東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Zainichi cinema = Koreans-in-Japan f...

Dew, Oliver.

FindBook

Google Book

Amazon

博客來

Zainichi cinema = Koreans-in-Japan film culture /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Zainichi cinema/ by Oliver Dew.
其他題名:	Koreans-in-Japan film culture /
作者:	Dew, Oliver.
出版者:	Cham :Springer International Publishing : : 2016.,
面頁冊數:	xiv, 235 p. :ill., digital ;24 cm.
內容註:	Introduction: Koreans-in-Japan, on-screen -- 1. 1968/2004: Bridging Imjin River -- 2. Screening the Zainichi subject -- 3. Excavating the Zainichi yakuza film -- 4. 'Pacchigi Power!': the 'coming out' melodrama -- 5. Arirang kamikaze: screening the memory wars -- 6. Intimate ethnographies: three family portraits -- Conclusion.
Contained By:	Springer eBooks
標題:	Koreans - History. - Japan -
電子資源:	http://dx.doi.org/10.1007/978-3-319-40877-4
ISBN:	9783319408774

Zainichi cinema = Koreans-in-Japan film culture /
Dew, Oliver.

Zainichi cinemaKoreans-in-Japan film culture /[electronic resource] :by Oliver Dew. - Cham :Springer International Publishing :2016. - xiv, 235 p. :ill., digital ;24 cm.

Introduction: Koreans-in-Japan, on-screen -- 1. 1968/2004: Bridging Imjin River -- 2. Screening the Zainichi subject -- 3. Excavating the Zainichi yakuza film -- 4. 'Pacchigi Power!': the 'coming out' melodrama -- 5. Arirang kamikaze: screening the memory wars -- 6. Intimate ethnographies: three family portraits -- Conclusion.

This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to "represent", and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.

ISBN: 9783319408774

Standard No.: 10.1007/978-3-319-40877-4doiSubjects--Topical Terms:

724661
Koreans
--History.--Japan

LC Class. No.: PN1993.5.J3 / D49 2016

Dewey Class. No.: 791.430952

Zainichi cinema = Koreans-in-Japan film culture /
LDR:02228nmm a2200313 a 4500 001 2080795
003 DE-He213
005 20161107084238.0
006 m d
007 cr nn 008maaau
008 170616s2016 gw s 0 eng d
020 $a 9783319408774 $q (electronic bk.)
020 $a 9783319408767 $q (paper)
024 7 $a 10.1007/978-3-319-40877-4 $2 doi
035 $a 978-3-319-40877-4
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.J3 $b D49 2016
072 7 $a APF $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.430952 $2 23
090 $a PN1993.5.J3 $b D515 2016
100 1 $a Dew, Oliver. $3 3201097
245 1 0 $a Zainichi cinema $h [electronic resource] : $b Koreans-in-Japan film culture / $c by Oliver Dew.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xiv, 235 p. : $b ill., digital ; $c 24 cm.
505 0 $a Introduction: Koreans-in-Japan, on-screen -- 1. 1968/2004: Bridging Imjin River -- 2. Screening the Zainichi subject -- 3. Excavating the Zainichi yakuza film -- 4. 'Pacchigi Power!': the 'coming out' melodrama -- 5. Arirang kamikaze: screening the memory wars -- 6. Intimate ethnographies: three family portraits -- Conclusion.
520 $a This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to "represent", and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.
650 0 $a Koreans $z Japan $x History. $3 724661
650 0 $a Motion pictures $x Social aspects $z Japan $x History. $3 3201098
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Asian Cinema. $3 3135320
650 2 4 $a Asian Culture. $3 2191596
650 2 4 $a Ethnicity Studies. $3 2182091
650 2 4 $a World History, Global and Transnational History. $3 2181976
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-40877-4
950 $a Literature, Cultural and Media Studies (Springer-41173)