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Globalization, oral performance, and...

Na'Allah, Abdul-Rasheed.

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Globalization, oral performance, and African traditional poetry

Record Type:	Electronic resources : Monograph/item
Title/Author:	Globalization, oral performance, and African traditional poetry/ by Abdul-Rasheed Na'Allah.
Author:	Na'Allah, Abdul-Rasheed.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	xiii, 100 p. :ill., digital ;24 cm.
[NT 15003449]:	1. African Art and the Crisis of Poverty and Social Divisions in a Global Era -- 2. Criticism of African Art and Literature -- 3. Ilorin Traditional Oral Art in the Context of Bourgeois Aesthetics -- 4. A Pact between the Writer and the Oral Performer -- 5. Conclusion.
Contained By:	Springer eBooks
Subject:	Oral tradition - Africa. -
Subject:	Africa - Politics and government. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-75079-8
ISBN:	9783319750798

Globalization, oral performance, and African traditional poetry
Na'Allah, Abdul-Rasheed.

Globalization, oral performance, and African traditional poetry[electronic resource] /by Abdul-Rasheed Na'Allah. - Cham :Springer International Publishing :2018. - xiii, 100 p. :ill., digital ;24 cm.

1. African Art and the Crisis of Poverty and Social Divisions in a Global Era -- 2. Criticism of African Art and Literature -- 3. Ilorin Traditional Oral Art in the Context of Bourgeois Aesthetics -- 4. A Pact between the Writer and the Oral Performer -- 5. Conclusion.

This book discusses globalization trends and influences on traditional African oral literary performance and the direction that Ilorin oral art is forced to take by the changes of the twenty-first century electronic age. It seeks a new definition of contemporary African bourgeois in terms of their global reach, imitation of foreign forms, and collaboration with the owners of primary agencies. Additionally, it makes a case that African global lords or new bourgeoisie who are largely products of the new global capital and multinational corporations' socio-political and cultural influences fashion their tastes after Western cultures as portrayed in the digital realm. Abdul-Rasheed Na'Allah is Vice-Chancellor, Chief Executive Officer, and Professor of English and Comparative Literature at Kwara State University, Nigeria. He is co-author of Introduction to African Oral Literature and Performance (2005), and author of Africanity, Islamicity and Performativity: Identity in the House of Ilorin (2009), African Discourse in Islam, Oral Traditions, and Performance (2010), and Cultural Globalization And Plurality: Africa and the New World (2011)

ISBN: 9783319750798

Standard No.: 10.1007/978-3-319-75079-8doiSubjects--Topical Terms:

1561961
Oral tradition
--Africa.Subjects--Geographical Terms:

600929
Africa
--Politics and government.

LC Class. No.: GR350 / .N365 2018

Dewey Class. No.: 398.2096

Globalization, oral performance, and African traditional poetry
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505 0 $a 1. African Art and the Crisis of Poverty and Social Divisions in a Global Era -- 2. Criticism of African Art and Literature -- 3. Ilorin Traditional Oral Art in the Context of Bourgeois Aesthetics -- 4. A Pact between the Writer and the Oral Performer -- 5. Conclusion.
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