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Cognitive approaches to German histo...

William, Jennifer Marston.

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Cognitive approaches to German historical film = seeing is not believing /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Cognitive approaches to German historical film/ by Jennifer Marston William.
其他題名:	seeing is not believing /
作者:	William, Jennifer Marston.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	ix, 200 p. :ill., digital ;24 cm.
內容註:	.1. Introduction: What this Book is, and is Not -- 2. Conceptual Blending and Imagining Historical Time and Space -- 3. Theory of Mind and the Cinematic Retelling of History -- 4. Perspective-Taking and Empathic Responses to Historical Film -- 5. Epilogue: Examining the Mind's Eye through the Viewer's Eye: Implications and Future Directions.
Contained By:	Springer eBooks
標題:	Culture - Study and teaching. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-39318-6
ISBN:	9783319393186

Cognitive approaches to German historical film = seeing is not believing /
William, Jennifer Marston.

Cognitive approaches to German historical filmseeing is not believing /[electronic resource] :by Jennifer Marston William. - Cham :Springer International Publishing :2017. - ix, 200 p. :ill., digital ;24 cm. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

.1. Introduction: What this Book is, and is Not -- 2. Conceptual Blending and Imagining Historical Time and Space -- 3. Theory of Mind and the Cinematic Retelling of History -- 4. Perspective-Taking and Empathic Responses to Historical Film -- 5. Epilogue: Examining the Mind's Eye through the Viewer's Eye: Implications and Future Directions.

This book explores how minds at the movies understand minds in the movies and introduces readers to some fundamental principles of Cognitive Studies--namely conceptual blending, Theory of Mind, and empathy/perspective-taking--through their application to film analysis. A cognitive approach to recent popular historical films demonstrates cinema's potential to stimulate viewers' critical thinking about crucial events of the past century. Diverging from the focus on narrative processing in traditional cognitivist theory, this book examines film reception and production in the context of the latest developments in cognitive and social psychology. Turning to German cinema as a case study for this interdisciplinary partnership, Jennifer Marston William offers a fresh look at some internationally successful films of the twenty-first century, including Nowhere in Africa, Goodbye, Lenin!, Sophie Scholl, Downfall, The Lives of Others, and The Baader-Meinhof Complex.

ISBN: 9783319393186

Standard No.: 10.1007/978-3-319-39318-6doiSubjects--Topical Terms:

526860
Culture
--Study and teaching.

LC Class. No.: PN1995.9.H5 / W54 2017

Dewey Class. No.: 791.43094

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520 $a This book explores how minds at the movies understand minds in the movies and introduces readers to some fundamental principles of Cognitive Studies--namely conceptual blending, Theory of Mind, and empathy/perspective-taking--through their application to film analysis. A cognitive approach to recent popular historical films demonstrates cinema's potential to stimulate viewers' critical thinking about crucial events of the past century. Diverging from the focus on narrative processing in traditional cognitivist theory, this book examines film reception and production in the context of the latest developments in cognitive and social psychology. Turning to German cinema as a case study for this interdisciplinary partnership, Jennifer Marston William offers a fresh look at some internationally successful films of the twenty-first century, including Nowhere in Africa, Goodbye, Lenin!, Sophie Scholl, Downfall, The Lives of Others, and The Baader-Meinhof Complex.
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