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The Fiction of Sigizmund Krzhizhanovsky : = A Fractured Reality.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Fiction of Sigizmund Krzhizhanovsky :/
其他題名:	A Fractured Reality.
作者:	Stuntz, Lisa.
面頁冊數:	1 online resource (129 pages)
附註:	Source: Masters Abstracts International, Volume: 82-09.
Contained By:	Masters Abstracts International82-09.
標題:	Writers. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28249861click for full text (PQDT)
ISBN:	9798582585947

The Fiction of Sigizmund Krzhizhanovsky : = A Fractured Reality.
Stuntz, Lisa.

The Fiction of Sigizmund Krzhizhanovsky :A Fractured Reality. - 1 online resource (129 pages)

Source: Masters Abstracts International, Volume: 82-09.

Thesis (M.A.)--McGill University (Canada), 2016.

Includes bibliographical references

This Master's thesis examines the worldview of Sigizmund Krzhizhanovsky as represented in his fiction. Such an approach is justified both by the strangeness of Krzhizhanovsky's fictional worlds and the relative dearth of scholarship on the topic; although the bulk of his fiction was written in the 1920s, Krzhizhanovsky's works only gained critical attention in the West within the past ten years. This thesis aims to prove that Krzhizhanovsky views reality as fractured and uses his fiction to draw attention to this fragmentation and to examine the implications of life in a fractured world. In Krzhizhanovsky's stories, the logical chains of cause and effect break apart into a chaotic world that cannot be explained by philosophical reasoning and cannot support a coherent ethical system. As a consequence of fractured reality, its component parts-discrete objects, individuals, and moments-become more meaningful and Krzhizhanovsky turns to art and imagination as an alternative to fragmentation. The first chapter analyzes the philosophical background to Krzhizhanovsky's fiction, arguing that Krzhizhanovsky adapts certain ideas from the Vedanta, Leibniz, and Kant but largely rejects metaphysics as a source of knowledge. The second chapter shows how Krzhizhanovsky uses distortion, synecdoche, and personification to depict the fractured world, fractured body, and fractured self, respectively. In the third chapter, the thematic implications of fragmentation are examined, as Krzhizhanovsky both acknowledges the challenges of authorship in a fractured world and yet affirms the value of the imagination as a productive force.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798582585947Subjects--Topical Terms:

3549409
Writers.
Subjects--Index Terms:

Krzhizhanovsky, SigizmundIndex Terms--Genre/Form:

542853
Electronic books.

The Fiction of Sigizmund Krzhizhanovsky : = A Fractured Reality.
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500 $a Source: Masters Abstracts International, Volume: 82-09.
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504 $a Includes bibliographical references
520 $a This Master's thesis examines the worldview of Sigizmund Krzhizhanovsky as represented in his fiction. Such an approach is justified both by the strangeness of Krzhizhanovsky's fictional worlds and the relative dearth of scholarship on the topic; although the bulk of his fiction was written in the 1920s, Krzhizhanovsky's works only gained critical attention in the West within the past ten years. This thesis aims to prove that Krzhizhanovsky views reality as fractured and uses his fiction to draw attention to this fragmentation and to examine the implications of life in a fractured world. In Krzhizhanovsky's stories, the logical chains of cause and effect break apart into a chaotic world that cannot be explained by philosophical reasoning and cannot support a coherent ethical system. As a consequence of fractured reality, its component parts-discrete objects, individuals, and moments-become more meaningful and Krzhizhanovsky turns to art and imagination as an alternative to fragmentation. The first chapter analyzes the philosophical background to Krzhizhanovsky's fiction, arguing that Krzhizhanovsky adapts certain ideas from the Vedanta, Leibniz, and Kant but largely rejects metaphysics as a source of knowledge. The second chapter shows how Krzhizhanovsky uses distortion, synecdoche, and personification to depict the fractured world, fractured body, and fractured self, respectively. In the third chapter, the thematic implications of fragmentation are examined, as Krzhizhanovsky both acknowledges the challenges of authorship in a fractured world and yet affirms the value of the imagination as a productive force.
520 $a Cette these examine la vision du monde de Sigismund Krzyzanowski telle qu'elle se represente dans sa fiction. Une telle approche se justifie par l'etrangete des mondes fictifs de Krzyzanowski et par le manque relatif de l'etude sur le sujet ; bien que la majorite de sa fiction a ete ecrit dans les annees 1920, les oeuvres de Krzyzanowski seulement ont gagne l'attention critique dans l'Ouest au cours des dix dernieres annees. Cette these cherche a prouver que, de l'avis de Krzyzanowski, la realite se fracture et qu'il utilise sa fiction pour attirer l'attention sur cette fragmentation et pour examiner les implications d'existence dans un monde fracture. Dans les histoires de Krzyzanowski, les liens de cause a effet se brisent en morceaux, laissant un monde chaotique qui est impossible a expliquer avec le raisonnement philosophique et qui ne peut pas soutenir un systeme ethique coherent. En raison de la realite fracturee, ses elements constitutifs-des objets discrets, des individus et des moments-deviennent plus significatifs et Krzyzanowski affirme la valeur de l'art et de l'imagination comme une des alternatives a la fragmentation. Le premier chapitre analyse le contexte philosophique dans la fiction de Krzyzanowski, affirmant que Krzyzanowski adapte les idees du Vedanta, Leibniz et Kant, mais rejette generalement la metaphysique comme une source de connaissance. Le deuxieme chapitre explique comment Krzyzanowski utilise la distorsion, la synecdoque, et la personnification pour depeindre le monde fragmente, le corps fragmente, et le soi fragmente, respectivement. Dans le troisieme chapitre, les implications thematiques de la fragmentation sont examinees, puisque Krzyzanowski reconnait les defis de l'ecriture dans un monde fracture meme qu'il defend l'imagination comme une force productive.
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538 $a Mode of access: World Wide Web
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650 4 $a Slavic literature. $3 2144740
653 $a Krzhizhanovsky, Sigizmund
653 $a Fiction
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