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Kantian zombies in modernity's graveyard : = Benjaminian allegory and the critique of enlightenment in Sigizmund Krzhizhanovsky.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Kantian zombies in modernity's graveyard :/
其他題名:	Benjaminian allegory and the critique of enlightenment in Sigizmund Krzhizhanovsky.
作者:	Kleiner, Rose.
面頁冊數:	1 online resource (60 pages)
附註:	Source: Masters Abstracts International, Volume: 76-02.
Contained By:	Masters Abstracts International76-02.
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1558697click for full text (PQDT)
ISBN:	9781303989001

Kantian zombies in modernity's graveyard : = Benjaminian allegory and the critique of enlightenment in Sigizmund Krzhizhanovsky.
Kleiner, Rose.

Kantian zombies in modernity's graveyard :Benjaminian allegory and the critique of enlightenment in Sigizmund Krzhizhanovsky. - 1 online resource (60 pages)

Source: Masters Abstracts International, Volume: 76-02.

Thesis (M.A.)--University of Colorado at Boulder, 2014.

Includes bibliographical references

Sigizmund Krzhizhanovsky (1887-1950) is known for his dense, surreal fiction that engages extensively with philosophical figures and concepts. His literary method of experimental realism brings abstract ideas to concrete life, exploring conceptual frameworks in fantastic allegory. This theoretically rich and historically oriented method resonates strikingly with Walter Benjamin's analysis of allegory in his Trauerspiel; reading them together, we can gain a clearer sense of Krzhizhanovsky's critical dimensions. This project narrows in specifically on the use of allegory in his interactions with the works of Immanuel Kant, often made to stand in for the Enlightenment project broadly conceived. Taking up three stories that illustrate the breadth of his engagement with Kant, this project closely reads the connections Krzhizhanovsky draws between the Kantian worldview and the catastrophic violence of the twentieth century. In reading his allegorical interactions with Kant through a Benjaminian lens, we see that Krzhizhanovsky is centrally concerned with the violent potential at the heart of the intellectual foundations of modernity. Tracing the decay of reason and Kantian subjectivity, Krzhizhanovsky presents the Enlightenment impulse as akin to a ruinous disease transforming humanity into a society of zombies.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9781303989001Subjects--Topical Terms:

570001
Comparative literature.
Index Terms--Genre/Form:

542853
Electronic books.

Kantian zombies in modernity's graveyard : = Benjaminian allegory and the critique of enlightenment in Sigizmund Krzhizhanovsky.
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504 $a Includes bibliographical references
520 $a Sigizmund Krzhizhanovsky (1887-1950) is known for his dense, surreal fiction that engages extensively with philosophical figures and concepts. His literary method of experimental realism brings abstract ideas to concrete life, exploring conceptual frameworks in fantastic allegory. This theoretically rich and historically oriented method resonates strikingly with Walter Benjamin's analysis of allegory in his Trauerspiel; reading them together, we can gain a clearer sense of Krzhizhanovsky's critical dimensions. This project narrows in specifically on the use of allegory in his interactions with the works of Immanuel Kant, often made to stand in for the Enlightenment project broadly conceived. Taking up three stories that illustrate the breadth of his engagement with Kant, this project closely reads the connections Krzhizhanovsky draws between the Kantian worldview and the catastrophic violence of the twentieth century. In reading his allegorical interactions with Kant through a Benjaminian lens, we see that Krzhizhanovsky is centrally concerned with the violent potential at the heart of the intellectual foundations of modernity. Tracing the decay of reason and Kantian subjectivity, Krzhizhanovsky presents the Enlightenment impulse as akin to a ruinous disease transforming humanity into a society of zombies.
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