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Performing China on the London stage...

Thorpe, Ashley.

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Performing China on the London stage = Chinese opera and global power, 1759--2008 /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performing China on the London stage/ by Ashley Thorpe.
其他題名:	Chinese opera and global power, 1759--2008 /
作者:	Thorpe, Ashley.
出版者:	London :Palgrave Macmillan UK : : 2016.,
面頁冊數:	xviii, 263 p. :ill., digital ;24 cm.
內容註:	Introduction -- Chapter 1. Chinese drama in the European Imagination before 1736 -- Chapter 2. 'Confucius' morals to Britannia's ears' -- Chapter 3. From page to stage -- Chapter 4. Fashion, chinoiserie and modernity in The Circle of Chalk, 1929 -- Chapter 5. Seeking subalterneity in S.I. Hsiung's Lady Precious Stream, 1934 -- Chapter 6. 'A traditional play in the traditional manner' -- Chapter 7. Chinese opera in the diaspora from 1949 -- Chapter 8. Opening the stage door -- Chapter 9. Postmodern politics -- Conclusion.
Contained By:	Springer eBooks
標題:	Operas, Chinese - Political aspects. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-59786-1
ISBN:	9781137597861$q(electronic bk.)

Performing China on the London stage = Chinese opera and global power, 1759--2008 /
Thorpe, Ashley.

Performing China on the London stageChinese opera and global power, 1759--2008 /[electronic resource] :by Ashley Thorpe. - London :Palgrave Macmillan UK :2016. - xviii, 263 p. :ill., digital ;24 cm.

Introduction -- Chapter 1. Chinese drama in the European Imagination before 1736 -- Chapter 2. 'Confucius' morals to Britannia's ears' -- Chapter 3. From page to stage -- Chapter 4. Fashion, chinoiserie and modernity in The Circle of Chalk, 1929 -- Chapter 5. Seeking subalterneity in S.I. Hsiung's Lady Precious Stream, 1934 -- Chapter 6. 'A traditional play in the traditional manner' -- Chapter 7. Chinese opera in the diaspora from 1949 -- Chapter 8. Opening the stage door -- Chapter 9. Postmodern politics -- Conclusion.

This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies - from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes - highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China - the rise and fall of the British Empire, and the fall and rise of China - as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century - 'the Asian century'.

ISBN: 9781137597861$q(electronic bk.)

Standard No.: 10.1057/978-1-137-59786-1doiSubjects--Topical Terms:

3135303
Operas, Chinese
--Political aspects.

LC Class. No.: ML1751.C5 / T46 2016

Dewey Class. No.: 782.10951

Performing China on the London stage = Chinese opera and global power, 1759--2008 /
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520 $a This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies - from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes - highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China - the rise and fall of the British Empire, and the fall and rise of China - as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century - 'the Asian century'.
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