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Historical theory and methods throug...

Shonk, Kenneth L.

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Historical theory and methods through popular music, 1970-2000 = "Those are the New Saints" /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Historical theory and methods through popular music, 1970-2000/ by Kenneth L. Shonk, Jr., Daniel Robert McClure.
其他題名:	"Those are the New Saints" /
作者:	Shonk, Kenneth L.
其他作者:	McClure, Daniel Robert.
出版者:	London :Palgrave Macmillan UK : : 2017.,
面頁冊數:	xii, 311 p. :ill., digital ;24 cm.
內容註:	1. Introduction: Those are the new saints -- 2. "'400 Years': Modernity, the Longue Duree, and Jamaican Music, 1600s-1980s" -- 3."This Charming Man: Queer and Alternative Masculinities, 1970-1994" -- 4."Will the Wolf Survive?": Chicana/o Identity and Punk Rock in Los Angeles, 1977-2000." -- 5. "A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, and Hip-Hop, 1973-2000" -- 6. "The Pride of History": Post-Punk and the Aesthetics of Postmodernity -- 7. "Waveless--MTV and the 'Quiet' Feminism of the 1980s" -- 8. "Hiraeth--The Celtic Moment in 1980s Alternative Rock" -- 9. "Feels Blind: Counter-Hegemony in Alternative Rock during the Reagan/Thatcher Era" -- 10. "No Depression: The Nostalgia and Authenticity of Alternative Country" -- 11. Conclusion.
Contained By:	Springer eBooks
標題:	Music - Social aspects. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-57072-7
ISBN:	9781137570727

Historical theory and methods through popular music, 1970-2000 = "Those are the New Saints" /
Shonk, Kenneth L.

Historical theory and methods through popular music, 1970-2000"Those are the New Saints" /[electronic resource] :by Kenneth L. Shonk, Jr., Daniel Robert McClure. - London :Palgrave Macmillan UK :2017. - xii, 311 p. :ill., digital ;24 cm. - Pop music, culture and identity. - Pop music, culture and identity..

1. Introduction: Those are the new saints -- 2. "'400 Years': Modernity, the Longue Duree, and Jamaican Music, 1600s-1980s" -- 3."This Charming Man: Queer and Alternative Masculinities, 1970-1994" -- 4."Will the Wolf Survive?": Chicana/o Identity and Punk Rock in Los Angeles, 1977-2000." -- 5. "A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, and Hip-Hop, 1973-2000" -- 6. "The Pride of History": Post-Punk and the Aesthetics of Postmodernity -- 7. "Waveless--MTV and the 'Quiet' Feminism of the 1980s" -- 8. "Hiraeth--The Celtic Moment in 1980s Alternative Rock" -- 9. "Feels Blind: Counter-Hegemony in Alternative Rock during the Reagan/Thatcher Era" -- 10. "No Depression: The Nostalgia and Authenticity of Alternative Country" -- 11. Conclusion.

This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity--an explicit positioning of one's expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.

ISBN: 9781137570727

Standard No.: 10.1057/978-1-137-57072-7doiSubjects--Topical Terms:

561863
Music
--Social aspects.

LC Class. No.: ML3917.U6 / S56 2017

Dewey Class. No.: 306.48420973

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