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Experimenting on difference: Women, ...

Peterson, Samantha.

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Experimenting on difference: Women, violence, and narrative in Zola's naturalism.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Experimenting on difference: Women, violence, and narrative in Zola's naturalism./
作者:	Peterson, Samantha.
面頁冊數:	240 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-07(E), Section: A.
Contained By:	Dissertation Abstracts International76-07A(E).
標題:	Romance literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3684850
ISBN:	9781321602777

Experimenting on difference: Women, violence, and narrative in Zola's naturalism.
Peterson, Samantha.

Experimenting on difference: Women, violence, and narrative in Zola's naturalism. - 240 p.

Source: Dissertation Abstracts International, Volume: 76-07(E), Section: A.

Thesis (Ph.D.)--Boston University, 2015.

This dissertation examines the role of women in four of Emile Zola's novels, in particular their privileged position as the conduits through which he exerted his "experimental" literary method. Zola has long been recognized as subjecting his female characters to extreme violence, but scholars have not yet thoroughly explored how the ways in which he represents this violence provide insight into the nature of his narrative practice. For Zola, literary fiction offers access to a scientific truth, and the female body and its capacity for procreation is the source material for his investigation. By subjecting his female characters to analysis and ultimately dissection, Zola violently exploits the creative potential of their bodies and builds a literary empire upon them.

ISBN: 9781321602777Subjects--Topical Terms:

2144781
Romance literature.

Experimenting on difference: Women, violence, and narrative in Zola's naturalism.
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245 1 0 $a Experimenting on difference: Women, violence, and narrative in Zola's naturalism.
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500 $a Source: Dissertation Abstracts International, Volume: 76-07(E), Section: A.
500 $a Advisers: Dorothy Kelly; Elizabeth Goldsmith.
502 $a Thesis (Ph.D.)--Boston University, 2015.
520 $a This dissertation examines the role of women in four of Emile Zola's novels, in particular their privileged position as the conduits through which he exerted his "experimental" literary method. Zola has long been recognized as subjecting his female characters to extreme violence, but scholars have not yet thoroughly explored how the ways in which he represents this violence provide insight into the nature of his narrative practice. For Zola, literary fiction offers access to a scientific truth, and the female body and its capacity for procreation is the source material for his investigation. By subjecting his female characters to analysis and ultimately dissection, Zola violently exploits the creative potential of their bodies and builds a literary empire upon them.
520 $a In La Curee, Zola presents one of his first experimental heroines, a bored and pampered wife whose identity is constructed through reflections and refractions via a series of mirrors, both visually and narratively. This multiplicity of interferences effaces the female voice and subjectivity while exploiting the visual appeal of the female body. Nana offers a counterpoint on the same theme, featuring a woman who, through the desirability of her body, reverses the paradigm and exerts control over those around her with masterful manipulation of optics and language. Nana's body inscrutably defies analysis and playfully disrupts gender constructs by assuming contradictory sexual characteristics that are only indirectly observable.
520 $a Zola shifts his narrative focus from the women themselves to the broader notion of sexual difference in La Bete humaine, in which the female body signifies the difference that drives male desire and destabilizes civilized society. The representability of sex becomes increasingly problematic as female speech, filtered through the body, puts the reliability of language into question. The problematics of the legible body that Zola develops in these texts can be traced all the way back to Therese Raquin, in which he conducts a literary investigation into the relationship between bodies and texts. This short novel, Zola's first of the genre, is particularly interested in the different (pro)creative capacities of male and female bodies and the representational possibilities inherent in them.
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