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崑劇《西廂記》演繹研究：從明清到當代 = = On Kunqu Per...

Hung, Yi-Jo.

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崑劇《西廂記》演繹研究：從明清到當代 = = On Kunqu Performance of the Story of the Western Wing: From Kunqiang and Yiyangqiang in Ming Qing Dynasty to Contemporary Drama.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	崑劇《西廂記》演繹研究：從明清到當代 =/
其他題名:	On Kunqu Performance of the Story of the Western Wing: From Kunqiang and Yiyangqiang in Ming Qing Dynasty to Contemporary Drama.
作者:	Hung, Yi-Jo.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	401 p.
附註:	Source: Dissertations Abstracts International, Volume: 85-01, Section: A.
Contained By:	Dissertations Abstracts International85-01A.
標題:	Romance literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30660167
ISBN:	9798379938130

崑劇《西廂記》演繹研究：從明清到當代 = = On Kunqu Performance of the Story of the Western Wing: From Kunqiang and Yiyangqiang in Ming Qing Dynasty to Contemporary Drama.
Hung, Yi-Jo.

崑劇《西廂記》演繹研究：從明清到當代 =On Kunqu Performance of the Story of the Western Wing: From Kunqiang and Yiyangqiang in Ming Qing Dynasty to Contemporary Drama. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 401 p.

Source: Dissertations Abstracts International, Volume: 85-01, Section: A.

Thesis (Ph.D.)--National Taiwan Normal University (Taiwan), 2017.

《西廂記》自元代問世以來，不僅成為戲曲文學的經典之作，更在場上源遠流長，明清至當代盛演不衰。期間演變受到劇本體製轉換、聲腔劇種交流、崑劇家門成熟、演劇環境與審美習慣變遷，以及歷代演員的傳承與創造等因素影響，致使南北《西廂》由全本到摘錦，逐漸發展成以家門表演為重、娛樂性大於抒情性的崑劇折子戲。本文前兩章分別耙梳該劇「表演文本」與「表演體系」的嬗變脈絡，前者探究自元代至清代南北《西廂》在場上流行劇目與臺本內涵的演變與交融，了解乾嘉時期「臺本發展相對穩定」的意義，並以明清宮廷中的《西廂》演劇作為補充及對照；後者則梳理乾嘉時期至近現代表演體系的發展歷程、師承脈絡與演變法則，釐清該劇場上表演樣態「變」與「不變」的原則與規律，以此掌握該劇「表演傳統」之精髓，提供當代《西廂記》折子戲在傳承與創新中的參考。第三章則在前兩章的研究成果下，總結出《西廂記》案頭與場上分歧發展的傾向，以此觀察當代崑劇全本《西廂記》不易成功的原因。並實際分析四部當代全本《西廂記》在愛情主題與表演傳統之間的權衡取捨，探討其間成果與得失，總結出當代崑劇全本《西廂記》可以嘗試的新方向。.

ISBN: 9798379938130Subjects--Topical Terms:

2144781
Romance literature.
Subjects--Index Terms:

崑劇

崑劇《西廂記》演繹研究：從明清到當代 = = On Kunqu Performance of the Story of the Western Wing: From Kunqiang and Yiyangqiang in Ming Qing Dynasty to Contemporary Drama.
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020 $a 9798379938130
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035 $a AAI30660167
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hung, Yi-Jo. $3 3766505
245 1 0 $a 崑劇《西廂記》演繹研究：從明清到當代 = $b On Kunqu Performance of the Story of the Western Wing: From Kunqiang and Yiyangqiang in Ming Qing Dynasty to Contemporary Drama.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 401 p.
500 $a Source: Dissertations Abstracts International, Volume: 85-01, Section: A.
500 $a Advisor: 曾永義;陳芳;Tseng, Yong-Yi;Chen, Fang.
502 $a Thesis (Ph.D.)--National Taiwan Normal University (Taiwan), 2017.
520 $a 《西廂記》自元代問世以來，不僅成為戲曲文學的經典之作，更在場上源遠流長，明清至當代盛演不衰。期間演變受到劇本體製轉換、聲腔劇種交流、崑劇家門成熟、演劇環境與審美習慣變遷，以及歷代演員的傳承與創造等因素影響，致使南北《西廂》由全本到摘錦，逐漸發展成以家門表演為重、娛樂性大於抒情性的崑劇折子戲。本文前兩章分別耙梳該劇「表演文本」與「表演體系」的嬗變脈絡，前者探究自元代至清代南北《西廂》在場上流行劇目與臺本內涵的演變與交融，了解乾嘉時期「臺本發展相對穩定」的意義，並以明清宮廷中的《西廂》演劇作為補充及對照；後者則梳理乾嘉時期至近現代表演體系的發展歷程、師承脈絡與演變法則，釐清該劇場上表演樣態「變」與「不變」的原則與規律，以此掌握該劇「表演傳統」之精髓，提供當代《西廂記》折子戲在傳承與創新中的參考。第三章則在前兩章的研究成果下，總結出《西廂記》案頭與場上分歧發展的傾向，以此觀察當代崑劇全本《西廂記》不易成功的原因。並實際分析四部當代全本《西廂記》在愛情主題與表演傳統之間的權衡取捨，探討其間成果與得失，總結出當代崑劇全本《西廂記》可以嘗試的新方向。.
520 $a This thesis aims to clarify the factors resulting in the transformations of the Story of the Western Wing from Ming Qing dynasty until now, and thus proposes a new direction for the whole edition of the contemporary drama to develop. Upon released, the Story of the Western Wing is considered as a classic of literature and has been played continuously from Ming Qing dynasty until the modern period. However, it has also been influenced by multiple factors such as the change of script structure, interaction of tunes from various genres of drama, maturity of Kunqu Jiamen, changes of the environment and the taste in beauty, and heritage and creations of actors and so on. All these turned both south and north versions of the Story of the Western Wing from a whole edition into Kunqu Drama Fragments featuring mainly the performance of Jiamen and a drama more of entertainment rather than of lyrical affection. To verify these factors, the first two chapters explore the transformation of the scripts and system of performance of the Story of the Western Wing, respectively. The former inspects the evolution and integration of frequently played repertoires and essence of contents of both south and north version from late Yuan to Qing dynasty to understand the relative stable development of scripts in Qianjia period. Also, the dramas played in the court of Ming Qing dynasty are compared as complementary materials. The latter investigates the development, mentorship of actors and transforming rules of the performing system from Qianjia period to modern period to verify the principles and patterns of change of the onstage performance so as to grasp the essence of performing traditions as a reference of the heritage and innovation for the contemporary drama fragments of the Story of the Western Wing. Based on the above research, the third chapter discusses the divergent tendency of the Story of the Western Wing between scripts and onstage performances so as to elucidate difficulties of success of the Story of the Western Wing as a contemporary Kunqu in whole edition. Furthermore, four contemporary dramas are analyzed in the aspect of the balance between the theme of romance and the performing traditions to discuss the pros and cons and to conclude a new direction for the whole edition of the contemporary Kunqu drama of the Story of the Western Wing to evolve.
590 $a School code: 1784.
650 4 $a Romance literature. $3 2144781
650 4 $a Asian studies. $3 1571829
653 $a 崑劇
653 $a 折子戲
653 $a 乾嘉傳統
653 $a 全本戲
653 $a Story of the Western Wing
653 $a Kunqu
653 $a Drama fragments
653 $a Tradition in Qianjia Period
653 $a Whole edition
690 $a 0313
690 $a 0342
710 2 $a National Taiwan Normal University (Taiwan). $3 3705142
773 0 $t Dissertations Abstracts International $g 85-01A.
790 $a 1784
791 $a Ph.D.
792 $a 2017
793 $a Chinese
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30660167