Cultural and Media Studies.
概要
| 作品: | 604 作品在 604 項出版品 604 種語言 | |
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書目資訊
Contemporary Japanese women's theatre and visual arts = performing girls' aesthetics /
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Digital identity and everyday activism = sharing private stories with networked publics /
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Media and political contestation in the contemporary Arab world = a decade of change /
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Participatory politics and citizen journalism in a networked Africa = a connected continent /
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The greatest comic book of all time = symbolic capital and the field of American comic books /
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Revisiting the Mexican student movement of 1968 = shifting perspectives in literature and culture since Tlatelolco /
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Applied cyberpsychology = practical applications of cyberpsychological theory and research /
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Discursive processes of intergenerational transmission of recent history = (re)making our past /
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Afro-Latin@s in movement = critical approaches to blackness and transnationalism in the Americas /
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African cultural heritage conservation and management = theory and practice from Southern Africa /
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Children and the politics of sexuality = the sexualization of children debate revisited /
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Ethno identity dance for sex, fun and profit = staging popular dances around the world /
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Urban social listening = potential and pitfalls for using microblogging data in studying cities /
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History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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The British school film = from Tom Brown to Harry Potter : representations of secondary education in British cinema /
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Ubuntu strategies = constructing spaces of belonging in contemporary South African culture /
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Gilbert and Sullivan's 'respectable capers' = class, respectability and the Savoy Operas 1877-1909 /
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The Afro-Latin@ experience in contemporary American literature and culture = engaging blackness /
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The theatre of death - the uncanny in mimesis = Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
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Children's healthcare and parental media engagement in urban China = a culture of anxiety? /
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The Ministry of Education film experiment = from post-war visual education to 21st century literacy /
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Visualizing the Palestinian struggle = towards a critical analytic of Palestine solidarity film /
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Hybrid practices in moving image design = methods of heritage and digital production in motion graphics /
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The British official film in South-East Asia = Malaya/Malaysia, Singapore and Hong Kong /
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The state of post-cinema = tracing the moving image in the age of digital dissemination /
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Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
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Queering the Chilean way = cultures of exceptionalism and sexual dissidence, 1965-2015 /
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The reinvention of populist rhetoric in the digital age = insiders & outsiders in democratic politics /
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The digital transformation of the public sphere = conflict, migration, crisis and culture in digital networks /
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The Palgrave handbook of sound design and music in screen media = integrated soundtracks /
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The visual divide between Islam and the West = image perception within cross-cultural contexts /
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Reading Radio 4 = a programme-by-programme analysis of Britain's most important radio station /
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Transmedia crime stories = the trial of Amanda Knox and Raffaele Sollecito in the globalised media sphere /
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Terror in global narrative = representations of 9/11 in the age of late-late capitalism /
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Digital activism in the social media era = critical reflections on emerging trends in sub-Aaharan Africa /
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Transnational contexts of culture, gender, class, and colonialism in play = video games in East Asia /
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W.C. Fields from the Ziegfeld Follies and Broadway stage to the screen = becoming a character comedian /
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Transnational contexts of development history, sociality, and society of play = video games in East Asia /
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Health communication in the changing media landscape = perspectives from developing countries /
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Reframing immersive theatre = the politics and pragmatics of participatory performance /
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Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
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Popular music studies today = proceedings of the International Association for the Study of Popular Music 2017 /
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Intermedial theater = performance philosophy, transversal poetics, and the future of affect /
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Liberation technology in El Salvador = re-appropriating social media among alternative media projects /
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British Broadcasting and the public-private dichotomy = neoliberalism, citizenship and the public sphere /
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Historical theory and methods through popular music, 1970-2000 = "Those are the New Saints" /
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Sherlock Holmes from screen to stage = post-millennial adaptations in British theatre /
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Death, image, memory = the genocide in Rwanda and its aftermath in photography and documentary film /
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RuPaul's Drag Race and the shifting visibility of drag culture = the boundaries of reality TV /
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The politics of postmemory = violence and victimhood in contemporary Argentine culture /
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Mobile media technologies and poiesis = rediscovering how we use technology to cultivate meaning in a nihilistic world /
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King returns to Washington = explorations of memory, rhetoric, and politics in the Martin Luther King, Jr. National Memorial /
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Regimes of invisibility in contemporary art, theory and culture = image, racialization, history /
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Citizenship, democracies, and media engagement among emerging economies and marginalized communities
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Immersive theatre and audience experience = space, game and story in the work of Punchdrunk /
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New activities for cultural heritage = proceedings of the International Conference HeritageBot 2017 /
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Performance for resilience = engaging youth on energy and climate through music, movement, and theatre /
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Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
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Moral panics, mental illness stigma, and the deinstitutionalization movement in American popular culture
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Social trauma and telecinematic memory = imagining the Turkish nation since the 1980 coup /
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How political actors use the media = a functional analysis of the media's role in politics /
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Media and affective mythologies = discourse, archetypes and ideology in contemporary politics /
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Time, technology and narrative form in contemporary US television drama = pause, rewind, record /
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Cultural, autobiographical and absent memories of orphanhood = the girls of Nazareth House remember /
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Evolving Euroscepticisms in the British and Italian press = selling the public short /
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Constructing transgressive sexuality in screenwriting = the feiticeiro/a as character /
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Mediatized China-Africa relations = how media discourses negotiate the shifting of global order /
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Adaptation and nation = theatrical contexts for contemporary English and Irish drama /
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Fans, blockbusterisation, and the transformation of cinematic desire = global receptions of the 'Hobbit' film trilogy /
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International performance research pedagogies = towards an unconditional discipline? /
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Dynamics of mediatization = institutional change and everyday transformations in a digital age /
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Risk, participation, and performance practice = critical vulnerabilities in a precarious world /
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Ageing women in literature and visual culture = reflections, refractions, reimaginings /
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Genre trouble and extreme cinema = film theory at the fringes of contemporary art cinema /
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Gender in Spanish urban spaces = literary and visual narratives of the new millennium /
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Neo-Victorianism on screen = postfeminism and contemporary adaptations of Victorian women /
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Networks, movements and technopolitics in Latin America = critical analysis and current challenges /
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Communicative figurations = transforming communications in times of deep mediatization /
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Latin American heritage = Interdisciplinary Dialogues on Brazilian and Argentinian Case Studies /
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Media logic(s) revisited = modelling the interplay between media institutions, media technology and societal change /
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Traitors, collaborators and deserters in contemporary European politics of memory = formulas of betrayal /
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Thomas Hamblin and the Bowery Theatre = the New York reign of "Blood and Thunder" melodramas /
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Local movie supply in the german motion picture industry = an industrial organization perspective /
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Post-unification Turkish German cinema = work, globalisation and politics beyond representation /
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Theatricality and performativity = writings on texture from Plato's cave to urban activism /
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Exploring the selfie = historical, theoretical and analytical approaches to digital self-photography /
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Introduction to western culture = cultural history, religion, politics, folklore and tourism /
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Free speech and false speech = political deception and its legal limits (or lack thereof) /
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Understanding western culture = philosophy, religion, literature and organizational culture /
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Theaters of error = problems of performance in German and French enlightenment theater /
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Artists' voices in cultural policy = careers, myths and the creative profession after German unification /
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Women activists and civil rights leaders in auto/biographical literature and films
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Reporting the road to Brexit = international media and the EU Referendum 2016 /
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Communicating national image through development and diplomacy = the politics of foreign aid /
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Digital echoes = spaces for intangible and performance-based cultural heritage /
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Tatler's irony = conspicuous consumption, inconspicuous power and social change /
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Cecil B. DeMille, classical Hollywood, and modern American mass culture = 1910-1960 /
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Visible and invisible whiteness = American white supremacy through the cinematic lens /
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An investigative cinema = politics and modernization in Italian, French, and American film /
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Architecture, urban space and war = the destruction and reconstruction of Sarajevo /
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Racism and early blackface comic traditions = from the old world to the new /
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Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
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The road to wicked = the marketing and consumption of Oz from L. Frank Baum to Broadway /
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World heritage conservation in the Pacific = the case of Solomon Islands /
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From analogue to digital radio = competition and cooperation in the UK radio industry /
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Economies of collaboration in performance = more than the sum of the parts /
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Robert Lepage's scenographic dramaturgy = the aesthetic signature at work /
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The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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The talent industry = television, cultural intermediaries and new digital pathways /
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