Romance literature.
概要
作品: | 145 作品在 0 項出版品 0 種語言 |
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書目資訊
Silence and phenomenology: The movement between nature and language in Merleau-Ponty, Proust, and Schelling.
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Uncovering fictional minds: Theory of mind, embodied cognition and social thinking in twentieth-century Spain.
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The birth of new barbarians: The theater of encounter in four early twentieth -century French and Chinese writers.
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I am myself the matter of my book: Gender, friendship, and writing in Helisenne de Crenne and Marie de Gournay.
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From silence to advocacy: Identity and the written word in medieval and early modern Italian convents.
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Ghosts in the Margins: A Critical Discourse Analysis of the Representation of Race and Women in Jane Austen Fan Fiction.
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Cultures of glass in the late nineteenth-century European novel and contemporary Sinophone film.
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Productive Polemics : = The Interplay Between Early Modern Anti-Theatricalism and Drama.
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Performing masculinity: Male gender in conduct manuals and theatre of the Italian Renaissance.
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Masters of Disaster: Controlling Nature and Revolution in French and Francophone Plantation Novels.
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Berbers, Buddhists and Bibelots: Appropriation of alien traditions by French, Chinese, Arab and Francophone poets.
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Acuity of wit: Wonder, paradox and cooperation in early modern Spanish and Italian poetic theory (1548-1648).
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The "Commedia"'s Metaphysics of Human Nature: Essays on Charity, Free Will and Ensoulment.
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Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry.
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Scenes, seasons, and spaces: Textual modes of address in modern French, American, and Russian literature.
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Writing on stage: Performative authorship and contemporary Francophone African writers.
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The pen is mightier than the bomb: Representations of right-wing terrorism in fictional works.
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The Alignment of Writing : Cold War Geopolitics and Literary Form in Francophone Caribbean Literature.
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The Spyglass of the Demon Optician: Uncanny Perception in the Drama of Maeterlinck and Strindberg.
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Textual Hijacking: Strategies of Resistance and Reclaiming the Objectified Woman in Balzac, Baudelaire, and Degas.
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Avant-gardism in children's theater: The use of absurdist techniques by Anglophone children's playwrights.
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Genealogical Modernism: Family Structures, Identity, History, and Narrative in the 20th-Century "Long" Novel.
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Finding Life in the Corpus: Fiction as Existential History in Miguel de Unamuno, Ignacio Martinez de Pison, and Javier Marias.
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Aurality as Methexis and the Rise of Castilian Literature: The Case of the Siete Partidas.
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Historiografia y ficcion: La construccion del discurso en la Estoria de Espana (MS 7583) de Alfonso X.
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Texto y contexto: La muerte de Alejandro el Grande en la literatura Islamica Castellana.
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Writing Methods: Models of Literary Creation and Reception in the Work of Caterina Albert I Paradis/Victor Catala.
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The Anxious Hero: Dissecting Masculinities in Thirteenth-Century Medieval Iberian Literature.
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Coming-of-Age, Photography and Animalization in El Color del Crepusculo, Maquis and La Noche Inmovil of Alfons Cervera.
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Spiritual Subjecthood and Institutional Legibility in Early Modern Spain and Spanish America.
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Siguiendo las huellas de la chola en Bolivia: Levantamiento de una cartografia cultural altena.
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Illustrating Italy : = Conflict and Complicity in Italian Comics, from Fascism to the Early Republic.
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Russian emigre literature in the context of French modernism : = A study in the cultural mechanisms of exile.
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From isolation to whole sight : = A study of humanist existentialism in John Fowles, Albert Camus, and Jean-Paul Sartre.
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Translating for Children: Using Alfredo Gomez Cerda's "El arbol solitario" as a case study.
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Sex and suicide in "Madame Bovary", "Anna Karenina", "The Awakening" and "The House of Mirth".
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Visual representations of Hispanics in film in the U.S. and the negative effects of stereotypes on Hispanics in the U.S.
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Enjeux et tensions lectorales de la narration heterodiegetique dans le roman contemporain.
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La force discursive des passions dans le roman dialogue "Eole" et "Les âmes fortes".
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On normalities: Freaks of culture, bodies, and ability in the late twentieth -century Francophone novel.
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Information structure, judgment forms, and the interpretation of indefinites in Spanish.
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From Rome to Jerusalem: The quest for cosmic revelation; Jewish mysticism in "The Divine Comedy".
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Imperialist seductions: A genealogy of the femme fatale in Spanish literature from romanticism to modernism (1845-1908).
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The Art of Ambiguity: Mirrors, Mimesis, and Metamorphosis in Italian Renaissance Comedy.
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Mothers and sons in Hispanic short fiction by women: A quarter century of erotic, destructive maternal love.
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Silence and Voices: Family History and Memorialization in Intergenerational Holocaust Literature.
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Sin, history, and liberty: Milton, Anna Letitia Barbauld, and Anne Grant in the "Eighteen Hundreds".
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Modes of Islamic and Spanish Intertextuality in the Literature of Sixteenth Century Spain.
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Framing Perceptions of Violence against Women in Film: "Les Silences du Palais" and "Incendies".
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The Paradox of Jewish Identity in the Age of Assimilation: Irene Nemirovsky, Her Life and Works.
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The Utility of Sentiment: Sentimentalism and Women Writers in Early Nineteenth-Century France.
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The divided skeptic: Samuel Beckett's parody and Stanley Cavell's interpretation of philosophical skepticism.
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Traveling women as spectacle: Vision, performance, and female subjectivity in the early modern Hispanic world.
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Discovering everyday life: Representation, ethics, and transatlantic convergence in contemporary literary journalism in Spain.
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DREAM AND DRAMA: IN LATE SIXTEENTH CENTURY AND EARLY SEVENTEENTH CENTURY--CHINA, ENGLAND AND SPAIN (THEATER).
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Epidemiology of Terror: Health, Horror, and Politics in Colonial and Postcolonial Literature.
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An Investigation Into the Detective: The Protagonist's Power to Challenge, Shape and Mend Through Social Critique.
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Abject Architecture: Windows, Doors, and Power in "La casa de Bernarda Alba" (1936) by Federico Garcia Lorca.
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