東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The New Epic Theatre in French: Myth...

Wodnicka, Natalia.

FindBook

Google Book

Amazon

博客來

The New Epic Theatre in French: Myth, History and Contemporary News in the Theatre of Bernard-Marie Koltes, Helene Cixous, Koffi Kwahule and Wajdi Mouawad.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The New Epic Theatre in French: Myth, History and Contemporary News in the Theatre of Bernard-Marie Koltes, Helene Cixous, Koffi Kwahule and Wajdi Mouawad./
作者:	Wodnicka, Natalia.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2013,
面頁冊數:	293 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-03(E), Section: A.
Contained By:	Dissertation Abstracts International75-03A(E).
標題:	Modern literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3602751
ISBN:	9781303559907

The New Epic Theatre in French: Myth, History and Contemporary News in the Theatre of Bernard-Marie Koltes, Helene Cixous, Koffi Kwahule and Wajdi Mouawad.
Wodnicka, Natalia.

The New Epic Theatre in French: Myth, History and Contemporary News in the Theatre of Bernard-Marie Koltes, Helene Cixous, Koffi Kwahule and Wajdi Mouawad. - Ann Arbor : ProQuest Dissertations & Theses, 2013 - 293 p.

Source: Dissertation Abstracts International, Volume: 75-03(E), Section: A.

Thesis (Ph.D.)--New York University, 2013.

This item is not available from ProQuest Dissertations & Theses.

My dissertation articulates a unique trend in contemporary French-language theatre centered on a return to myth, literature and History as well as a strongly structured storyline. This 'New Epic Theatre,' as I have named it, is a theatre which, in a distinct way, tells the story of contemporary man caught in the contradictions and violence of the world around him. In my inquiry, the term 'Epic' refers to an identifying attribute of this theatre, which, through the activation of common mythicoliterary references and a return to lyricism as manifested in the story of one or more central characters, attempts to provide a context through which to grapple with the complex realities of the world. I present four exemplary plays and consider each play's unique variations on the New Epic: Roberto Zucco (1990) by Bernard-Marie Koltes, La Ville parjure (1994) by Helene Cixous, Bintou (1999) by Koffi Kwahule, and Incendies (2003) by Wajdi Mouawad.

ISBN: 9781303559907Subjects--Topical Terms:

2122750
Modern literature.

The New Epic Theatre in French: Myth, History and Contemporary News in the Theatre of Bernard-Marie Koltes, Helene Cixous, Koffi Kwahule and Wajdi Mouawad.
LDR:02905nmm a2200349 4500 001 2116548
005 20170428103032.5
008 180830s2013 ||||||||||||||||| ||eng d
020 $a 9781303559907
035 $a (MiAaPQ)AAI3602751
035 $a AAI3602751
040 $a MiAaPQ $c MiAaPQ
100 1 $a Wodnicka, Natalia. $3 3278277
245 1 4 $a The New Epic Theatre in French: Myth, History and Contemporary News in the Theatre of Bernard-Marie Koltes, Helene Cixous, Koffi Kwahule and Wajdi Mouawad.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2013
300 $a 293 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-03(E), Section: A.
500 $a Adviser: Judith G. Miller.
502 $a Thesis (Ph.D.)--New York University, 2013.
506 $a This item is not available from ProQuest Dissertations & Theses.
520 $a My dissertation articulates a unique trend in contemporary French-language theatre centered on a return to myth, literature and History as well as a strongly structured storyline. This 'New Epic Theatre,' as I have named it, is a theatre which, in a distinct way, tells the story of contemporary man caught in the contradictions and violence of the world around him. In my inquiry, the term 'Epic' refers to an identifying attribute of this theatre, which, through the activation of common mythicoliterary references and a return to lyricism as manifested in the story of one or more central characters, attempts to provide a context through which to grapple with the complex realities of the world. I present four exemplary plays and consider each play's unique variations on the New Epic: Roberto Zucco (1990) by Bernard-Marie Koltes, La Ville parjure (1994) by Helene Cixous, Bintou (1999) by Koffi Kwahule, and Incendies (2003) by Wajdi Mouawad.
520 $a Common to the works I examine is a confrontation with violent contemporary news stories which ground these plays in a recognizable reality. Whereas plays outside the New Epic present highly gratuitous violence without offering to the spectator any structuring mechanism, the authors of the New Epic Theatre seek precisely to guide the audience's reception. In response to the absence of universal organizing belief systems, Koltes, Cixous, Kwahule and Mouawad reconfigure and repurpose elements from the seminal stories of the Western tradition, at once acknowledging the untenable nature of these grand narratives and drawing on them. In so doing, they suggest the possibility of constructing identity and community based not on meta-narratives, but rather on shared narratives, as re-imagined in the theatre.
590 $a School code: 0146.
650 4 $a Modern literature. $3 2122750
650 4 $a Romance literature. $3 2144781
650 4 $a Theater. $3 522973
650 4 $a French Canadian literature. $3 3179033
650 4 $a African literature. $3 1973478
690 $a 0298
690 $a 0313
690 $a 0465
690 $a 0355
690 $a 0316
710 2 $a New York University. $b French. $3 3193769
773 0 $t Dissertation Abstracts International $g 75-03A(E).
790 $a 0146
791 $a Ph.D.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3602751