Literature, Caribbean.
Overview
| Works: | 146 works in 0 publications in 0 languages | |
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Titles
Humoring the feminine: Comic subversions in 20th-century women's poetry.
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Creolization and coalition in Caribbean feminist cultural production.
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To tell their own stories: Transformations of narrative form by Caribbean women novelists (Sylvia Wynter, Michelle Cliff, Erna Brodber, Zee Edgell, Merle Hodge, Jamaica, Trinidad and Tobago, Belize).
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A rebel consciousness: Narratives of resistance and hybridity in Caribbean women's literature (Jamaica, Trinidad and Tobago, Barbados, Michelle Cliff, Merle Hodge, Louise Bennett, Paule Marshall).
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Paradise and Plantation: The economy of Caribbean discourse (Christopher Columbus, Derek Walcott, St. Lucia, Daniel Defoe, Bahamas).
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Empire islands: Castaways, cannibals, and fantasies of masculine incorporation in post/colonial island narratives (William Shakespeare, Daniel Defoe, R. M. Ballantyne, Derek Walcott, St. Lucia).
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Performing fiction: The inward turn of postcolonial discourse in anglophone Caribbean fiction.
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Writing violence and violence writing: The Haitian and African French novel between the nineteenth and twentieth century. A comparative study.
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El discurso latinoamericano del exilio: Extraterritorialidad y novela en Argentina y Cuba desde los anos setenta.
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Genealogy and decolonization: The historical novel of the twentieth-century Caribbean.
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"Nomadic" modernisms, modernist "nomadisms": (Dis)figuring exile in selected works of Djuna Barnes, Jean Rhys, Jane Bowles, and Eva Hoffman.
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(Re)placing nation: Postcolonial women's contestations of spatial discourse.
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Emperors of invisible cities: The sovereignty of the imagination in Caribbean literature.
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Mixing in the postcolonial diaspora: Writing race as fiction in the works of Lawrence Hill, Shani Mootoo, and Danzy Senna.
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Between myth and meaning: The function of myth in four postcolonial novels.
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Rebellion and nihilism in the works of Leila Sebbar and V. S. Naipaul (Algeria, Trinidad and Tobago).
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Doing she own thing: Gender, performance and subversion in Trinidad calypso.
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The survivor figure in the fiction of slavery: An exploration of Octavia Butler's "Kindred", Maryse Conde's "Moi, Tituba, sorciere noire de Salem", J. California Cooper's "Family" and Fred D'Aguiar's "Feeding the Ghosts" (Guadeloupe).
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Wrestling with Father Shakespeare: Contemporary revisions of "King Lear" and "The Tempest" (Jane Smiley, Aime Cesaire, Martinique, Gloria Naylor, William Shakespeare, Ron Clements, John Musker).
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Kemetic character(s) in African, Caribbean and American novels (Toni Morrison, Michelle Cliff, Jamaica, Ayi Kwei Armah, Ghana).
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'On the far side of revenge': Reconciliation through classical appropriation in postcolonial literature (James Joyce, Ireland, Derek Walcott, St. Lucia, Wole Soyinka, Nigeria, Seamus Heaney, Northern Ireland).
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Worldwise: Global change and ethical demands in the cosmopolitan fictions of Kazuo Ishiguro, Jamaica Kincaid, J. M. Coetzee, and Michael Ondaatje (Antigua, South Africa).
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The haunting past and the production of racial subjects: Contemporary Afro-Caribbean women's writing.
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Mourning work: Historical trauma and the women of the cross(road). Readings in modern women writers of the diaspora (Toni Morrison, Nora Okja Keller, Jamaica Kincaid, Antigua).
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Diasporic nationalisms, nationalist diasporas: Theorizing race in the black Atlantic (African diaspora).
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Sugar and spice: Slavery, women, and literature in the Caribbean (Michelle Cliff, Jamaica, Maryse Conde, Guadeloupe, Edwidge Danticat, Haiti, Jamaica Kincaid, Antigua).
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Caribbean cartographies: Maps, cosmograms, and the Caribbean imagination (Kamau Brathwaite, Wilson Harris, Barbados, Guyana).
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Representing resistance: Women's novels of the Americas and human rights (Toni Morrison, Rosario Castellanos, Mexico, Joy Kogawa, Paule Marshall, Barbados).
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Arguments with nationalism in the fiction of the Indian diaspora (Samuel Selvon, V. S. Naipaul, Trinidad and Tobago, Amitav Ghosh, Arundhati Roy).
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Island (e)states: Visualizing domestic safety and national security in twentieth-century novels by Irish and Caribbean women writers (Elizabeth Bowen, Eilis Ni Dhuibhne, Jean Rhys, Dominica, Michelle Cliff, Jamaica).
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Writing, racial identification, and mental illness in A Question of Power and Wide Sargasso Sea.
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Cuba y Cataluna en la segunda mitad del siglo XIX: Teatro popular e identidades (proto)nacionales.
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The ambiguity of the sign: Modes of imagining Africa in Francophone African and Caribbean literatures.
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Becoming Bertha: The sociomedical discourse behind the madwoman in the attic.
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The immobile voyage: Textual movements in contemporary French-language poetry.
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Women resisting violence: Locating community in contemporary novels from the Americas and South Asia.
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History, horror, reality: The idea of the marvelous in postcolonial fiction.
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Diaspora's daughters: Buchi Emecheta, Julie Dash, Edwidge Danticat and the remapping of mother Africa (Nigeria, Haiti).
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Miscegenation discourse in Faulkner, Rhys and Toomer: Literary texts and legal subtexts (Dominica, William Faulkner, Jean Toomer, Jean Rhys).
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Erotic islands: The Caribbean of early eighteenth-century British literature (Daniel Defoe, John Gay, William Pittis).
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The political awakening novels of Margaret Atwood, Doris Lessing, and Michelle Cliff: Narrative strategy, reader response, and utopian desire (Zimbabwe, Jamaica).
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Configuraciones y desfiguraciones de lo nacional en la literatura dominicana contemporanea (Spanish text).
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Reinventing selves: The performance of assimilation in immigrant women's fiction (Anzia Yezierska, Julia Alvarez, Maxine Hong Kingston, Edwidge Danticat, Haiti).
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From Muse to militant: Francophone women novelists and Surrealist aesthetics.
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Contemporary literature and emergent space: Change in the spatial-subjective system.
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Haunting the tradition of the novel: Generic double play in diasporic fiction.
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"Whatever": God as absent presence in the poetry of Geoffrey Hill, Derek Walcott, and Charles Wright.
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From Puerto Rican nationalism to latinidad: The life and work of Julia de Burgos.
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"Postcolonial Blues": Gender and the mobile literacies of the Black Atlantic.
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The erotic of imperialism: V. S. Naipaul, J. M. Coetzee, Lewis Nkosi.
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THE INTERNATIONAL NOVEL: ASPECTS OF ITS DEVELOPMENT IN THE TWENTIETH CENTURY WITH EMPHASIS ON THE WORK OF NADINE GORDIMER AND V. S. NAIPAUL.
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Unruly subjects: Nationhood, home and colonial consciousness in Olive Schreiner and Jean Rhys.
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A people without a past: Isolation in selected post-colonial novels.
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The figure of woman and the distractions of desire: Psychoanalysis, postcolonial theory and the translation of difference.
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Transatlantic retrospections: Postcolonial engagements with the British eighteenth century.
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Postcards from the edge-city: Mass-media and photographic images in contemporary novels of the Black diaspora.
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Choices and consequences: Decisions on health, wealth, and employment.
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Declarative moments: Literature, law and transatlantic postcolonialism, 1776--1996.
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"In the same boat now": Peoples of the African diaspora and/as immigrants: The politics of race, migration, and nation in twentieth-century American literature.
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Locating cultures, constructing identities: The Caribbean diaspora, Black Britain, and the theatre of Mustapha Matura.
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Popular music and citizenship in Brazil and Cuba: Theme, counterpoint, variation.
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No future: The realist impulse in dystopian fictions in Britain, 1973--1987.
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Literatura presa, LiberArte: La escritura de cuatro prisioneros politicos latinoamericanos (Spanish text, Francisco Matos Paoli, Puerto Rico, Reinaldo Arenas, Cuba, Carmen Lora, Teresa Espaillat, Dominican Republic).
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Literary transculturation in Latino United States of America: An analysis of language in the works of Tato Laviera and Robert G. Fernandez (Puerto Rico).
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Are we there yet? Migration and home in literature (Loida Maritza Perez, Erna Brodber).
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Speaking the unspoken: Silence, language, and form in contemporary poetry (Trinidad and Tobago, Louise Glueck, Marlene Nourbese Philip, Michael Palmer, Jorie Graham).
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Reconciling "private" and "public" selves: Narratives of solitude in works by H.D., Rhys, Sarton, and Hejinian (Hilda Doolittle, Jean Rhys, Dominica, May Sarton, Lyn Hejinian).
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What children say: Childhood in francophone literature of the French Antilles and North and West Africa (Patrick Chamoiseau, Martinique, Maryse Conde, Guadeloupe, Malika Mokeddem, Algeria, Ahmadou Kourouma, Cote d'Ivoire).
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Men on the market: Jose Marti and Jose Asuncion Silva in the worlds of commerce and literature (Cuba, Colombia).
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The multiple voices of indenture history: The South Asian diasporic novel in English.
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Wedlock and fetters: Marriage, antislavery and abolition in eighteenth century British literature, 1759--1808.
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Synthetic vernacular poetry and transatlantic modernism, 1922--2002 (T. S. Eliot, Hugh MacDiarmid, Scotland, Basil Bunting, Kamau Brathwaite, Barbados, Melvin B. Tolson, Harryette Romell Mullen).
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Unfinished modernities: Bakhtin and the modernist novel in postcolonial literatures (M. M. Bakhtin, James Joyce, Ireland, G. V. Desani, India, Robert Antoni, Trinidad and Tobago, Bessie Head, South Africa).
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Globalization and the female body: Media influences in Marie Redonnet, Maryse Conde, and Assia Djebar (France, Guadeloupe, Algeria, French text).
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Performative bodies, hybrid tongues: Race, gender, sex and modernity in Latin America and the Maghreb (Tunisia, Morocco, Algeria).
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Vanishing borders: A cross-national survey of magical realism and the fantastic in short fiction.
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Ficcion de racionalidad: La memoria como operador mitico en las esteticas polares de Jorge Luis Borges y Jose Lezama Lima (Jose Lezama Lima, Jorge Luis Borges, Spanish text, Cuba, Argentina).
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Caminos de la identidad en la literatura cubana de la segunda mitad del siglo XX: Revolucion, crisis y exilio (Spanish text, Miguel Barnet, Manuel Cofino, Zoe Valdes, Elias Miguel Munoz).
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Cuba: Poesia, genero y revolucion (Spanish text, Carilda Oliver Labra, Fina Garcia Marruz, Georgina Herrera).
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Transgresion y compromiso: La mujer como protagonista y eje en seis cuentos de la coleccion "Pez de vidrio" de Mayra Santos Febres (Spanish text, Puerto Rico).
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Haunted cartographies: Ghostly figures and contemporary epic in the Americas (St. Lucia, Uruguay, Eduardo Galeano, Leslie Marmon Silko, Derek Walcott).
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Negotiating identity in the waters of the Atlantic: The middle passage trope in African-American and Afro-Caribbean women's writing (Barbados, Grace Nichols, Julie Dash, Toni Morrison, Paule Marshall, Guyana).
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Owning up to the silence: Slavery in the Caribbean postmodern historical novel (Caryl Phillips, St. Kitts and Nevis, Fred D'Aguiar, Maryse Conde, Guadeloupe, Michelle Cliff, Jamaica).
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"Uses of the erotic": The non-hermeneutic as a site of aesthetic, political, and personal reclamation in black women's novels (Gayl Jones, Toni Morrison, Michelle Cliff, Jamaica).
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Narrating America: Myth, history, and countermemory in the modern nation (Don DeLillo, Toni Morrison, Michelle Cliff, Jamaica, Julie Dash).
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Islanders in transit: Insular migrancy and shifting identities in Atlantic narratives.
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"The world is full of islands": Literary revision and the production of a transnational "Robinson Crusoe".
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The problematic postcolonial narrative: Intertextuality and empire in African and Afro -Caribbean fiction and film.
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Toussaint Louverture and Haiti's History as Muse: Legacies of Colonial and Postcolonial Resistance in Francophone African and Caribbean Corpus.
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Dismantling the center from the margins: Patriarchy and transnational literature by women.
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El nuevo escritor caribeno y su puesto en la narrativa latinoamericana contemporanea: A proposito de tres antologias del cuento reciente.
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Universe makers: Mythology and the creative work of women writers of speculative fiction.
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Fatal revolutions: United States natural histories of the Greater Caribbean, 1707--1856 (J. Hector St. John de Crevecoeur, William Bartram, John James Audubon, Sir Hans Sloane, Alexander von Humboldt).
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Immigrant women writers and the specter of multiplicity: Articulations of subjectivity and nationalism in the texts of Julia Alvarez, Cristina Garcia, Le Ly Hayslip, Jamaica Kincaid and Bharati Mukherjee (India, Cuba, Antigua, Vietnam).
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Monstruos, maniobras y mundos: Lo fantastico en la narrativa cubana, 1910--2010.
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The South Asian diaspora in the Caribbean: Migration, nationalism, and exodus in contemporary Indo-Guyanese literature.
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Jammin' with resistant music and popular culture in Bob Marley's "Jah-Public".
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Mapping creative interiors: Creative process narratives and individualized workscapes in the Jamaican dub poetry context.
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Se representer entre deux cultures: L'autorepresentation de la femme artiste en litterature et en peinture.
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Writing off the map: The postcolonial landscapes of Pynchon, Marshall, Silko, and Vea (Thomas Pynchon, Paule Marshall, Barbados, Leslie Marmon Silko, Alfredo Vea, Jr.).
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Indianism: The construction of the image of indigenous peoples in nineteenth-century Mexican, Peruvian, and Dominican literature.
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Colonialism's cacophony: Natives and arrivants at the limits of postcolonial theory.
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Golden lands, magic cities: (Trans)figurations of utopia in Caribbean literature.
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Masculinidad en crisis: Representacion masculina en cuatro novelas latinoamericanas (Spanish text, Manuel Puig, Argentina, Mario Vargas Llosa, Peru, Pedro Juan Gutierrez, Cuba).
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Adolescent empires: Identity, liminality, and advocacy in contemporary American literature.
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Symbolic exchanges: Haiti, Brazil and the ethnopoetics of cultural identity.
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The black maternal: Heterogeneity and resistance in literary representations of black mothers in 20th century African American and Afro-Caribbean women's fiction.
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Stages of liberation: Ritual, nationalism and women's cultural production in Jamaica's pre-independence era.
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Mort, mots, et liberte: L'ecriture de l'identite dans les oeuvres de Cesaire, Chamoiseau et Conde.
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Postcolonial possessions: Place, space and the discourse of property in Caribbean literature.
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A dark vision of "a third world's third world": V. S. Naipaul's Africa.
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Borderland without borders: Chinese diasporic women writers in the Americas.
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Cultural embossing: The layering of East Indian identity revealed through the visions and voices, of three Trinidadian visual artists of East Indian heritage.
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Body language: The slave body and the word in African diaspora literature.
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The two Antilles: Power and representation in the West Indies (St. Lucia, Jamaica Kincaid, Antigua, V. S. Naipaul, Derek Walcott, Trinidad and Tobago).
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Mapping intersections: Black women's identities and the politics of home in transnational black American women's fiction.
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Reading, writing and reinvention: Caribbean women writers and narrative innovation.
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White skin, white masks: The Creole woman and the narrative of racial passing in Martinique and Louisiana.
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Manipulating Milton's Satan: Inverted heirarchies and the romance of rebellion.
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Postcolonial romanticisms: Landscape and the possibilities of inheritance in the work of Jamaica Kincaid, Garrett Hongo and Derek Walcott.
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Transitional London: Anxiety and urban representation in the British novel, 1859--1934 (Dominica, Charles Dickens, Henry James, Joseph Conrad, Virginia Woolf, Jean Rhys).
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In the crosscurrents of empire: A moving geography of global British modernism, 1900--1940.
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Poetry and decolonization: Tagore, Yeats, Senghor, Cesaire, and Neruda, 1914--1950 (Rabindranath Tagore, India, William Butler Yeats, Ireland, Leopold Sedar Senghor, Senegal, Aime Cesaire, Martinique, Pablo Neruda, Chile).
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Killing Spanish: Doubles, dead mothers and other allegories of ambivalent United States Latino/a Caribbean identity (Cristina Garcia, Rosario Ferre, Loida Maritza Perez, Puerto Rico, Dominican Republic).
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Making places/haciendo lugares: Generational traumas in contemporary Cuban-American literature (Roberto G. Fernandez, Virgil Suarez, Carmelita Tropicana, Albita Rodriguez, Cristina Garcia).
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"The next best currency after dollars": Exotic bodies and (neo)colonial desire in recent fiction by Caribbean-American women (Paule Marshall, Barbados, Jamaica Kincaid, Antigua, Edwidge Danticat, Haiti, Cristina Garcia).
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History as an (im)possibility: Memory, oblivion and power in Julia Alvarez, Cristina Garcia, Ana Teresa Torres, and Ana Lydia Vega (Spanish text, Venezuela, Puerto Rico).
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A Familiar Curve of Vein: Poems and translations (with Original writing, Julia de Burgos, Puerto Rico, Pablo Neruda, Chile, Federico Garcia Lorca, Spain).
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Made of paper and stone: The place of Jose Marti in Cuban national identity.
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