東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

An investigative cinema = politics a...

Cilento, Fabrizio.

FindBook

Google Book

Amazon

博客來

An investigative cinema = politics and modernization in Italian, French, and American film /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	An investigative cinema/ by Fabrizio Cilento.
其他題名:	politics and modernization in Italian, French, and American film /
作者:	Cilento, Fabrizio.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xiv, 299 p. :ill. (some col.), digital ;22 cm.
內容註:	1. Introduction: Any Resemblance to Real Persons or Actual Facts Is [Not] Purely Coincidental -- 2. Neorealism and the Double Stain: Television and Italian High Modernist Filmmakers -- 3. Objectively False: French Cinema and the Algerian Question -- 4. Stars and Stardom in Investigative Cinema: The Movies of Gian Maria Volonte and Gael Garcia Bernal -- 5. The Ontology of Replay: The Zapruder Video and American Conspiracy Films -- 6. Unidentified Narrative Objects: The Anti-Mafia and No-Global Films as Transmedia Adaptations -- 7. The Ontology of the Digital: War on Terror and Post-9/11 Visual Culture.
Contained By:	Springer eBooks
標題:	Motion pictures - Political aspects. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-92681-0
ISBN:	9783319926810

An investigative cinema = politics and modernization in Italian, French, and American film /
Cilento, Fabrizio.

An investigative cinemapolitics and modernization in Italian, French, and American film /[electronic resource] :by Fabrizio Cilento. - Cham :Springer International Publishing :2018. - xiv, 299 p. :ill. (some col.), digital ;22 cm.

1. Introduction: Any Resemblance to Real Persons or Actual Facts Is [Not] Purely Coincidental -- 2. Neorealism and the Double Stain: Television and Italian High Modernist Filmmakers -- 3. Objectively False: French Cinema and the Algerian Question -- 4. Stars and Stardom in Investigative Cinema: The Movies of Gian Maria Volonte and Gael Garcia Bernal -- 5. The Ontology of Replay: The Zapruder Video and American Conspiracy Films -- 6. Unidentified Narrative Objects: The Anti-Mafia and No-Global Films as Transmedia Adaptations -- 7. The Ontology of the Digital: War on Terror and Post-9/11 Visual Culture.

This book traces the development of investigative cinema, whose main characteristic lies in reconstructing actual events, political crises, and conspiracies. These documentary-like films refrain from a simplistic reconstruction of historical events and are mainly concerned with what does not immediately appear on the surface of events. Consequently, they raise questions about the nature of the "truth" promoted by institutions, newspapers, and media reports. By highlighting unanswered questions, they leave us with a lack of clarity, and the questioning of documentation becomes the actual narrative. Investigative cinema is examined in relation to the historical conjunctures of the "economic miracle" in Italy, the simultaneous decolonization and reordering of culture in France, the waves of globalization and neoliberalism in post-dictatorial Latin America, and the post-Watergate, post-9/11 climate in US society. Investigative cinema is exemplified by the films Salvatore Giuliano, The Battle of Algiers, The Parallax View, Gomorrah, Zero Dark Thirty, and Citizenfour.

ISBN: 9783319926810

Standard No.: 10.1007/978-3-319-92681-0doiSubjects--Topical Terms:

552314
Motion pictures
--Political aspects.

LC Class. No.: PN1995.9.P6 / C485 2018

Dewey Class. No.: 791.436581

An investigative cinema = politics and modernization in Italian, French, and American film /
LDR:02707nmm a2200313 a 4500 001 2152405
003 DE-He213
005 20190129141419.0
006 m d
007 cr nn 008maaau
008 190403s2018 gw s 0 eng d
020 $a 9783319926810 $q (electronic bk.)
020 $a 9783319926803 $q (paper)
024 7 $a 10.1007/978-3-319-92681-0 $2 doi
035 $a 978-3-319-92681-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.P6 $b C485 2018
072 7 $a APFA $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.436581 $2 23
090 $a PN1995.9.P6 $b C572 2018
100 1 $a Cilento, Fabrizio. $3 1677538
245 1 3 $a An investigative cinema $h [electronic resource] : $b politics and modernization in Italian, French, and American film / $c by Fabrizio Cilento.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xiv, 299 p. : $b ill. (some col.), digital ; $c 22 cm.
505 0 $a 1. Introduction: Any Resemblance to Real Persons or Actual Facts Is [Not] Purely Coincidental -- 2. Neorealism and the Double Stain: Television and Italian High Modernist Filmmakers -- 3. Objectively False: French Cinema and the Algerian Question -- 4. Stars and Stardom in Investigative Cinema: The Movies of Gian Maria Volonte and Gael Garcia Bernal -- 5. The Ontology of Replay: The Zapruder Video and American Conspiracy Films -- 6. Unidentified Narrative Objects: The Anti-Mafia and No-Global Films as Transmedia Adaptations -- 7. The Ontology of the Digital: War on Terror and Post-9/11 Visual Culture.
520 $a This book traces the development of investigative cinema, whose main characteristic lies in reconstructing actual events, political crises, and conspiracies. These documentary-like films refrain from a simplistic reconstruction of historical events and are mainly concerned with what does not immediately appear on the surface of events. Consequently, they raise questions about the nature of the "truth" promoted by institutions, newspapers, and media reports. By highlighting unanswered questions, they leave us with a lack of clarity, and the questioning of documentation becomes the actual narrative. Investigative cinema is examined in relation to the historical conjunctures of the "economic miracle" in Italy, the simultaneous decolonization and reordering of culture in France, the waves of globalization and neoliberalism in post-dictatorial Latin America, and the post-Watergate, post-9/11 climate in US society. Investigative cinema is exemplified by the films Salvatore Giuliano, The Battle of Algiers, The Parallax View, Gomorrah, Zero Dark Thirty, and Citizenfour.
650 0 $a Motion pictures $x Political aspects. $3 552314
650 0 $a Motion pictures $x Social aspects. $3 558622
650 0 $a Motion pictures $x History $y 20th century. $3 1093521
650 0 $a Motion pictures $x History $y 21st century. $3 2022816
650 0 $a Motion pictures $z Italy $x History. $3 759739
650 0 $a Motion pictures $z France $x History. $3 715580
650 0 $a Motion pictures $z United States $x History. $3 587548
650 0 $a Motion pictures $z Latin America $x History. $3 854527
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a European Cinema. $3 2200536
650 2 4 $a American Cinema. $3 2200194
650 2 4 $a Global Cinema. $3 3210063
650 2 4 $a Memory Studies. $3 2200125
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-92681-0
950 $a Literature, Cultural and Media Studies (Springer-41173)