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The myth of fire in the poetry of Maksimilian Voloshin (1877-1932) : = A critical biography.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The myth of fire in the poetry of Maksimilian Voloshin (1877-1932) :/
Reminder of title:	A critical biography.
Author:	Landa, Marianna S.
Description:	1 online resource (390 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 63-03, Section: A.
Contained By:	Dissertations Abstracts International63-03A.
Subject:	Slavic literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3002012click for full text (PQDT)
ISBN:	9780493109343

The myth of fire in the poetry of Maksimilian Voloshin (1877-1932) : = A critical biography.
Landa, Marianna S.

The myth of fire in the poetry of Maksimilian Voloshin (1877-1932) :A critical biography. - 1 online resource (390 pages)

Source: Dissertations Abstracts International, Volume: 63-03, Section: A.

Thesis (Ph.D.)--Stanford University, 2001.

Includes bibliographical references

This dissertation explores Voloshin's personal mythology verbalized in his poetry through the theme of alchemical fire. Traditionally researchers view Voloshin's poetic oeuvre in terms of two different periods and focus their studies on either one of them. No one has yet attempted a large scholarly work on the evolution of Voloshin's personal worldview, which dominated his entire poetic oeuvre, tied together different periods of his poetry, and triggered a striking poetic transformation in the middle of his literary career. My work addresses this gap, exploring the poet's worldview through the continuity and evolution of his poetic mythology during his entire literary career. My critical biography interprets Voloshin's poetic oeuvre both chronologically and thematically through selected poems combining the interconnected perspectives of myth criticism, the Symbolist theory of myth, comparative mythology, philology, linguistics and myth psychoanalysis. The first three chapters explore Voloshin's personal mythology during his early period (1900-1914). I survey the religious and personal subtexts of Voloshin's poetry in relation to his reputation as a jesting lover of paradoxes, a Franco-Russian poet and an erudite master of verse and examine his "alchemicar" artistic program of provocation. Chapter four addresses Voloshin's response to World War I, showing how he merged his personal myth of alchemical fire with the Symbolist myth of Apocalypse. Chapter five examines the new form and subject matter of Voloshin's poetics in his poetry on Revolution, focusing on his theory and practice of "biblical realism" and his poems on terror. I view the striking transformation of Voloshin's poetics during the Revolution as a result of the profound personal crisis caused by his experience of World War I and the Bolshevik Revolution, a tragic conflict between religious faith and reality, that gave birth to new, truly original, and powerful poetry. The dissertation demonstrates that as a poet Voloshin occupied a unique place in Russian Symbolism, as he evolved from the position of an experimenter within the Symbolist movement of 1900-1910 to that of a leading poet during the Revolution.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9780493109343Subjects--Topical Terms:

2144740
Slavic literature.
Subjects--Index Terms:

BiographyIndex Terms--Genre/Form:

542853
Electronic books.

The myth of fire in the poetry of Maksimilian Voloshin (1877-1932) : = A critical biography.
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520 $a This dissertation explores Voloshin's personal mythology verbalized in his poetry through the theme of alchemical fire. Traditionally researchers view Voloshin's poetic oeuvre in terms of two different periods and focus their studies on either one of them. No one has yet attempted a large scholarly work on the evolution of Voloshin's personal worldview, which dominated his entire poetic oeuvre, tied together different periods of his poetry, and triggered a striking poetic transformation in the middle of his literary career. My work addresses this gap, exploring the poet's worldview through the continuity and evolution of his poetic mythology during his entire literary career. My critical biography interprets Voloshin's poetic oeuvre both chronologically and thematically through selected poems combining the interconnected perspectives of myth criticism, the Symbolist theory of myth, comparative mythology, philology, linguistics and myth psychoanalysis. The first three chapters explore Voloshin's personal mythology during his early period (1900-1914). I survey the religious and personal subtexts of Voloshin's poetry in relation to his reputation as a jesting lover of paradoxes, a Franco-Russian poet and an erudite master of verse and examine his "alchemicar" artistic program of provocation. Chapter four addresses Voloshin's response to World War I, showing how he merged his personal myth of alchemical fire with the Symbolist myth of Apocalypse. Chapter five examines the new form and subject matter of Voloshin's poetics in his poetry on Revolution, focusing on his theory and practice of "biblical realism" and his poems on terror. I view the striking transformation of Voloshin's poetics during the Revolution as a result of the profound personal crisis caused by his experience of World War I and the Bolshevik Revolution, a tragic conflict between religious faith and reality, that gave birth to new, truly original, and powerful poetry. The dissertation demonstrates that as a poet Voloshin occupied a unique place in Russian Symbolism, as he evolved from the position of an experimenter within the Symbolist movement of 1900-1910 to that of a leading poet during the Revolution.
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