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Maximilian Voloshin Between Spirit and Matter.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Maximilian Voloshin Between Spirit and Matter./
作者:
Leonenko, Elena.
面頁冊數:
1 online resource (75 pages)
附註:
Source: Masters Abstracts International, Volume: 83-03.
Contained By:
Masters Abstracts International83-03.
標題:
Slavic studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28545800click for full text (PQDT)
ISBN:
9798538168606
Maximilian Voloshin Between Spirit and Matter.
Leonenko, Elena.
Maximilian Voloshin Between Spirit and Matter.
- 1 online resource (75 pages)
Source: Masters Abstracts International, Volume: 83-03.
Thesis (M.A.)--University of Oregon, 2021.
Includes bibliographical references
This thesis considers in tandem the verbal and visual production of the Russian modernist poet and artist Maximilian Voloshin (1877-1932), whose work, I argue, was polarized between the spiritual and the material realms. This tension between spirit and matter is manifested in his poetry, prose, and visual works, as well as in his life-creation practices (zhiznetvorchestvo). I contend that Voloshin understood his creative task as being to display the true essence of things by purifying ideas or symbols of their material "layers", thereby recognizing the otherworldly in physical objects. One of Voloshin's most crucial concepts is the "Apollonian dream". He understood this as a source of the transcendental that coexists alongside the tangibility and concreteness of his poems and landscapes and his emphasis on form. This spirit-matter dyad is reflective of the profoundly eclectic nature of Voloshin's creative corpus which emerged at the intersection of Naturalism, Symbolism, and Acmeism.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798538168606Subjects--Topical Terms:
3171903
Slavic studies.
Subjects--Index Terms:
Voloshin, MaximilianIndex Terms--Genre/Form:
542853
Electronic books.
Maximilian Voloshin Between Spirit and Matter.
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Includes bibliographical references
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This thesis considers in tandem the verbal and visual production of the Russian modernist poet and artist Maximilian Voloshin (1877-1932), whose work, I argue, was polarized between the spiritual and the material realms. This tension between spirit and matter is manifested in his poetry, prose, and visual works, as well as in his life-creation practices (zhiznetvorchestvo). I contend that Voloshin understood his creative task as being to display the true essence of things by purifying ideas or symbols of their material "layers", thereby recognizing the otherworldly in physical objects. One of Voloshin's most crucial concepts is the "Apollonian dream". He understood this as a source of the transcendental that coexists alongside the tangibility and concreteness of his poems and landscapes and his emphasis on form. This spirit-matter dyad is reflective of the profoundly eclectic nature of Voloshin's creative corpus which emerged at the intersection of Naturalism, Symbolism, and Acmeism.
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