東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Japanese horror and the transnationa...

Brown, Steven T.

FindBook

Google Book

Amazon

博客來

Japanese horror and the transnational cinema of sensation

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Japanese horror and the transnational cinema of sensation/ by Steven T. Brown.
作者:	Brown, Steven T.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xvi, 330 p. :ill., digital ;22 cm.
內容註:	1. Introduction -- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi -- 3. Double Trouble: Doppelgangers in Japanese Horror -- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu -- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy -- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.
Contained By:	Springer eBooks
標題:	Horror films - History and criticism. - Japan -
電子資源:	http://dx.doi.org/10.1007/978-3-319-70629-0
ISBN:	9783319706290

Japanese horror and the transnational cinema of sensation
Brown, Steven T.

Japanese horror and the transnational cinema of sensation[electronic resource] /by Steven T. Brown. - Cham :Springer International Publishing :2018. - xvi, 330 p. :ill., digital ;22 cm. - East Asian popular culture. - East Asian popular culture..

1. Introduction -- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi -- 3. Double Trouble: Doppelgangers in Japanese Horror -- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu -- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy -- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.

Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror's slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.

ISBN: 9783319706290

Standard No.: 10.1007/978-3-319-70629-0doiSubjects--Topical Terms:

1093916
Horror films
--History and criticism.--Japan

LC Class. No.: PN1995.9.H6 / B68 2018

Dewey Class. No.: 791.4361640952

Japanese horror and the transnational cinema of sensation
LDR:02072nmm a2200325 a 4500 001 2134072
003 DE-He213
005 20180213021502.0
006 m d
007 cr nn 008maaau
008 181005s2018 gw s 0 eng d
020 $a 9783319706290 $q (electronic bk.)
020 $a 9783319706283 $q (paper)
024 7 $a 10.1007/978-3-319-70629-0 $2 doi
035 $a 978-3-319-70629-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.H6 $b B68 2018
072 7 $a APF $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.4361640952 $2 23
090 $a PN1995.9.H6 $b B879 2018
100 1 $a Brown, Steven T. $3 784680
245 1 0 $a Japanese horror and the transnational cinema of sensation $h [electronic resource] / $c by Steven T. Brown.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xvi, 330 p. : $b ill., digital ; $c 22 cm.
490 1 $a East Asian popular culture
505 0 $a 1. Introduction -- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi -- 3. Double Trouble: Doppelgangers in Japanese Horror -- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu -- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy -- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.
520 $a Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror's slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
650 0 $a Horror films $z Japan $x History and criticism. $3 1093916
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Asian Cinema. $3 3135320
650 2 4 $a Asian Culture. $3 2191596
650 2 4 $a Audio-Visual Culture. $3 3210047
650 2 4 $a Global Cinema. $3 3210063
650 2 4 $a Genre. $3 2191767
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a East Asian popular culture. $3 2200213
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-70629-0
950 $a Literature, Cultural and Media Studies (Springer-41173)