東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Gossip, women, film, and chick flicks

Dang, Sarah-Mai.

FindBook

Google Book

Amazon

博客來

Gossip, women, film, and chick flicks

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Gossip, women, film, and chick flicks/ by Sarah-Mai Dang.
作者:	Dang, Sarah-Mai.
出版者:	London :Palgrave Macmillan UK : : 2017.,
面頁冊數:	xii, 75 p. :ill., digital ;24 cm.
內容註:	1. Introduction -- 2. Gossip as an Organizing Principle of Social Order and Perception -- 3. Easy A - "A is for Awesome" -- 4. Emma - "A match well made, a job well done." -- 5. A Matter of Perspective.
Contained By:	Springer eBooks
標題:	Motion pictures for women. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-56018-6
ISBN:	9781137560186

Gossip, women, film, and chick flicks
Dang, Sarah-Mai.

Gossip, women, film, and chick flicks[electronic resource] /by Sarah-Mai Dang. - London :Palgrave Macmillan UK :2017. - xii, 75 p. :ill., digital ;24 cm.

1. Introduction -- 2. Gossip as an Organizing Principle of Social Order and Perception -- 3. Easy A - "A is for Awesome" -- 4. Emma - "A match well made, a job well done." -- 5. A Matter of Perspective.

This book addresses the relationship between gossip, women, and film with regards to the genre of chick flicks. Presenting two case studies on the films Easy A (Will Gluck 2010) and Emma (Douglas McGrath 1996), Dang demonstrates that hearsay plays a defining role in the staging of these films and thus in the film experience. While the lack of women's voices in the general public sphere remains an issue, the female voice is very present in the contemporary woman's film. In its analysis of gossip, this book focuses on a form of communication that has traditionally been assigned to women and is consequently disregarded. Dang provides a theoretical framework for the understanding of speech acts in the popular, yet undertheorized, genre of chick flicks. Dr Sarah-Mai Dang is a Research Assistant at the Department of Media Studies at the University of Bayreuth, Germany. Previously, she worked at the Collaborative Research Center "Aesthetic Experience and the Dissolution of Artistic Limits" (SFB 626) and at the Department for Film Studies, both at Freie Universitat Berlin, Germany.

ISBN: 9781137560186

Standard No.: 10.1057/978-1-137-56018-6doiSubjects--Topical Terms:

808459
Motion pictures for women.

LC Class. No.: PN1995.9.W6 / D36 2017

Dewey Class. No.: 791.436522

Gossip, women, film, and chick flicks
LDR:02245nmm a2200313 a 4500 001 2088658
003 DE-He213
005 20161122140805.0
006 m d
007 cr nn 008maaau
008 171013s2017 enk s 0 eng d
020 $a 9781137560186 $q (electronic bk.)
020 $a 9781137560179 $q (paper)
024 7 $a 10.1057/978-1-137-56018-6 $2 doi
035 $a 978-1-137-56018-6
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.W6 $b D36 2017
072 7 $a APFA $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.436522 $2 23
090 $a PN1995.9.W6 $b D182 2017
100 1 $a Dang, Sarah-Mai. $3 3218621
245 1 0 $a Gossip, women, film, and chick flicks $h [electronic resource] / $c by Sarah-Mai Dang.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Pivot, $c 2017.
300 $a xii, 75 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Gossip as an Organizing Principle of Social Order and Perception -- 3. Easy A - "A is for Awesome" -- 4. Emma - "A match well made, a job well done." -- 5. A Matter of Perspective.
520 $a This book addresses the relationship between gossip, women, and film with regards to the genre of chick flicks. Presenting two case studies on the films Easy A (Will Gluck 2010) and Emma (Douglas McGrath 1996), Dang demonstrates that hearsay plays a defining role in the staging of these films and thus in the film experience. While the lack of women's voices in the general public sphere remains an issue, the female voice is very present in the contemporary woman's film. In its analysis of gossip, this book focuses on a form of communication that has traditionally been assigned to women and is consequently disregarded. Dang provides a theoretical framework for the understanding of speech acts in the popular, yet undertheorized, genre of chick flicks. Dr Sarah-Mai Dang is a Research Assistant at the Department of Media Studies at the University of Bayreuth, Germany. Previously, she worked at the Collaborative Research Center "Aesthetic Experience and the Dissolution of Artistic Limits" (SFB 626) and at the Department for Film Studies, both at Freie Universitat Berlin, Germany.
650 0 $a Motion pictures for women. $3 808459
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a Feminism. $3 526785
650 2 4 $a Genre. $3 2191767
650 2 4 $a Popular Culture. $3 3201027
650 2 4 $a Feminist Culture. $3 3210057
650 2 4 $a Women's Studies. $3 1017481
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-56018-6
950 $a Literature, Cultural and Media Studies (Springer-41173)