Slavic literature.
Overview
| Works: | 162 works in 0 publications in 0 languages | |
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Titles
The Search for an Internationalist Aesthetics: Soviet Images of China, 1920--1935.
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The Paradox of Jewish Identity in the Age of Assimilation: Irene Nemirovsky, Her Life and Works.
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Music, narrative, and sexual morality in the "Kreutzer Sonatas" of Beethoven, Tolstoy, and Janacek.
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Precedent phenomena: The role of cultural reference in Dostoevsky's novel "Demons".
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Space, Place, and Identity in Yevgeny Zamyatin's "We" and J. G. Ballard's "The Drowned World".
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A Cold, White Light: The Defamiliarizing Power of Death in Tolstoy's "War and Peace".
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Visual poetics and cinematic patterns in Vladimir Nabokov's "Invitation to a Beheading".
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The Circassian Thistle: Tolstoy's "Khadzhi Murat" and the evolving Russian empire.
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Genesis and the garden: Nature and natural law in The Brothers Karamazov.
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Transnational memories of the self: Reflections on postcommunist and postcolonial life-writing by women.
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A conceptual image of Marjan Rozanc's essays from the perspective of Erich Fromm's humanism.
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In the middle was the word: The writerly gestures of Nikolai Gogol, Franz Kafka, and Bohumil Hrabal.
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Aesthetic selves: Non-narrative constructions of identity in Central Europe.
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The reception history of John Milton in Russia and the former Soviet Union (1745-2013).
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From the Corners of the Russian Novel: Minor Characters in Gogol, Goncharov, Tolstoy, and Dostoevsky.
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From Scythia to a Eurasian Empire: The Eastern Trajectory in Russian Literature 1890--2008.
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Metamorphoses identitaires dans la litterature fantastique contemporaine.
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Telicity, aspect, and the creation of "fictional truth": Lubomir Dolezel's contributions to understanding metaphor and cognition.
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Scenes, seasons, and spaces: Textual modes of address in modern French, American, and Russian literature.
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Avant-Garde Historians: Poetic Experiments in Factography for the Ten-Year Anniversary of the October Revolution.
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Konstantin Fedin : = A Writer's Metamorphosis During the Soviet Era (1918-1977) = קונסטנטית פדין : מטמורפוזות של הסופר בתקופה הסובייטית (1918-1977).
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In All Seriousness : = Play, Knowledge, and Community in the Union of Real Art.
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Confession in Dostoevskii : = With Special Reference to Les Confessions of Jean-Jacques Rousseau : Three Case Studies.
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Socialist paradise or tower of total surveillance? Metamorphoses of the Crystal Palace in Chernyshevsky and Dostoevsky.
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Russian "madness" in English translation: Reading Dostoevsky''s madmen from the translator's point of view.
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A corpus-based study of theme and thematic progression in English and Russian non-translated texts and in Russian translated texts.
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Folklore and the Construction of National Identity in Nineteenth Century Russian Literature.
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Constructing the Russian Moral Project through the Classics: Reflections of Pushkin's "Eugene Onegin", 1833-2014.
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The Lyrical Moment: An Analysis of Tadeusz Baird's "Erotyki" and "Epiphany Music".
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Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age.
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The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century.
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Balkan worlds: Community, space and revolutionary internationalism on the Yugoslav literary left, 1870-1938.
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Remembrance of Former Things: Three Figures of Russian Elegiac Literature.
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A Case of Canonical Limbo: Idealist and Materialist Interplay in Marietta Shaginian's Hydrocentral.
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Patterns of self-sabotage: Repetition as a unifying element in the revelation of character, isolation, plot, and theme in Anton Chekhov's "Three Sisters".
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Color, Line, and Narrative: Visual Art Techniques in Lev Tolstoy's Fiction.
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Constructing Life: The Info-literary Pursuit of "How" in Early Soviet Literature, 1921-1931.
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Performing Suicide: Transformation of the Superfluous Man in Soviet Drama = = Разыгрывая самоубийство: трансформация лишнего человека в советской драме.
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Bakhtin's Romantic Grotesque in Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-revolutionary Culture's Loss.
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Rusalka and The Snow Maiden: A Comparative Study of Two Fairytale Operas.
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Mapping the Auditory Landscape of Natalya Gorbanevskaya's Pre-Emigration Poetry.
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"I Want to Be Honest": the Rhetoric of Sincerity in Soviet Russian Literature, 1953-1970.
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The Disordered Era : = Grotesque Modernism in Russian Literature, 1903 - 1939.
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Evil men have no songs : = The terrorist and litteratuer Boris Savinkov, 1879-1925.
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Detki v kletke : = The Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry.
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Figures of Clarity : = Three Poets' Voyage toward an Intelligible Poetics.
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Kantian zombies in modernity's graveyard : = Benjaminian allegory and the critique of enlightenment in Sigizmund Krzhizhanovsky.
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Patterns of the World : = Chinese Fashion and Cosmopolitan Ideas in Late Imperial Russia.
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The Soviet Industrial Sublime: The Awe and Fear of Dneprostroi, 1927-1932.
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Musical Means in Mussorgsky's "Songs and Dances of Death": A Singer's Study Guide.
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Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera.
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Controlling the Uncontrollable: Navigating Subjectivity in the Perestroika and Post-Soviet Prose of L. S. Petrushevskaia and L. E. Ulitskaia.
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Parodic societies in Russian culture : = From the late medieval era to the late Soviet period.
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The Literary Unconscious: Ideology and Utopia in the Nineteenth-Century Realist Novel in England and Russia.
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Extroverting the cultural interior: Symbolic renovations in recent Polish and Russian verse.
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The real and the imaginary in the literary works of E. T. A. Hoffmann, Joseph Eichendorff, and Vladimir Odoevsky.
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Post-Utopian Science Fiction in Postmodern American and Russian Literatures.
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Jamie Oliver as a Promoter of a Lifestyle: Recontextualisation of a Culinary Discourse and the Transformation of Cookbooks in Slovenia.
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Authors of Success: Cultural Capitalism and Literary Evolution in Contemporary Russia.
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Narrative Re/Styling: Text and Fashion in Nineteenth-Century Russian Literature and Culture.
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Neomedievalism and Demodernization in Contemporary Russia: Vladimir Sorokin's Day of the Oprichnik.
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Radical Remakes: Confronting Russia's Literary Heritage on the Post-Soviet Russian Stage.
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Diagnosing the Will to Suffer: Lovesickness in the Medical and Literary Traditions.
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Aleshkovsky's Post-Modern Treatment of the Soviet 'New-Man' and Soviet Reality.
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Remembering the Future: Time Travel Narratives in Soviet and Post-Soviet Russia.
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"And She Nursed Them All Splendidly Herself:" Breasts and Breastfeeding in the Works of Lev Tolstoi.
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Framing,Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity.
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Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877.
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Pushkin for President: Russian Literary Cults in the Transition from Communism.
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Three Versions of Russian Decadent Dandyism : = Demonism, Hellenism, and Theatricality.
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"Я Тоже Мраморною Стану": The Poetics of Metamorphosis in Russian Modernism.
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Cold War Crossings: Border Poetics in Postwar German and Polish Literature.
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Dostoevsky through the Lens of Orthodox Personalism: Synergetic Anthropology and Relational Ontology as Poetic Foundations of Higher Realism.
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The Poverty of Fiction: Russia in the Making of a Modern Chinese Realism.
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From a Space out of Time: Russian Poetry and Aesthetic Ideology after the Soviet Union.
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Enchanted by the spectacle of death: Forms of the *end in Leningrad culture (1917-1934).
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The buffoon in nineteenth and twentieth century Russian literature: The literary model and its cultural roots.
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Music and Exile in Twentieth-Century German, Italian, and Polish Literature.
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The myth of fire in the poetry of Maksimilian Voloshin (1877-1932) : = A critical biography.
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Alogism in Russian modernism : = An investigation of alogical concepts in the works of Gogol, Bely, Kruchenykh, Malevich, Vaginov and Vvedensky.
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The book of poems in twentieth-century Russian literature : = Khodasevich, Gippius and Shvarts.
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The monuments of Russian culture : = "Pushkin House" as the museum of the Soviet school curriculum.
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Transformation metaphors in the "Soviet Moscow text" of the 1920s and 1930s.
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The Russian Modernist masquerade : = Deception, rhetoric, and theatrical transposition.
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The Buddhist world in modern Russian culture (1873-1919) : = Literature and visual arts.
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Reaction to Positivism and the Metaphysics of Sex in Russian Literature of the First Quarter of the Twentieth Century.
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Zinaida Vengerova : = The aesthetic of the incarnation of the unincarnated.
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Historicity, lyricism, and the homosexual imperative of the Kuzminian text.
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Fragmented unity : = Thought, language and reality in the poetry of Vvedensky, Harms, and Olienikov.
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Poetry in early twentieth-century Russia : = Parallels and affinities with the eighteenth century.
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Maximilian Voloshin's "House of the Poet" : = Intelligentsia social organization and culture in early 20th century Russia.
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Russian Symbolist mythopoesis : = The neomythological dramas of Fedor Sologub.
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The Russian historical novel from Romanticism to Symbolism : = Fact, fiction, and the poetics of genre.
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The theater of the world and the theater of state : = Drama and the show trial in early Soviet Russia.
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Unrealism : = Bureaucratic absurdity in nineteenth-century Russian literature.
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Russian emigre literature in the context of French modernism : = A study in the cultural mechanisms of exile.
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Visionary or campaigner : = Nikolai Zabolotsky's philosophical poetry from the twenties to the fifties.
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Sex and suicide in "Madame Bovary", "Anna Karenina", "The Awakening" and "The House of Mirth".
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