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"The next best currency after dollar...

Stevenson, Pascha Antrece.

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"The next best currency after dollars": Exotic bodies and (neo)colonial desire in recent fiction by Caribbean-American women (Paule Marshall, Barbados, Jamaica Kincaid, Antigua, Edwidge Danticat, Haiti, Cristina Garcia).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"The next best currency after dollars": Exotic bodies and (neo)colonial desire in recent fiction by Caribbean-American women (Paule Marshall, Barbados, Jamaica Kincaid, Antigua, Edwidge Danticat, Haiti, Cristina Garcia)./
作者:	Stevenson, Pascha Antrece.
面頁冊數:	221 p.
附註:	Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3394.
Contained By:	Dissertation Abstracts International65-09A.
標題:	Literature, Caribbean. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3147156
ISBN:	049605662X

"The next best currency after dollars": Exotic bodies and (neo)colonial desire in recent fiction by Caribbean-American women (Paule Marshall, Barbados, Jamaica Kincaid, Antigua, Edwidge Danticat, Haiti, Cristina Garcia).
Stevenson, Pascha Antrece.

"The next best currency after dollars": Exotic bodies and (neo)colonial desire in recent fiction by Caribbean-American women (Paule Marshall, Barbados, Jamaica Kincaid, Antigua, Edwidge Danticat, Haiti, Cristina Garcia). - 221 p.

Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3394.

Thesis (Ph.D.)--The University of Nebraska - Lincoln, 2004.

This dissertation examines images of woman as the exotic, erotic other as represented in contemporary fiction by Caribbean-American women writers, namely Paule Marshall, Cristina Garcia, Jamaica Kincaid, and Edwidge Danticat. My contention is that the West has historically read the Caribbean as an exotic space and continues to project upon it essentializing ideas collectively identified as exoticism---a concept whose design owes much to Edward Said's Orientalism. Contemporary fiction by Caribbean-American women implicitly, and sometimes explicitly, engages exoticism as a pervasive and inescapable context. Such fiction further contends with global capitalism as a kind of (neo)colonizer working to peddle Caribbean women's bodies as objects of international commerce and desire.

ISBN: 049605662XSubjects--Topical Terms:

1019116
Literature, Caribbean.

"The next best currency after dollars": Exotic bodies and (neo)colonial desire in recent fiction by Caribbean-American women (Paule Marshall, Barbados, Jamaica Kincaid, Antigua, Edwidge Danticat, Haiti, Cristina Garcia).
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245 1 0 $a "The next best currency after dollars": Exotic bodies and (neo)colonial desire in recent fiction by Caribbean-American women (Paule Marshall, Barbados, Jamaica Kincaid, Antigua, Edwidge Danticat, Haiti, Cristina Garcia).
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500 $a Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3394.
500 $a Supervisor: Maureen Honey.
502 $a Thesis (Ph.D.)--The University of Nebraska - Lincoln, 2004.
520 $a This dissertation examines images of woman as the exotic, erotic other as represented in contemporary fiction by Caribbean-American women writers, namely Paule Marshall, Cristina Garcia, Jamaica Kincaid, and Edwidge Danticat. My contention is that the West has historically read the Caribbean as an exotic space and continues to project upon it essentializing ideas collectively identified as exoticism---a concept whose design owes much to Edward Said's Orientalism. Contemporary fiction by Caribbean-American women implicitly, and sometimes explicitly, engages exoticism as a pervasive and inescapable context. Such fiction further contends with global capitalism as a kind of (neo)colonizer working to peddle Caribbean women's bodies as objects of international commerce and desire.
520 $a One cannot make one clean, non-reductionist statement, however, as to how Caribbean women writers respond to this crisis. Some authors create characters which seem to internalize and reinscribe the erroneous lessons they are taught about themselves as "exotics." Other authors resist the exotic paradigm, write against it and vividly portray the anxiety and struggle inherent in doing so. Essentially, Caribbean women's writing makes up a kind of regional dialogue on the matter of the exotification and commodification of non-white women's bodies. The voices within this dialogue are hardly harmonious, sometimes agreeing and often disagreeing about what constitutes the exotic, about the kind of response it warrants. It is the dialogue itself, the engagement with exoticism, that this project documents.
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