial identity reveal the inherent weakness of the racial binary that is essential to the very notion of racial passing, and they also show that Creoleness has failed to establish itself as a stable racial identity in the societies represented in both novels.
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