東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Anxious Hero: Dissecting Masculi...

Perry, Anthony Javon.

FindBook

Google Book

Amazon

博客來

The Anxious Hero: Dissecting Masculinities in Thirteenth-Century Medieval Iberian Literature.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Anxious Hero: Dissecting Masculinities in Thirteenth-Century Medieval Iberian Literature./
作者:	Perry, Anthony Javon.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	205 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-07, Section: A.
Contained By:	Dissertations Abstracts International80-07A.
標題:	Medieval literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10980960
ISBN:	9780438754416

The Anxious Hero: Dissecting Masculinities in Thirteenth-Century Medieval Iberian Literature.
Perry, Anthony Javon.

The Anxious Hero: Dissecting Masculinities in Thirteenth-Century Medieval Iberian Literature. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 205 p.

Source: Dissertations Abstracts International, Volume: 80-07, Section: A.

Thesis (Ph.D.)--Georgetown University, 2018.

This item must not be added to any third party search indexes.

My dissertation examines the varying and converging constructions of gender and genre in four thirteenth-century medieval Iberian texts: Poema de mio Cid, Libro de Alexandre, Libro de Apolonio and Alfonso X's Estoria de Espanna. By contextualizing the texts historically and using the perspectives of feminist theory, gender theory and cultural studies, I examine the constructions of masculinities within these texts and the role that these constructions play in the text's genre. I contend that these texts bear witness to the anxious relationship between masculinity and power in the thirteenth century and aim to shape the reader's/listener's image of kingship/leadership and, in turn, hegemonic masculinity. They serve as a mirror for and of male leaders, a speculum principis for their thirteenth-century audience. In each text, the male protagonist is a hero and, therefore, exemplary of what I term hegemonic masculinity. The self-fashioning of the hero's masculinity, as manifest in the Fall/Redemption narrative structure, reveals itself to be anxious. I ground my argument in the medieval exegesis surrounding the Fall/Redemption trope and its ubiquity. In each chapter, I argue that this narrative structure serves as means of inculcating the ideals manifest in the anxious and exemplary hero. The heroes' masculine bodies, manners and speech are culturally constructed entities coded by the discourse of these hero tales. Their masculinities, as both culturally constructed and political tools, are part and parcel of the patriarchal structures of authority. The texts I examine are testimonies, specula, and each male author and character a witness, testis, to a process in which the conventions and protocols of medieval masculinity are indoctrinated as normative behaviors. Additionally, they are a means by which masculine authority, domination and control are maintained and propagated. In the bodies of work I have examined, I conclude that each hero, in the performance of his gendered self, reinforces the superiority of masculinity, in general, and the specific iteration of masculinity that he himself exemplifies. The male hero in each of the works, through his words and actions, constructs a version of masculinity tied to power and a version of masculinity that is superior and/or divinely sanctioned.

ISBN: 9780438754416Subjects--Topical Terms:

3168324
Medieval literature.

The Anxious Hero: Dissecting Masculinities in Thirteenth-Century Medieval Iberian Literature.
LDR:03551nmm a2200361 4500 001 2210941
005 20191126113859.5
008 201008s2018 ||||||||||||||||| ||eng d
020 $a 9780438754416
035 $a (MiAaPQ)AAI10980960
035 $a (MiAaPQ)georgetown:14116
035 $a AAI10980960
040 $a MiAaPQ $c MiAaPQ
100 1 $a Perry, Anthony Javon. $3 3438084
245 1 4 $a The Anxious Hero: Dissecting Masculinities in Thirteenth-Century Medieval Iberian Literature.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 205 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-07, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Francomano, Emily C.
502 $a Thesis (Ph.D.)--Georgetown University, 2018.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a My dissertation examines the varying and converging constructions of gender and genre in four thirteenth-century medieval Iberian texts: Poema de mio Cid, Libro de Alexandre, Libro de Apolonio and Alfonso X's Estoria de Espanna. By contextualizing the texts historically and using the perspectives of feminist theory, gender theory and cultural studies, I examine the constructions of masculinities within these texts and the role that these constructions play in the text's genre. I contend that these texts bear witness to the anxious relationship between masculinity and power in the thirteenth century and aim to shape the reader's/listener's image of kingship/leadership and, in turn, hegemonic masculinity. They serve as a mirror for and of male leaders, a speculum principis for their thirteenth-century audience. In each text, the male protagonist is a hero and, therefore, exemplary of what I term hegemonic masculinity. The self-fashioning of the hero's masculinity, as manifest in the Fall/Redemption narrative structure, reveals itself to be anxious. I ground my argument in the medieval exegesis surrounding the Fall/Redemption trope and its ubiquity. In each chapter, I argue that this narrative structure serves as means of inculcating the ideals manifest in the anxious and exemplary hero. The heroes' masculine bodies, manners and speech are culturally constructed entities coded by the discourse of these hero tales. Their masculinities, as both culturally constructed and political tools, are part and parcel of the patriarchal structures of authority. The texts I examine are testimonies, specula, and each male author and character a witness, testis, to a process in which the conventions and protocols of medieval masculinity are indoctrinated as normative behaviors. Additionally, they are a means by which masculine authority, domination and control are maintained and propagated. In the bodies of work I have examined, I conclude that each hero, in the performance of his gendered self, reinforces the superiority of masculinity, in general, and the specific iteration of masculinity that he himself exemplifies. The male hero in each of the works, through his words and actions, constructs a version of masculinity tied to power and a version of masculinity that is superior and/or divinely sanctioned.
590 $a School code: 0076.
650 4 $a Medieval literature. $3 3168324
650 4 $a Romance literature. $3 2144781
650 4 $a Medieval history. $3 3173905
650 4 $a Gender studies. $3 2122708
690 $a 0297
690 $a 0313
690 $a 0581
690 $a 0733
710 2 $a Georgetown University. $b Spanish and Portuguese. $3 3280082
773 0 $t Dissertations Abstracts International $g 80-07A.
790 $a 0076
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10980960