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Wrestling with Father Shakespeare: C...
~
Presley, Erin Melinda Denise.
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Wrestling with Father Shakespeare: Contemporary revisions of "King Lear" and "The Tempest" (Jane Smiley, Aime Cesaire, Martinique, Gloria Naylor, William Shakespeare, Ron Clements, John Musker).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Wrestling with Father Shakespeare: Contemporary revisions of "King Lear" and "The Tempest" (Jane Smiley, Aime Cesaire, Martinique, Gloria Naylor, William Shakespeare, Ron Clements, John Musker)./
Author:
Presley, Erin Melinda Denise.
Description:
60 p.
Notes:
Source: Masters Abstracts International, Volume: 42-05, page: 1481.
Contained By:
Masters Abstracts International42-05.
Subject:
Literature, Comparative. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1418653
ISBN:
0496234264
Wrestling with Father Shakespeare: Contemporary revisions of "King Lear" and "The Tempest" (Jane Smiley, Aime Cesaire, Martinique, Gloria Naylor, William Shakespeare, Ron Clements, John Musker).
Presley, Erin Melinda Denise.
Wrestling with Father Shakespeare: Contemporary revisions of "King Lear" and "The Tempest" (Jane Smiley, Aime Cesaire, Martinique, Gloria Naylor, William Shakespeare, Ron Clements, John Musker).
- 60 p.
Source: Masters Abstracts International, Volume: 42-05, page: 1481.
Thesis (M.A.)--East Tennessee State University, 2004.
In Shakespeare's The Tempest and King Lear, the relationship between the father and his children affects the progression and outcome of events. Goneril and Regan oppose Lear after Cordelia's untimely rebellion and disownment. In The Tempest, Caliban desires to overthrow Prospero for freedom. Similarly, the appropriative offspring also exhibit rebellious "children" challenging authority. In Jane Smiley's revision of King Lear and Aime Cesaire's rewriting of The Tempest, defiance renders the children fatherless. In Disney's The Little Mermaid, Ariel initially disregards her father but ultimately accepts his rule. In Gloria Naylor's Mama Day, the text itself becomes an orphan as the matriarchy flourishes.
ISBN: 0496234264Subjects--Topical Terms:
530051
Literature, Comparative.
Wrestling with Father Shakespeare: Contemporary revisions of "King Lear" and "The Tempest" (Jane Smiley, Aime Cesaire, Martinique, Gloria Naylor, William Shakespeare, Ron Clements, John Musker).
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Wrestling with Father Shakespeare: Contemporary revisions of "King Lear" and "The Tempest" (Jane Smiley, Aime Cesaire, Martinique, Gloria Naylor, William Shakespeare, Ron Clements, John Musker).
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Source: Masters Abstracts International, Volume: 42-05, page: 1481.
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Chair: Robert Sawyer.
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Thesis (M.A.)--East Tennessee State University, 2004.
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In Shakespeare's The Tempest and King Lear, the relationship between the father and his children affects the progression and outcome of events. Goneril and Regan oppose Lear after Cordelia's untimely rebellion and disownment. In The Tempest, Caliban desires to overthrow Prospero for freedom. Similarly, the appropriative offspring also exhibit rebellious "children" challenging authority. In Jane Smiley's revision of King Lear and Aime Cesaire's rewriting of The Tempest, defiance renders the children fatherless. In Disney's The Little Mermaid, Ariel initially disregards her father but ultimately accepts his rule. In Gloria Naylor's Mama Day, the text itself becomes an orphan as the matriarchy flourishes.
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Although there appear to be few similarities between these works, the familial dynamic follows a similar formula: the children disobey, but only those who eventually accept the principles of the patriarchy are able to maintain a relationship with their parents; the children who reject the authority become orphans.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1418653
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